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Risë Stevens

Risë Stevens
Stevens in 1959
Born (1913-06-11)June 11, 1913
New York City, U.S.
Died March 20, 2013(2013-03-20) (aged 99)
Manhattan, New York City, U.S.
Years active 1941-1974
Spouse(s) Walter Surovy (1939-2001; his death; 1 child)

Risë Stevens (; June 11, 1913 – March 20, 2013) was an

External links

  • Crichton, Kyle (1959) Subway to the Met: Risë Stevens' Own Story (New York: Doubleday)
  • McCants, Clyde T. (2004) American Opera Singers and Their Recordings: Critical Commentaries and Discographies (McFarland & Company, Inc.) ISBN 9780786419524
  • Pennino, John (2005) Risë Stevens: A Life in Music (Baskerville Publishers) ISBN 978-1880909751

Other Sources

  1. ^ Huizenga, Tom; Anastasia Tsioulcas (March 21, 2013). "Remembering Risë Stevens, A Star Of Opera And Pop Culture". NPR Music. Retrieved August 15, 2015. 
  2. ^ Fox, Margalit (March 21, 2013). "Risë Stevens, Opera Singer, Dies at 99". The New York Times. 
  3. ^ Pennino, John. "Risë Stevens: A Life in Music".  
  4. ^ Fox, Margalit (21 March 2013). "Risë Stevens, Stalwart Opera Star at the Met, Dies at 99". The New York Times. Retrieved 21 March 2013. 
  5. ^ "NEA Opera Honors Risë Stevens". National Endowment for the Arts. 2011. Retrieved August 15, 2015. 
  6. ^ "The Martha Raye Show". The Classic TV Archive. Retrieved March 21, 2012. 
  7. ^ "The University of Pennsylvania Glee Club Award of Merit Recipients". 
  8. ^ Fox, Margalit (March 21, 2013). "Risë Stevens, Stalwart Opera Star at the Met, Dies at 99". New York Times. Retrieved 21 March 2013. 

References

Stevens was married to actor Walter Surovy (1910–2001) from 1939 until his death. Their only child is Nicolas Surovy (b. 1944) who followed in his father's footsteps, becoming an actor on Broadway, and in film and television. The marriage lasted for over 61 years, until Walter's death in 2001. Stevens died in her Manhattan home on March 20, 2013 at the age of 99.[8] She was less than three months shy of becoming a centenarian. Her body was cremated.

Personal life and death

Stevens was a part of a number of Hollywood productions, her most memorable being in the Oscar-winning film Going My Way alongside costars Bing Crosby and Barry Fitzgerald.

Film

On October 22, 1977, Stevens was awarded the prestigious University of Pennsylvania Glee Club Award of Merit.[7] Established in 1964, this award sought "to bring a declaration of appreciation to an individual each year that has made a significant contribution to the world of music and helped to create a climate in which our talents may find valid expression". She was a Kennedy Center Honoree in 1990.

A hallmark of Stevens' career was versatility. She sang opera, excelled on radio and television singing from what came to be called The American Songbook (much of which was recorded), proved to be an accomplished film and television actress, and she handled Broadway material (Anna in The King and I, Liza in Lady in the Dark) with glamour and star quality. She toured the U.S. annually for several decades singing recitals. In 1962, she recorded the voice of Glinda for Journey Back to Oz, but the production ran out of money and was halted for more than four years. It was only after the Filmation studio had made profits on their numerous television series that they were able to finish the project (which was copyrighted 1971, released in 1972 in the United Kingdom and in 1974 in the United States). After her retirement from the opera stage, Stevens served as General Manager of the Metropolitan Opera National Company until 1966 and later coached the new generation of singers at the Met. Stevens made occasional television appearances too, including a guest-starring role on NBC's The Martha Raye Show.[6]

Above all, she was especially celebrated for her Carmen. She had an enormous personal triumph at the Metropolitan in the role in the famous Tyrone Guthrie production in 1951, becoming the leading Carmen of her generation. Her RCA Victor recording of the opera, conducted by Fritz Reiner and co-starring Jan Peerce, Robert Merrill and Licia Albanese, a best seller, has never been out of print. She also appeared in Paris, London, and the London Palladium. At La Scala in Milan, she had a great success in Virgilio Mortari's La Figlia del Diavolo in a version of the Salome story where Herodias is the leading character. Stevens sang, acted and danced the role in a notable tour de force. Her farewell performance at the Metropolitan was as Carmen, in 1961. [5]

For over two decades (until 1961) Stevens was the Met's leading mezzo-soprano and the only mezzo to command the top billing (and commensurate fees) normally awarded only to star sopranos and tenors. Her most successful roles there included Khovanshchina, Giulietta in The Tales of Hoffmann, and Prince Orlovsky in Die Fledermaus. As a singer grounded in 19th century roles, she had a surprise success as Orfeo in Gluck's Orfeo ed Euridice, under the musical direction of Pierre Monteux, which was immediately recorded for RCA Victor.

Stevens performing at the University of Michigan, 1952–1953

In 1939, Stevens married Walter Surovy, an Austrian stage and screen actor she met during her European years, after he fled the Nazis to New York. He took over the management of her career and skillfully planned publicity to move her into areas of the business they both felt would advance her career. One likely display of Surovy's finesse with publicity was the fact that Stevens' voice was insured by Lloyd's of London in 1945 for $1 million.[4]

She was engaged as a member of the Robert Mitchell Boys Choir, and "Ave Maria" with Bing Crosby and the choir.

Stevens was born Risë Gus Steenberg in New York City, the daughter of Sarah "Sadie" (née Mechanic) and Christian Steenberg, an advertising salesman. Her father was of Norwegian Lutheran descent and her mother was Jewish (of Polish and Russian descent).[2] She had a younger brother, Lewis "Bud" Steenberg, who died in World War II. She studied at New York's Juilliard School for three years, and with Anna Eugenie Schoen-René (1864-1942). She went to Vienna, where she was trained by Marie Gutheil-Schoder and Herbert Graf. She made her début as Mignon in Prague in 1936 and stayed there until 1938, also singing in guest appearances at the Vienna State Opera.[3]

Professional life

Contents

  • Professional life 1
  • Film 2
  • Personal life and death 3
  • References 4
  • Other Sources 5
  • External links 6

[1]

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