World Library  
Flag as Inappropriate
Email this Article

Art blog

Article Id: WHEBN0020992140
Reproduction Date:

Title: Art blog  
Author: World Heritage Encyclopedia
Language: English
Subject: Blog, Paddy Johnson, Tyler Green (journalist), Blogs, Art critic
Collection: Art Websites, Blogospheres, Blogs
Publisher: World Heritage Encyclopedia
Publication
Date:
 

Art blog

An art blog is a common type of blog that comments on art. More recently, as with other types of blogs, some art blogs have taken on 'web 2.0' social networking features. Art blogs that adopt this sort of change can develop to become a source of information on art events (listings and maps), a way to share information and images, or virtual meeting ground.

Art blogs entries cover different topics, from art critiques and commentary to insider art world gossip, auction results, art news, personal essays, portfolios, interviews, artists’ journals, art marketing advice and artist biographies. Some artists use art blogs as a form of new media art project.

Art blogs may also serve as a forum to reach out to anybody interested in art — be it painting, sculpture, print making, creative photography, video art, conceptual art or new media. In this way, they may be visited not only for the practitioners of different forms of art, but also collectors, connoisseurs, and critics.

Contents

  • Mainstream media 1
  • Academia 2
  • Other coverage 3
  • List of notable art blogs and art bloggers 4
  • References 5

Mainstream media

In 2011, art critic Brian Sherwin interviewed art critic Mat Gleason of Coagula Art Journal for Faso.com's FineArtViews blog. The interview between Sherwin and Gleason focused on contemporary art criticism and the role of art blog’s in present day art criticism among other issues. Gleason suggested to Sherwin that art blogs and the development of new media have become a "blow" to traditional print art magazines. Gleason and Sherwin also discussed how bloggers form a "pack mentality" based on region and perceived significance.[1][2]

On April 28, 2009, Art Connect produced an in-depth interview by Peter Cowling for Art Connect and Jessica Palmer of Bioephemera. The interview, titled It is not Really Bloggers vs. Journalists, You Know,[3] pointed to five trends that were shaping the communication and discussion of art on the internet, and that the real picture was much bigger than just the bloggers vs. journalists that had been discussed to date. These five points were:

  • Media convergence will continue to improve consumer choice, providing a better match between desire and availability.
  • Content producers are just that. Consumers care less about how and where they can get the content they want. What they do consistently care about is the quality of the content, and whether the content is produced to their timescales.
  • The content producer-to-content consumer relationship is changing. Requests for feedback and further debate have been partially overtaken by things like conversations, and further fragmentation will certainly occur.
  • Information technology and systems, provided as commodity (pay-as-you-go) services. Such services range from processing and storage, through to credit card processing and super-fast content delivery.
  • The economic downrun.

On January 8, 2009, Regina Hackett, art critic of the Seattle Post-Intelligencer, noted in her article Art Blogs Hit WorldHeritage [4] that commercially run, mainstream media supported, art blogs face issues of acceptance among the independent art blogging community.

On January 7, 2009, The Village Voice art critic Martha Schwendener suggests that art blogs have helped shape a more laissez-faire climate for art writing. "Art blogs have created a new, largely unedited, admirably 'unprofessional'—hence, democratic—venue for people to speak their minds, gossip, or theorize about art."[5]

In September 2008, the Brooklyn Rail contributor James Kalm produced an article titled "Virtually Overwhelmed.".[6] A practicing artist and video blogger himself, Kalm has this to say about art blogs, "The art blogosphere is a work in progress, and you’ve got to be vigilant of hidden agendas. As with anything online, take it with a grain of salt. Have fun, speak out, but don’t let it cut too much into your studio time; you might end up in a twelve step-program."

In the November 2007 issue of Art in America, Peter Plagens contributed "Report from the Blogosphere: The New Grass Roots."[7] Plagens convened a round table of veteran art bloggers, who conversed via email on a range of questions, aimed at getting a better understanding of the what art blogs were, how they were run, and their relationship with the mainstream media.

