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Mr. Baseball

Mr. Baseball is also the self-applied nickname of Bob Uecker, who appears in the Major League movies.
Mr. Baseball
Theatrical Release Poster
Directed by Fred Schepisi
Produced by Fred Schepisi
Doug Claybourne
Written by Theo Pelletier (story)
John Junkerman (story)
Gary Ross (screenplay)
Kevin Wade (screenplay)
Monte Merrick
Starring Tom Selleck
Ken Takakura
Dennis Haysbert
Music by Jerry Goldsmith
Cinematography Ian Baker
Outlaw Productions
Distributed by Universal Pictures
Release dates
  • October 2, 1992 (1992-10-02)
Running time
108 min.
Language English
Budget $40 million
Box office $20,883,046

Mr. Baseball is a 1992 American comedy directed by Fred Schepisi, starring Tom Selleck, Ken Takakura, and Dennis Haysbert. It depicts a tumultuous season in the career of fictional New York Yankees first baseman Jack Elliot, who is traded to the Chunichi Dragons of the Japanese Central League during Spring Training, and forced to contend with overwhelming expectations and cultural differences during the Dragons' run at the pennant.


  • Plot 1
  • Characters 2
    • Jack Elliot 2.1
    • Uchiyama 2.2
    • Max DuBois 2.3
    • Hiroko Uchiyama 2.4
    • "Doc" 2.5
  • Roster 3
  • Cast 4
  • Production 5
  • Notes 6
    • Stadiums 6.1
    • Uniforms 6.2
    • Models 6.3
    • Advisors 6.4
  • Theatrical Trailer 7
  • Alternate Scenes 8
    • Scene 1 8.1
    • Scene 2 8.2
    • Scene 3 8.3
  • Reception 9
    • Critical Reception 9.1
    • Box Office 9.2
    • Home Video 9.3
  • References 10
  • External links 11


Jack Elliot is an aging American baseball player unsuspectingly put on the trading block during Spring Training by the New York Yankees in favor of "rookie phenom" first baseman Ricky Davis (played by Hall of Famer Frank Thomas), and there's only one taker: the Nagoya Chunichi Dragons of Japan's Nippon Professional Baseball.

Upon arrival in Japan, the arrogant Elliot clashes with the Japanese culture and the team's manager, and before long he alienates his new teammates. He believes the rules and management style of his new skipper, Uchiyama (Ken Takakura), are ludicrous, and continues to do things his way, which leads his already dwindling performance to suffer even more. His only ally on the team is another American ballplayer, Max "Hammer" Dubois (Dennis Haysbert), with whom he commiserates about his frustrations, but even Max becomes fed up with Jack's attitude and lack of respect for the game and his team.

At the same time, Elliot develops a relationship with the beautiful Hiroko (Aya Takanashi), who is, he later finds out, Uchiyama's daughter.

After one too many outbursts, including punching out his interpreter (during a brawl), Elliot is suspended from play. After meeting Hiroko's family, including Uchiyama, Uchiyama admits to Jack that he hired him over the objections of management (they wanted Pete Clifton from the Boston Red Sox) and now his own career, not just Jack's, is in jeopardy. After hearing this, Elliot swallows his pride and admits his deficiencies. In a rare show of humility, he apologizes to the team in Japanese (erroneously saying he wants to build a "chopstick" of friendship) and the team rallies around him and teaches him the value of sportsmanship and respect for hard work. Uchiyama lifts his suspension and begins to work with Elliot on improving his play. The reinvigorated Elliot's enthusiasm for team play is contagious and the mediocre Dragons become contenders for the Central League pennant. In the process, he also utilizes a Japanese tradition of being able to tell off Uchiyama while intoxicated to convince him to encourage his players to be more aggressive and "have a little fun."

Eventually, Elliot gets the opportunity to break Uchiyama's record of seven consecutive games with a home run. His newfound respect for team play becomes apparent in a crucial game against the Yomiuri Giants. With the bases loaded, two outs and his team down 6–5, the team brass expects Uchiyama to signal for a bunt to try to tie the game, even though it would deny Elliot the chance to break the home run record. Elliot goes to Uchiyama and asks if he read the sign correctly. Uchiyama nods and tells him to swing away, knowing that a home run would break his record. Elliot takes a called strike one with a questionable call on the first pitch. Elliot fouls the second pitch back. Faced with a no-ball, two-strike count, Elliot sees the Giants' infield is playing deep and bunts. The Giants are caught off-guard and the bunt is successful in allowing the tying run to cross home plate. As the Giants struggle to field the ball, Elliot runs through the bag and knocks over the Giants' first baseman (a fellow American expat), which allows the winning run to score from second base.

