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A complete verse translation of Faust Parts I & II with stage instructions and line numbers.

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Part I: Preliminaries (Dedication, Prelude, Prologue) Scenes I-III (Night, City-Gate, Study) Scenes IV-VI (Study, Auerbach's Cellar, Witches' Kitchen) Scenes VII-XV (Street, Evening, Promenade, Neighbour's House, Street, Garden, Arbour, Forest, Gretchen's Room) Scenes XVI-XXV (Martha's Garden, Fountain, Tower, Night, Cathedral, Walpurgis Night, Oberon and Titania, Dreary Day, Night, Dungeon) Part II: Act I Scenes I-VII (Landscape, Castle, Hall, Pleasure-Garden, Gallery, Brightly-Lit Halls, Hall of the Knights) Act II Scenes I-IV (Chamber, Laboratory, Classical Walpurgis Night, Upper Peneus River) Act II Scenes V-VI (Aegean Coves, Telchines of Rhodes) Act III Scenes I-II (Menelaus' Palace, Castle Court) Act IV Scenes I-III (Mountains, Headland:Battle, Emperor's Tent) Act V Scenes I-VII (Country, Garden, Palace, Night, Midnight, Outer Court, Mountain:Forest:Rock:Desert)...

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Twenty-Nine More Poems including Beatrice, The Void.

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To A Woman of Malabar Bertha’s Eyes ‘Je n’ai pas oublié, voisine de la ville,’ ‘La servante au grand coeur dont vous étiez jalouse,’ Landscape The Sun Sorrows of the Moon Don Juan in Hell On Tasso in Prison (Eugène Delacroix’s painting) Femmes Damnées Beauty The Jewels Beatrice Exotic Perfume A Phantom II: The Perfume Afternoon Song The Death of Lovers To A Red-headed Beggar-girl The Death of the Poor Lover’s Wine The Solitary’s Wine The Pipe The Ransom Clouded Sky The Living Torch Spleen Far Away from Here The Void The Moon, Offended Index by First Line...

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Selected unexpurgated epigrams.

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De Spectaculis:1 The New Colosseum De Spectaculis:2 Rome restored De Spectaculis:6 On display BookI:1 He’s here Book I:32 I don’t love you… Book I:34 Lesbia Book I:77 Charinus, exhausted Book I:91 The critic Book I:94 Changed Book I:115 A certain girl Book II:25 Promises Book II:38 A fine view Book II:87 Amazing Book III:9 A silent critic Book III:26 Possession Book III:27 Dinner invitations Book III:53 Sorry Chloe Book III:79 Incomplete Book III: 90 Uncertainty Book IV: 76 Half measures Book V:34 Erotion the slave-girl Book V:47 It’s logical Book V:58 Carpe diem Book V:64 The Mausoleum of Augustus Book V:66 Ave, Pontilianus Book V:81 It’s a law Book V:83 Contrary Book VI:40 Tempus fugit Book VI:60 My books Book VI:90 Bigamy Book VII:3 No thanks Book VII:14 True loss Book VII:30 Hard to please Book VII:73 Tell me, Maximus Book VII:76 The reality Book VIII:13 False description Book IX:8 Double negative Book X:14 Stop complaining Book X:29 My gifts Book X:32 Marcus Antonius Primus Book X:33 The hidden rule Book X:47 The good life Book X:50 Too soon Book X:97 Expectations dashed Book XI:3 No...

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Twenty-four poems in translation.

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Absence Easy Talking of Power and Love The Beloved Max Ernst Series Obsession Nearer To Us Open Door The Immediate Life Lovely And Lifelike The Season of Loves As Far As My Eye Can See In My Body’s Senses Barely Disfigured In A New Night Fertile Eyes I Said It To You It’s The Sweet Law Of Men The Curve Of Your Eyes Liberty Ring Of Peace Ecstasy Our Life Uninterrupted Poetry Index of First Lines...

