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Pas de Quatre

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Title: Pas de Quatre  
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Subject: Cesare Pugni, Romantic ballet, Pas de quatre (ballet), Lucile Grahn, Ulyana Lopatkina
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Pas de Quatre

This article is about the ballet divertissement to music by Cesare Pugni. For the general ballet term, see Pas de quatre (ballet).
Pas de Quatre
Lithograph by A. E. Chalon of Carlotta Grisi (left), Marie Taglioni (center), Lucille Grahn (right back), and Fanny Cerrito (right front) in the Perrot/Pugni Pas de Quatre, London, 1845
Choreographer Jules Perrot
Music Cesare Pugni
Premiere 12 July 1845
His Majesty's Theatre, London, U.K.
Created for Lucile Grahn, Carlotta Grisi, Fanny Cerrito, and Marie Taglioni
Genre Romantic ballet
Type ballet divertissement

Pas de Quatre is a ballet divertissement choreographed by Jules Perrot in 1845, on the suggestion of Benjamin Lumley, Director at His Majesty's Theatre, to music composed by Cesare Pugni.

On the night it premiered in London, (12 July 1845) it caused a sensation with the critics and the public alike. The reason for this was that it brought together, on one stage, the four greatest ballerinas of the time — in order of appearance, Lucile Grahn, Carlotta Grisi, Fanny Cerrito, and Marie Taglioni. (The fifth great Romantic ballerina of the time, Fanny Elssler, was invited to take part in the gala event but declined to do so; the young Lucile Grahn accepted without hesitation.)

Pas de Quatre captured the essence of the Romantic style as the ballerinas danced with demure lightness, delicacy, and poise. The steps demand that each area of classical ballet technique is executed. These areas include adagio movements, petite allegro, grand allegro, fast footwork, graceful changes of position, and the elegant and fluid arm movements that have become a signature element of Pas de Quatre. Each ballerina has an individual variation, which are performed in succession between an opening and finale that are danced by all the ballerinas together. These variations were choreographed for the ballerina premiering in each role, and were designed to display the best features of each.

History

The order of appearance of the ballerinas was done by age, from youngest to oldest, to squelch further confrontations between them. The original cast of Pas de Quatre only danced four performances together; Queen Victoria and Prince Albert were in attendance on 17 July 1845, at the third of these four performances.[1]

Dolin restaging

Nearly one hundred years later, in 1941, the Ballet was restaged by choreographer Anton Dolin. The dancers he used were, in order of appearance: Nathalie Krassovska as Lucile Grahn, Mia Slavenska as Carlotta Grisi, Alexandra Danilova as Fanny Cerrito, and Alicia Markova as Marie Taglioni. Since then many ballet companies and dancers have performed the piece.

The sole and exclusive rights to perform Dolin's Pas de Quatre were left to Festival Ballet (now Royal) dancers Belinda Wright and Jelko Yuresha, husband and wife. Wright and Dolin had known each other since Wright was a young dancer. She had won a Pavlova Award and caught Dolin's attention. Wright was a principal with Dolin's Festival Ballet after years with the English National Ballet, and her husband Yuresha was a soloist. When Dolin died, his estate, run by his nephew Phillip, bestowed the rights to Pas de Quatre to Wright and Yuresha. Dolin's Pas de Quatre may not be staged, performed, produced or recorded without their permission and their doing the staging, etc.

References

  1. ^ "Ballet Lessons Online – Ballet Dictionary online," LearnToDance.com. Accessed Feb. 16, 2015.
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