With the Dragons winning the pennant, Elliot returns to Major League Baseball, along with Max, who earlier told Elliot he hoped would eventually happen. Max signs a contract with the Los Angeles Dodgers, ending his five-year career in NPB, and Elliot, who is married to the beautiful Hiroko, becomes a coach and mentor with the Detroit Tigers. The movie ends with one of the players calling him Chief, the same name he called Uchiyama in Japan.


Jack Elliot

New York Yankees first baseman and former World Series MVP (1987) who is coming off the worst season in his professional career, during which his batting average fell to .235. While Jack seems to have deep concerns about his diminishing performance—evidenced by the nightmare sequence at the opening of the film, when he swings and misses on countless pitches in a never-ending at-bat—he tries to put a positive spin on things, reminding his Yankees manager, for example, that he led the team in "ninth-inning doubles in the month of August." These appeals fall on deaf ears, however, and by the time the Yankees break camp at their spring training facility in Tampa, the team brass is already moving to trade Jack and replace him at first base with rookie phenom Ricky Davis. The only taker for Jack's services is the Chunichi Dragons, a Japanese baseball team. Jack is flabbergasted by the news, having expected that, at worst, he would have to move to Cleveland. Despite being a veteran player, Jack is unable to refuse the trade, or to get his agent "Doc" (who is also representing Ricky Davis) to intercede on his behalf.

A left-handed power hitter, Jack Elliot joins his new team expecting to bat fourth, and initially puts on a show during his first batting practice, driving the ball over both the left and right field fences of Nagoya Stadium. His new manager Uchiyama is not very impressed by this performance, however, pointing out a hole in his swing. He brings in a regular pitcher to show Jack that he is vulnerable to swinging over the breaking shuuto, but Jack refuses to acknowledge that he needs to alter his mechanics. While he does begin the season for the Dragons as the number four hitter, forming a potent righty-lefty duo behind Max DuBois, other teams quickly learn how to keep Jack off balance by throwing him the shuuto, and it isn't long before he finds himself mired in a slump. His frustrations mount mid-season when his batting average bottoms out around .200. He attacks a Hiroshima Carp pitcher who accidentally plunks him with an inside pitch, earning the ire of his manager and the team owner.

Only after Uchiyama takes an active interest in resurrecting Jack's season do things begin to turn around.

Jack is fond of steaks, especially from Kansas City (which he claims are the best in the world), but he learns to like Japanese Kobe beef as well. In contrast, he has no interest in Japanese food like sushi (which he derisively calls "bait"). The only Japanese food he tries in the film are soba noodles prepared by Hiroko's grandmother, and even these he eats reluctantly. Jack loves a good beer, and even jokes to Hiroko during their trip to Osu Kannon that the cure for his slump came to him in a vision of "the biggest, coldest beer I've ever seen." Jack is a smoker, who relishes a nice, big cigar in the bath after a big game, or when remonstrating with his manager. In deleted scene, Jack tells Hiroko that he used to play in Los Angeles, presumably for the Dodgers.


Manager of the Chunichi Dragons and former star player who won the Rookie of the Year Award and holds the record for most consecutive games with a home run (seven). As manager, Uchiyama takes a no-nonsense approach with his players, stressing hard work, physical conditioning, and fundamentals. He is given to tirades, especially when his players do not perform up to expectations or when he deems that they are not sufficiently motivated for big games (such as with the Yomiuri Giants). Uchiyama has a keen eye for batting, as when he identifies a hole in Jack's swing during the first batting practice, which makes him vulnerable to the shuuto. The character of Uchiyama is very closely based on Senichi Hoshino, who managed the Dragons from 1987 to 1991.

Max DuBois

An American baseball player who plays with the Dragons for five full seasons before being traded to the Los Angeles Dodgers. A powerful right-handed batter who hits third in the order and plays right field, Max earns the nickname "Hammer" from his Japanese teammates for his ability to hit in the clutch. He also earns their respect through his cultural sensitivity and acceptance of the Japanese way of playing the game. During his time in Japan, Max adopts certain Japanese customs, such as drinking green tea, and learns to speak a modicum of Japanese (evidenced when he says "saitei" (that's awful!) during a repartee with one of his Japanese teammates, and "sou desu ne!" (that's right!) when Jacks complains about the rule of concluding games after twelve innings). In one scene, Max is even able to translate the manager's tirade into English for Jack. In many ways, Max embodies the ideal of the foreign player who is able to get along harmoniously with this team. overcomes the feelings of isolation that come from being a "gaijin" (foreigner) in Japan (which he likens to being "like a black guy back home, only there are less of us") by making friends with foreign players on other teams and developing a good rapport with his Japanese teammates. Unlike the irascible Jack, who clashes with his new teammates and coaches and seemingly has no respect for the Japanese way of playing baseball, Max is far more accepting of cultural differences in the game.