In an October 2007 article for artnet Magazine, critic Charlie Finch suggested that art critiques and reviews by art bloggers are overrated and lengthy, and implied that the art blogging community was overly insular.[8] The article includes several ad hominen arguments against specific art bloggers, and ventures the opinion that art blogs "have no readers".

In the January 2005 issue of Art in America,[9] Raphael Rubinstein mentioned several blogs in the magazine's "Front Page" section, where he penned a brief, annotated survey of 12 art blogs that he found "to be worth regular visits.". Rubinstein opined that "art-related blogs" had not, at the time, become as consequential as blogs in other fields such as poetry or politics.

Academia

In December 2008, the art blog The Dump,[10] where the new-media artist Maurice Benayoun dumped hundreds of undone art projects, was the first to become a doctorate thesis in art and art science in and of itself: Artistic Intentions at Work, Hypothesis for Committing Art Université Pantheon Sorbonne (December 6, 2008) This PhD was directed by Prof. Anne-Marie Duguet. Jury : Prof. Hubertus von Amelunxen, Louis Bec, artist, Prof. Derrick de Kerckhove, and Prof. Jean da Silva.
In May 2010, The Dump – Recycling of Thoughts, a contemporary art exhibition curated by Agnieszka Kulazińska at Laznia Art Center (Gdansk, Poland) presented 9 artists whose works were derived from The Dump blog project list.[11]

Other coverage

Other coverage of art blogs includes interviews of art bloggers, reviews of art blog site, and recommendations of favourite sites. Art Connect has produced around 90 reviews of art blogs, and undertakes interviews with art bloggers.[12] The Courtauld Institute of Art, in London, maintains a list of recommended art blogs .[13] Directories such as Yahoo! Directory and BlogCatalog maintain a list of user submitted art blogs.

List of notable art blogs and art bloggers

  • An Assembly [14] is an art blog by An Assembly, an exhibition making collective from Harlem, NY. Covers current art practices.
  • Absent Without Leave [15] is an artist's blog by Ivan Pope, artist and internet evangelist. AWoL covers art practice, other artists work and the wider art world.
  • Brian Sherwin art critic covering art news, art criticism, and art marketing tips. Maintains The Art Edge. [16]
  • The Daily Render by Nikolas R. Schiller, periodically updated art blog by map artist Nikolas Schiller.[17] Created in May 2004, the author uses the blog format to post renderings of arabesque aerial photographs of cities throughout the United States of America. The format employed is that of a portfolio that tangentially includes art criticism, upcoming gallery exhibits, publications, videos, and social commentary.
  • The Dump by the French new media artist Maurice Benayoun delivering hundreds of undone art projects [18]
  • Latent Image[19] was founded in 2010. This site posts once a day featuring contemporary photography.
  • Hyperallergic, founded by the art critic Hrag Vartanian and his husband Veken Gueyikian in October 2009. The site describes itself as a "forum for serious, playful and radical thinking."[20]
  • Modern Art Notes,[21] maintained by Tyler Green, covers modern and contemporary art issues and criticism.
  • NEWSgrist,[22] maintained by artist Joy Garnett, began in March 2000 as an e-zine devoted to the politics of art and culture in the digital age. For four years it was distributed entirely by email subscription.
  • Paddy Johnson art critic covering art news and art world gossip. Maintains Art F City. [23]
  • PORT, co-founded in 2005 by Jennifer Armbrust and Jeff Jahn (who still maintains the site) PORT[24] focuses on critical content related to the Portland art scene. PORT describes itself as "dedicated to catalyzing critical discussion and disseminating information about art as lensed through Portland, Oregon." In the November 2007 Art in America roundtable Plagens described PORT as, "the closest thing to the virtues (paid critics, office help, etc.) of a print art magazine on the Internet...." In 2007 Tyler Green described PORT as, "The undisputed champ of the regional art blogs." on Off Center, the Walker Art Center's blog.
  • The Silo[25] is maintained by art critic and poet Raphael Rubinstein. A revisionist “dictionary” of contemporary art aimed at challenging existing accounts of art since 1960 and to offer a fresh look at some well known artists, The Silo was originally funded by an Andy Warhol/Creative Capital Arts Writing Grant.
  • Wooster Collective[26] was founded in 2001. This site focuses on ephemeral art placed on streets in cities around the world. Updated by Marc and Sara Schiller, the site also offers podcasting with music and interviews featuring street artists.

