Searched over 7.2 Billion pages in 0.3 seconds
Please wait while the eBook Finder searches for your request. Searching through the full text of 2,850,000 books. Full Text searches may take up to 1 min.
...aordinary. We received over 850 written comments, most of which were filed by individuals who have concerns about the use of orphan works. As you know... ...rks whose owners cannot be located. I write to support such an undertaking by your office. As established by Section 104 of the Sonny Bono Copyright T... ...iety of American Archivists, Stanford University Libraries, UCLA Film and Television Archive); • museums (e.g., The J. Paul Getty Trust, The Metropo... ...s (e.g., American Federation of Musicians (“AFM”), American Federation of Television and Radio Artists (“AFTRA”), Recording Artists Coalition); • r... ...scribing a situation involving a 1933 feature film produced by Paramount; Universal now owns most of the Paramount library from the time period, but... ...question); Grayson (R43) (also discussing situation between Paramount and Universal). Page 27 REPORT ON ORPHAN WORKS U NITED STATES COPYRIGHT OFF... .... Berard (181) (describing a group of users who are interested in a radio series whose original right holders were known, but also known to be decea... ...k, if it wanted to make additional derivative works (such as a television series based on the original motion picture it created), it would need per...
...t addresses the issue of “orphan works,” a term used to describe the situation where the owner of a copyrighted work cannot be identified and located by someone who wishes to make use of the work in a manner that requires permission of the copyright owner. Even where the user has made a reasonably diligent effort to find the owner, if the owner is not found, the user faces...
...ission, should make it as clear as possible to the public that the work is the product of another author, and that the copyright in the work is owned by another....