Hiroko Uchiyama

Daughter of the Chunichi Dragons manager.


A hot-shot sports agent based in Los Angeles, "Doc" is a longtime representative of Jack Elliot. However, when Jack's career begins to hit the skids, "Doc" becomes too pre-occupied with other concerns to represent his client's interests effectively. "Doc" betrays Jack's trust when he signs rookie phenom Ricky Davis out of spring training (thus becoming the agent for both Jack and his future replacement at first base for the Yankees) and does absolutely nothing when the Yankees move to trade Jack to the Dragons. "Doc" would rather gloat about the Nike commercial that Spike Lee is shooting for his new client than listen to complaints about Japan. The only time in the entire film when "Doc" proves himself adept at advocating for Jack is when he interests Howie Gold, GM of the Los Angeles Dodgers, in Jack's services after an injury to Dodgers first baseman Rich Lovette. But in typical "Doc" fashion, he fails to seal the deal. Max DuBois upstages Jack in a critical game against the Giants, and with no hard sell from "Doc," Howie Gold strikes a deal with Max instead. At the celebration party following the Dragons victory over the Giants, Jack warns Max, albeit playfully, to watch out for "Doc" if he tries to sign him.


The Chunichi Dragons Players and Coaches (by uniform number)

2--Ryo Mukai

4--Toshi Yamashita, Second Baseman



22—Mizoguchi, Catcher




37—Akito Yagi, Player

38—Nakata, Player

40—Max "Hammer" DuBois




51—Arimura, Player

54—Jack Elliot, First Baseman

70—Yashiro, Third Base Coach

71—Itami, Coach

72—Katsura, Coach

75—Ishimaru, Coach

81—Hori, Bench Coach

83—Uchiyama, Manager



According to director Fred Schepisi, the original premise for "Mr. Baseball"—a baseball comedy that explored cultural differences between Japan and the United States—was conceived after the commercial success of Major League (1989).[1] The first story treatment was drafted by Theo Pelletier, a writer with no previous film credits to his name, and developed into a screenplay by Monte Merrick and Gary Ross. When Schepisi came onto the project, Tom Selleck had already been cast as the lead, and because of an unusual clause in his contract, had final say over the approval of the script. This resulted in the involvement of another screenwriter, Kevin Wade. Complicating matters further was the takeover of Universal Studios by Japanese conglomerate Matsushita (parent company of Panasonic). Universal was concerned about issues of cultural sensitivity in the depiction of Japanese characters, so they recruited John Junkerman, an experienced writer and director of films about Japan, to rework the story. Schepisi and a fourth screenwriter, Ed Solomon, traveled to Japan to do research. After returning from Japan, Schepisi and Solomon rewrote the entire script, highlighting cultural clashes between the characters for comic effect, but this version in turn was rewritten by Kevin Wade to accommodate Tom Selleck. Since Wade's contract expired mid-way through production, however, he only worked on for about three weeks, leaving many loose ends that eventually had to be sorted out by Schepisi. In the end, the participation of many people in the process resulted in a screenplay that was much more conventional than Schepisi originally intended. In a later interview, he said he felt as though the film was not as good as it could have been:

[It] was just supposed to be about cultural differences using the baseball game, but also there was much funnier stuff. When he goes down to see the father and there's the noodle scene, all of that, that's the kind of humour that could have been throughout the whole film. Again the studio and Tom Selleck had script approval, which I didn't realise when I agreed to do it. I went in to help them out. They didn't understand it, so they pulled it into the conventional.[2]