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A collection of tales presented as part of a story-telling contest by a group of pilgrims as they travel together on a journey from Southwark to the shrine of Saint Thomas Becket at Canterbury Cathedral. The prize for this contest is a free meal at the Tabard Inn at Southwark on their return. This is a modernized translation, retaining Chaucer's rhyme scheme, and close to the original, but eliminating archaisms which would require explanatory notes....

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Section I - The General Prologue Section II - The Knight’s Tale Section III - The Miller’s Prologue and Tale Section IV -The Reeve’s Prologue and Tale, and the Cook’s Prologue and Tale Section V - The Man of Law’s Prologue, Tale and Epilogue Section VI - The Wife of Bath’s Prologue and Tale Section VII - The Friar’s Prologue and Tale, and the Summoner’s Prologue and Tale Section VIII - The Clerk’s Prologue and Tale Section IX - The Merchant’s Prologue, Tale and Epilogue Section X - The Squire’s Prologue and Tale Section XI - The Squire-Franklin Link, and the Franklin’s Prologue and Tale Section XII - The Physician’s Tale, the Physician-Pardoner Link, and The Pardoner’s Prologue and Tale Section XIII - The Shipman’s Tale, and The Prioress’s Tale Section XIV - The Prioress- Sir Topaz Link, Sir Topaz, the Topaz-Melibee Link, and The Tale of Melibee Section XV - The Monk’s Prologue and Tale Section XVI - The Nun’s Priest’s Prologue, Tale and Epilogue Section XVII - The Second Nun’s Prologue and Tale Section XVIII - The Canon’s Yeoman’s Prologue and Tale Section XIX - The Manciple’s Prologue and Tale, The Parson’s Prol...

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From L'Olive augmentée, Les Regrets, and others.

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Translator’s Introduction D'un vanneur de blé aux vents To you, fleeting things, ‘La nuit froide et sombre’ The night cold and sombre ‘Quand ton col de couleur rose’ When your neck like a rose Sonnets from L’Olive augmentée ‘Je ne quiers pas la fameuse couronne,’ For that famous crown I feel no longing, ‘D'amour, de grace, et de haulte valeur’ With love, with grace and with noble value ‘Loyre fameux, qui ta petite source’ Famed Loire, who swell your little source ‘Me soit amour ou rude, ou favorable,’ Whether love is harsh to me or favourable, ‘Or’ que la nuit son char etoilé guide’ Now that Night her starry chariot plies, ‘Que n’es-tu las (mon desir) de tant suyvre’ Are you not weary (my desire) of following, ‘Déjà la nuit en son parc amassoit’ Already night has gathered in her train ‘Dieu qui reçois en ton giron humide’ River-god who receives in your humid flow, ‘Ny par les bois les Driades courantes,’ Not Dryads running lightly through the trees, ‘S'il a dict vray, seiche pour moy l'ombrage’ If he spoke true, then parch for me the shade ‘Esprit divin, que la troupe honnorée,’ Spirit divine, whom the h...

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Ovid's help for lovers trying to escape from love.

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Part I: Words with Cupid, and The Task Part II: Treat it Early: Fill Your Time with War or Law Part III: You Can Also Farm, Hunt, or Travel Part IV: But Forget Witchcraft! Part V: Contemplate her Defects Part VI: Now About Sex Part VII: Have More Than One Lover Part VIII: Be Cool With Her Part IX: Or Sate Yourself With Her Part X: Forget Her, and Don’t Be Alone Part XI: Now, Keep Away From Her Part XII: Don’t Weaken Part XIII: Get Rid of all Reminders Part XIV: Avoid the Arts Part XV: Love your Rival Part XVI: The Doctor’s Last Advice...

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It describes the lifestyle of the poet and his friends, as well as, most famously, his love for the woman he calls Lesbia.