References

  1. ^ "FineArtViews Interview: Mat Gleason -- Art Critic and Founder of Coagula Art Journal", Faso.com - FineArtViews. Retrieved 7 January 2012.
  2. ^ "FineArtViews Interviews Mat Gleason, Art Critic/Founder of Coagula", Huffington Post. Retrieved 7 January 2012.
  3. ^ Cowling, Peter and Palmer, Jessica, "It is not Really Bloggers vs. Journalists, You Know", April 2009 [1]
  4. ^ Hackett, Regina, "Art Blogs Hit WorldHeritage." Seattle Post-Intelligencer, January 2009. [2]
  5. ^ Schwendener, Martha, "What Crisis? Some Promising Futures for Art Criticism." The Village Voice, January 2009. [3]
  6. ^ Brooklyn RailKalm, James, "Virtually Overwhelmed."
  7. ^ Plagens, Peter, "Report from the Blogosphere: The New Grass Roots." Art in America, November 2007. [4]
  8. ^ Finch, Charlie, "A NOT-SO-VAST RIGHT-WING CONSPIRACY" artnet Magazine, [5]
  9. ^ Rubinstein, Rafael, "Art in the Blogoshere." Art in America, "Front Page," January 2005. [6]
  10. ^ The Dump Art Blog by Maurice Benayoun
  11. ^ art exhibition by Agnieszka KulazińskaThe Dump Recycling of Thoughts
  12. ^ Art Connect review of art blogs
  13. ^ List of art blogs recommended by the Courtauld Institute of Art, London, [7]
  14. ^ An Assembly
  15. ^ Absent Without Leave
  16. ^ Brian Sherwin
  17. ^ The Daily Render by Nikolas R. Schiller
  18. ^ [8] Without Bounds by Barbara Robertson in CGW volume 32 issue 4 April 2009
  19. ^ Latent Image
  20. ^ http://hyperallergic.com/
  21. ^ Modern Art Notes
  22. ^ NEWSgrist
  23. ^ Paddy Johnson
  24. ^ PORT
  25. ^ The Silo
  26. ^ The Wooster Collective
This article was sourced from Creative Commons Attribution-ShareAlike License; additional terms may apply. World Heritage Encyclopedia content is assembled from numerous content providers, Open Access Publishing, and in compliance with The Fair Access to Science and Technology Research Act (FASTR), Wikimedia Foundation, Inc., Public Library of Science, The Encyclopedia of Life, Open Book Publishers (OBP), PubMed, U.S. National Library of Medicine, National Center for Biotechnology Information, U.S. National Library of Medicine, National Institutes of Health (NIH), U.S. Department of Health & Human Services, and USA.gov, which sources content from all federal, state, local, tribal, and territorial government publication portals (.gov, .mil, .edu). Funding for USA.gov and content contributors is made possible from the U.S. Congress, E-Government Act of 2002.
 
Crowd sourced content that is contributed to World Heritage Encyclopedia is peer reviewed and edited by our editorial staff to ensure quality scholarly research articles.
 
By using this site, you agree to the Terms of Use and Privacy Policy. World Heritage Encyclopedia™ is a registered trademark of the World Public Library Association, a non-profit organization.
 


Copyright © World Library Foundation. All rights reserved. eBooks from Project Gutenberg are sponsored by the World Library Foundation,
a 501c(4) Member's Support Non-Profit Organization, and is NOT affiliated with any governmental agency or department.