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David Copperfield (1935 film)

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Title: David Copperfield (1935 film)  
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Subject: George Cukor, Herbert Mundin, David Copperfield, Hugh Walpole, David Copperfield (1974 TV serial)
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David Copperfield (1935 film)

David Copperfield
1935 US Theatrical Poster
Directed by George Cukor
Produced by David O. Selznick
Written by Novel:
Charles Dickens
Hugh Walpole
Howard Estabrook
Lenore J. Coffee
Starring W. C. Fields
Lionel Barrymore
Freddie Bartholomew
Maureen O'Sullivan
Basil Rathbone
Music by Herbert Stothart
William Axt
Cinematography Oliver T. Marsh
Edited by Robert Kern
Distributed by Metro-Goldwyn-Mayer
Release dates January 18, 1935 (1935-01-18)
Running time 130 minutes
Country United States
Language English
Budget $1,073,000[1][2]
Box office $1,621,000 (Domestic earnings)[1][2]
$1,348,000 (Foreign earnings)[1]
Mr. Micawber (played by W. C. Fields) addresses young David Copperfield (Freddie Bartholomew).

David Copperfield is a 1935 American film released by Metro-Goldwyn-Mayer based upon the Charles Dickens novel The Personal History, Adventures, Experience, & Observation of David Copperfield the Younger. A number of characters and incidents from the novel were omitted - notably David's time at Salem House boarding school, although one character he met at Salem House (Steerforth) was retained for the film as a head boy at the school David attended after his aunt Betsey Trotwood gained custody of him.

The film was adapted by George Cukor.


  • Cast (in order of appearance) 1
  • Production 2
  • Reception 3
  • See also 4
  • References 5
  • External links 6

Cast (in order of appearance)

Arthur Treacher has a cameo as the man with the donkey who steals young David's money, forcing him to walk from London to Dover.


David O. Selznick dearly wanted to film David Copperfield, as his Russian father Lewis J. Selznick had learned English through it, and read it to his sons every night. After failing to dissuade Selznick from the project, Louis B. Mayer, his father-in-law and employer, agreed that MGM would underwrite the production provided his star child contract actor, Jackie Cooper, was cast in the role of the young David. Selznick fought to remain true to the novel's origins and prevailed, and the role went to Freddie Batholomew after an extensive talent search in Canada and Great Britain by Selznick and George Cukor.

Cedric Gibbons designed a recreation of 19th century London on the MGM backlot.[3] The scenes set outside Aunt Betsey's house atop the white cliffs of Dover were filmed at Malibu. MGM even filmed the exterior of Canterbury Cathedral, which only appears in the film for less than a minute. Special effects, including many matte shots, were by Slavko Vorkapić.[3]

External links

  1. ^ a b c Glancy, H. Mark "When Hollywood Loved Britain: The Hollywood 'British' Film 1939-1945" (Manchester University Press, 1999)
  2. ^ a b c The Eddie Mannix Ledger, Los Angeles: Margaret Herrick Library, Center for Motion Picture Study .
  3. ^ a b Deschner, Donald (1966). The Films of W.C. Fields. New York: Cadillac Publishing by arrangement with The Citadel Press. p. 106. 
  4. ^ a b  
  5. ^ David Thomson, Showman: The Life of David O. Selznick, Abacus, 1993 gives a slightly different figure p 188


See also

In another significant film, Gone with the Wind, which was also produced by Selznick, Melanie Wilkes (Olivia de Havilland) reads aloud from the novel David Copperfield while she waits for the vigilantes to come home from the raid. In Margaret Mitchell's novel, Melanie actually read Les Misérables at this point.

This was selected by The New York Times as one of the 1000 greatest movies ever made.

It is still shown in many countries on television at Christmas. It is rated with four out of four stars every year in Halliwell's Film Guide.

There were several notable differences in the film from the book. For instance, in the film David never attends Salem House boarding school, and so the characters he met there do not appear, with the exception of Steerforth, who instead made his appearance as head boy of David's school he attended after going to live with Betsey Trotwood.

According to MGM records the film earned $2,969,000 at the box office world wide and made a profit of $686,000.[2][5]

The film was well-received on its release in January 1935. One New York Times critic called it "The most profoundly satisfying screen manipulation of a great novel the camera has ever given us". It was nominated for three Academy Awards, including Academy Award for Best Picture (losing out to Mutiny on the Bounty), Best Film Editing, and Best Assistant Director (Joseph M. Newman), and was nominated for the Mussolini Cup for Best Foreign Film at the Venice Film Festival (losing out to Anna Karenina).



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