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1. The Dedication: to Cornelius 2. Tears for Lesbia’s Sparrow 2b. Atalanta 3. The Death of Lesbia’s Sparrow 4. His Boat 5. Let’s Live and Love: to Lesbia 6. Flavius’s Girl: to Flavius 7. How Many Kisses: to Lesbia 8. Advice: to himself 9. Back from Spain: to Veranius 10. Home Truths for Varus’s girl: to Varus 11. Words against Lesbia: to Furius and Aurelius 12. Stop Stealing the Napkins! : to Asinius Marrucinus 13. Invitation: to Fabullus 14. What a Book! : to Calvus the Poet 15. A Warning: to Aurelius 16. A Rebuke: to Aurelius and Furius 17. The Town of Cologna Veneta 21. Greedy: To Aurelius. 22. People Who Live in Glass Houses: to Varus 23. Poverty: to Furius 24. Furius’s Poverty: to Iuventius 25. My Things Back Please: to Thallus 26. The Mortgage: to Furius 27. Falernian Wine 28. Patronage: to Veranus and Fabullus 29. Catamite 30. Faithlessness: to Alfenus 31. Sirmio 32. Siesta: to Ipsíthilla 33. A Suggestion: to Vibennius 34. Song: to Diana 35. Cybele: to Caecilius 36. Burnt-Offering: to Volusius’s Droppings 37. Free for All: to the Regulars and Egnatius 38. A Word Please: to Cornificius 39. ...

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An original essay on Poetic translation.

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1. A New and Present Life 2. The Sacred Marriage 3. The Retrieval of Meaning 4. The Ghost in the Machine 5. The Disease of Translation 6. Another Voice...

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Twenty-six sonnets by Luis de Góngora y Argote.

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‘When, at the rising of the sun, my nymph’ To A Rose To A Very Pale Lady Dressed in Green ‘With such distinction, such grace’ ‘What, out of ivory from the Ganges,’ A Lady’s Tears and Sighs ‘Sacred temple of pure honesty,’ ‘From the crystal of your divine hand’ Inscription for El Greco’s Tomb To A White Poplar Grove To The Court Ladies asking Favour for Andalusian Gallants ‘Lovely and illustrious Maria,’ ‘The sweet mouth that invites you to taste’ ‘The white lilies, children of the Sun,’ Of Human Ambition On the Deceptive Brevity of Life ‘While yet in competing with your hair,’ ‘No ship, wrecked on some harsh reef,’ ‘Oh, bright honour of the liquid element,’ To Cordoba To The Quadalquivir Of a Lady Pricked by a Ring To A Girl, Now Become a Beautiful Lady To Memory: Of Death and Hell To A Grove of White Poplars ‘Green rushes of the kindly Douro wove’ Index of First Lines...

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A new complete translation of his prose Memoirs, Mémoires d’outre-tombe.

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Testamentary Preface 1833 Book I Childhood 1768-1777 Book II Boyhood 1777-1784 Book III Adolescence, Combourg 1784-1786 Book IV Regiment, Court, Paris 1786-1789 Book V Revolution 1789-1791 Book VI To America 1791 Book VII Travels in New York State 1791 Book VIII Kentucky, Virginia, Return to France 1791-1792 Book IX With the Army of the Princes 1792 Book X Exile in England 1793-1797 Book XI First Literary Works 1798-1799 Book XII England, and Return to France 1799-1800 Book XIII Literary Fame 1800-1803 Book XIV Travels in the Midi, Napoleon, Rome 1802-1803 Book XV The Death of Madame de Beaumont, Rome 1803-1804 Book XVI The Execution of the Duc d’Enghien 1804 Book XVII Travels in the Auvergne, The Death of Lucile 1804-1805 Book XVIII The Levant, Armand, Les Martyrs 1806-1814 Book XIX Napoleon: Early Life, Italy, Egypt, 18th Brumaire: to 1800 Book XX Napoleon: Italy, Germany, Spain, The Papal States: to 1812 Book XXI Napoleon: Russia - Invasion and Retreat: to 1813 Book XXII Napoleon - Defeat and Exile: to 1815 Book XXIII Napoleon - The Hundred Days: 1815 Book XXIV Napoleon - St Helena: 1815-1821...

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A critical study of Ovid's Metamorphoses hyper-linked to the preceding translation.