Filming of "Mr. Baseball" took place primarily in Nagoya, with limited filming in Tokyo and New York.[3] Doug Claybourne, one of the producers, began preparation for location filming in Japan in 1991.[4] Most scenes were filmed in the city of Nagoya, including a number that were eventually cut from the film. Most prominent are the scenes filmed at Nagoya Stadium (Nagoya yakukyujo) former home of the Chunichi Dragons in Otobashi, Nagoya. Thousands of local extras volunteered to sit in the stands during the filming of game situations, even braving a typhoon to cheer on the fictionalized Dragons during their climatic showdown with the Yomiuri Giants. Filming of other scenes did not range very far from the stadium. Two scenes of Jack Elliot and his interpreter Yoji (Toshi Shioya), were filmed on the Meitsu line shuttling between Nagoya Station and Otobashi. The scenes at Jack Elliot's suite apartment were filmed at the Tsukimi-ga-oka Mansion complex in Kakuozan, a thirty-minute subway and local train ride from the stadium. Scenes of Jack and Hiroko's visit to local shrines were filmed at the Osu Kannon marketplace, near the heart of the city's commercial district. The building that housed Hiroko's "Concept Designs" still stands in the Hibari-ga-oka neighborhood of Nagoya. A scene in which Jack meets a group of other expat American ballplayers at a foreigners' bar was filmed in Sakae, on the site of the current Shooter's. Three scenes that were eventually cut from the film were also filmed in Nagoya. These include: 1) an exchange between Jack and Hiroko in Osu; 2) an exchange between Jack and Hiroko in front of Tsukimi-ga-oka Mansion; 3) a dialogue between Jack and Uchiyama (Ken Takakura) in Heiwa Park cemetery. Only two scenes set in Japan were filmed outside of Nagoya: 1) Jack's "Big Hit, Happy Body" commercial, filmed in a tea field in Shizuoka; and 2) Jack's visits to the home of his manager, Uchiyama, which appear to have been filmed in the Komaki or Inuyama area.

Commenting on his working relationship with lead actor Tom Selleck, Schepisi commented "He was extremely helpful getting the baseball thing right. Getting the American pride thing right."[5]



Throughout the film, the Dragons play every team in the Japanese Central League except the Hanshin Tigers. Nearly all are home games, filmed at Nagoya Baseball Stadium with extras in the stands. The only road game the Dragons play in the film is against the Hiroshima Toyo Carp, filmed on location at Okazaki Stadium in Aichi Prefecture. Interestingly, the Yokohama Taiyo Whales were renamed the Yokohama BayStars by the time the film premiered in Japan in February, 1993.


All the uniforms, caps, and training gear featured in the film are authentic. The Los Angeles Dodgers-inspired uniforms that the Chunichi Dragons players wear in the film—with the royal blue caps emblazoned with white "D" insignias in Casey font—are the same that the Dragons wore between 1987 and 1996. Oddly, the insignia on the Dragons cap is changed in the American theatrical release poster, emblazoned instead with a more angular "D" topped by a macron. The Dragons have never worn a cap like this.

The Detroit Tigers cap that Selleck wears in the last scene of the film, when he is coaching a rookie at the Tigers spring training facility, is the same cap he donned while playing the role of Thomas Magnum in the classic television series "Magnum, P.I."[6] Tom Selleck, who hails from Detroit, Michigan, is a lifelong Detroit Tigers fan and one-time minority shareholder of the team.


While the movie is entirely fictitious, certain characters and scenes are based on real-life personalities and events. The character of Uchiyama, manager of the team, is very closely based on Senichi Hoshino, who managed the Dragons from 1987 to 1991. The scene in which Elliot taunts an opposing pitcher who refuses to throw him a strike by gripping the bat upside down was apparently based on a real-life incident. Western player Randy Bass, playing for the Hanshin Tigers who was challenging Japan's single-season home run record in 1985 also tauntingly turned his bat around in protest.[7]


Many former players, baseball historians, and Japan experts served as advisors on the film, including former Lotte/Yokohama/Yakult slugger Leon Lee (who also makes a brief cameo in the film).

Theatrical Trailer

Universal released a theatrical trailer for "Mr Baseball" in the summer of 1992. The trailer, which runs two minutes and fourteen seconds, features dialogue and scenes that are absent from the final version of the film. For example, at the scene of Jack's first press conference, Yoji asks, "have you ever slept with Madonna?" During his first meeting with Uchiyama, Jack responds to the demand to shave his moustache by saying, "he probably can't even grow one." In the locker room scene where Jack is confused about how to use the Japanese-style toilet, he quips to Max, "I need somebody to tell me how to go to the can" (later changed in the final version of the film to "I need somebody tell me how to take a crap"). The music in the trailer is mostly sampled from Jerry Goldsmith's soundtrack, but also includes samples from "Turning Japanese" by the The Vapors. "Turning Japanese" did not appear in the final version of the soundtrack.

Alternate Scenes

The Japanese version of "Mr. Baseball" included three scenes that were missing from the version screened in the North American market. All three scenes cast light on Jack's relationships with Uchiyama and Hiroko.