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I The Golden Honeycomb II The Dual Paths of Art III The Structure of the Metamorphoses IV Ovid’s Interest in Myth V Nature,The Matrix VI The Power of the Gods VII The Nature of the Male Gods VIII The Nature of the Goddess IX Justice, Moderation, Order and Rights X Anger, Vengeance and Destiny XI Magic and Prophecy XII Fate and Error XIII Lust, Love, Sexuality and Betrayal XIV Loyalty and Marriage XV Pride and Vanity XVI Respect and Impiety XVII Crime and Punishment XVIII Ovid’s attitude to War and Violence XIX Tenderness, Pity, Pathos and Regret XX Ovid’s Civilised Values, the Sacred Other XXI The Later Influence of the Metamorphoses XXII The Wings of Daedalus...

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The poems of the Canti below are complete but not in their originally published order. I have taken the liberty of re-arranging them into four groups, Personal (Poems 1-11), Philosophical (12-24), ‘Romantic’ (25-34), and Political (35-41). These categories are not exact, as Leopardi frequently blends elements together in the one poem, but they may help the reader, as they helped me, to adjust to his variations in style. The original published position of each poem is given in Roman numerals in the brackets following the poem’s title....

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1. To Silvia (XXI) 2. The Infinite (XII) 3. The Evening Of The Holiday (XIII) 4. To the Moon (XIV) 5. Saturday Night In The Village (XXV) 6. To Himself (XXVIII) 7. Night-Song Of A Wandering Shepherd of Asia (XXIII) 8. First Love (X) 9. The Solitary Bird (XI) 10. Imitation (XXXV) 11. Scherzo (XXXVI) 12. Moon-Set (XXXII) 13. Wild Broom (XXXIV) 14. The Calm After The Storm (XXIV) 15. Masterful Thought (XXVI) 16. Love And Death (XXVII) 17. Bas-Relief On An Ancient Tomb (XXX) 18. On A Lovely Lady’s Image (XXX1) 19. To Spring (or Of The Ancient Myths) (VII) 20. Hymn To The Patriarchs (VIII) 21. Sappho’s Last Song (IX) 22. To Count Carlo Pepoli (XIX) 23. Fragment (From Simonides I: XL) 24. Fragment (From Simonides II:XLI) 25. The Dream (XV) 26. The Solitary Life (XVI) 27. To His Lady (XVIII) 28. Memories (XXII) 29. The Re-awakening (Il Risorgimento: XX) 30. Consalvo (XVII) 31. Aspasia (XXIX) 32. Fragment (Alcetas and Melissus: XXXVII) 33. Fragment (Separation: XXXVIII) 34. Fragment (Turned to Stone: XXXIX) 35. To Italy (I) 36. On the Proposed Dante Monument in Florence (II) 37. To Angelo Mai (III) 38. F...

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A new Anthology of 1400 Quotations from the complete works arranged by theme.

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Commands Compassion, Empathy, Mercy and Forgiveness Compliments and their Opposites Conscience and Doubt Constancy, Trust and Faith Courage and Cowardice Crime, Punishment, Justice and the Law Death and Fate Dishonour, Dishonesty, Inconstancy and Betrayal Doctors, Illness, Medicine England and Elsewhere Freedom and Imprisonment Friendship Good Advice and Bad Good Wishes and their Opposites Happiness and Sadness, Humour and Gravity Honour and Honesty Kings and Kingship Journeys and Travel Language and the Arts Learning, Literature, Wit, Wisdom and Foolishness London Love and Jealousy, Hatred and Envy Lust, Desire, Passion, Sexuality Madness and Sanity Magic, Astrology, Superstition, and the Supernatural Men Music, Song and Dance Myths and Fables Nature , Trees, Flowers, Creatures Ownership, Money and Possession Prayers, Pleas, Curses, Threats and Promises Pride and Humility Rank and Status, Power, Order, Custom and Authority Service and Slavery Sleep, Waking, Dreams, Visions and Imagination Sons and Daughters Theatre, Drama and the Stage Time Truths, Truisms, Proverbs and Philosophy War and Co...