Scene 1

Jack and Hiroko, outside Jack's apartment building in the Tsukimi-ga-oka Mansion Complex in Kakuozan (1:04)[8]

After dinner and drinks in Sakae, Hiroko drives Jack back to his apartment in her black Volkswagen Cabriolet convertible. This scene appears to have originally followed the night club scene where Jack storms off in a huff, indignant at Hiroko's insinuation that he is "property of the team." Jack is still irate when Hiroko asks if him it's really true that many women in America fall for him. He explains that American women respect a man with character, even if he "screws up" fighting for what he believes in. As if to insinuate that she is not as stereotypically Japanese as Jack thinks, Hiroko tells Jack that she finds him attractive, and then cooly drives off. Left standing at the entrance of his apartment building, a befuddled Jack mutters, "I hate this place."

Scene 2

Jack and Hiroko, outside Sengen Shrine, walking towards Osu Kannon Arcade (1:07)[9]

Seeking divine assistance for the hole in his swing, Jack visits shrines and temples in the Osu Kannon arcade complex. After praying at Sengen Shrine, Jack tells Hiroko about his experiences participating in es when he lived in Los Angeles, and therapy when in New York. As they turn the corner and head in the direction of Banshoji Temple (site of the later scene in which Hiroko shows Jack how to draw incense), talk turns to Hiroko's father, Uchiyama. She tells Jack that Uchiyama had a difficult time transitioning from player to coach, and claims that this is why he is so angry all the time. Uchiyama cannot tolerate independence from this around him—which explains the difficulty Jack has in getting along with him, and why Hiroko has such a strained relationship with him.

Scene 3

Jack and Uchiyama, at grave in Heiwa Koen Cemetery (1:29)


Critical Reception

Upon its release, "Mr. Baseball" received mixed reviews from critics overall.[10][11] Siskel and Ebert, in their 1992 review of Mr. Baseball, commented on its formulaic plot and lackluster writing, but also praised the film for its realistic crowd shots, direction, and Jerry Goldsmith's soundtrack.[12] Maslin of the New York Times singled out Selleck's performance for praise, writing, "The character of Jack, whose being sent to Japan is the impetus for "Mr. Baseball," provides Mr. Selleck with something unusual: a movie role that actually suits his talents. Mr. Selleck's easygoing, self-deprecating manner works particularly well when he lets himself look silly, as he often does here."[13] Mr. Baseball currently holds a 13% rating on Rotten Tomatoes based on 15 reviews.

Poster for "Mister Baseball"

Box Office

"Mr. Baseball" opened in 1,855 theaters on Friday, October 2, 1992. During its first weekend, it grossed over $5 million at the box office, coming in third behind The Last of the Mohicans and The Mighty Ducks.[14] During its six-week run in theatres, it went on to gross $20.8 million domestically. Despite the limited marketability of baseball movies overseas, Universal positioned it for a wide distribution beyond the North American market. However, a disappointing showing in Japan and Europe prevented the studio from recouping on its enormous losses. "Mr. Baseball" (ミスター・ベースボール) opened in theaters in Japan on February 6, 1993, and proceeded to gross a disappointing ¥1.5 billion ($1.25 million).[15] By the end of its run in Japan, during the summer of 1993, it appeared as the "B film" in Universal double features—such as with the Robert Redford and River Phoenix film Sneakers (1992). Screenings in European theatres followed, but with little fanfare. It premiered in Germany on June 16, 1993.

Home Video

MCA Universal Home Video released "Mr. Baseball" on VHS in March, 1993.


  1. ^ , 22 December 1998Signis"Interview with Fred Schepisi", access 20 September 2015
  2. ^ , 22 December 1998Signis"Interview with Fred Schepisi", access 20 November 2012
  3. ^ [:// "Production Credits"] .  
  4. ^ Yoshi Tezuka, "Global America? American-Japanese Film Co-Productions from Shogun (1980) to Lost in Translation (2003)," "Cultural Studies and Cultural Industries in Northeast Asia" p.99
  5. ^ , 22 December 1998Signis"Interview with Fred Schepisi", access 20 September 2015
  6. ^ "Mr. Baseball". Turner Classic Movies. Retrieved April 1, 2008. 
  7. ^ "Mr. Baseball". Turner Classic Movies. Retrieved April 1, 2008. 
  8. ^ [4]
  9. ^ [5]
  10. ^ Maslin, Janet (1992-10-02). "Review/Film; Lessons In Baseball (And Life) In Japan".  
  11. ^ Thomas, Kevin (1992-10-02). "MOVIE REVIEW : 'Mr. Baseball' a Culture-Clash Comedy". The Los Angeles Times. Retrieved 2010-11-10. 
  12. ^
  13. ^ Maslin, Janet (1992-10-02). "Review/Film; Lessons In Baseball (And Life) In Japan".  
  14. ^ "Weekend Box Office".  
  15. ^ [6]

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