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The Judy Garland Show

The Judy Garland Show
Title card from the debut episode

Judy Garland

Jerry Van Dyke
Country of origin United States
No. of episodes 26
Running time 60 min (including commercials)
Production company(s) Kingsrow Enterprises, Inc.
Original channel CBS
Picture format Black-and-white
Audio format Monaural
Original release September 29, 1963 – March 29, 1964

The Judy Garland Show was an American musical variety television series that aired on CBS on Sunday nights during the 1963-1964 television season. Despite a sometimes stormy relationship with Judy Garland, CBS had found success with several television specials featuring the star. Garland, who for years had been reluctant to commit to a weekly series, saw the show as her best chance to pull herself out of severe financial difficulties.

Production difficulties beset the series almost from the beginning. The series had three different producers in the course of its 26 episodes and went through a number of other key personnel changes. With the change in producers also came changes to the show's format, which started as comedy/variety but switched to an almost purely concert format.

While Garland herself was popular with critics, the initial variety format and her co-star, Jerry Van Dyke, were not. The show competed with Bonanza, then the fourth most popular program on television,[1] and consistently performed poorly in the ratings. Although fans rallied in an attempt to save the show, CBS cancelled it after a single season.

TV Guide included the series in their 2013 list of 60 shows that were "Cancelled Too Soon".[2]


  • Garland and CBS 1
  • Production 2
  • On the air 3
  • Repeat broadcasts 4
  • Episode list 5
  • Notes 6
  • References 7
  • External links 8

Garland and CBS

Garland's history with CBS prior to the series was a checkered one. She had previously headlined several specials for the network. The first was the inaugural episode of the Ford Star Jubilee which aired in 1955.[3] The special, the first full-scale color telecast on CBS,[4] was a ratings triumph, garnering a 34.8 Nielsen rating.[5] This success led to Garland's signing a three-year, $300,000 contract with the network. Only a single special aired, a live General Electric Theater episode in 1956, before the pact was terminated.[6] The relationship between CBS and Garland and her then-husband and manager, Sid Luft, dissolved in acrimony in 1957 after they and agent Freddie Fields were unable to come to terms with the network over the format of her next special.[7] Garland filed a US$1.4 million lawsuit against CBS for libel and breach of contract (CBS filed a counterclaim) that was not settled until 1961, when Garland and CBS each agreed to drop their claims and negotiations began for a new round of Garland specials for the network.[8]

The first of two specials under this new relationship aired in February 1962 and was entitled The Judy Garland Show. This special, guest starring Frank Sinatra and Dean Martin, was nominated for four Emmy awards.[9] Garland signed the deal for the weekly series in December 1962.[10] Garland's final special was the awkwardly-titled Judy Garland and Her Guests Phil Silvers and Robert Goulet, presented in March 1963. Alternately promoted as a preview and a pilot for Garland's upcoming regular series,[10] this special too was nominated for an Emmy.[11]


Judy Garland's four-year contract for the series called for 26 weekly shows, for which Garland's corporation, Kingsrow Enterprises, would be paid $140,000 per episode. Of that Garland was guaranteed between $25,000 and $30,000 per show.[12] Kingsrow Enterprises would also retain ownership of the tapes, allowing Garland to sell the series into syndication.[13] Although Garland had said as early as 1955 that she would never do a weekly television series,[3] in the early 1960s she was in a financially precarious situation. Garland was several hundred thousand dollars in debt to the Internal Revenue Service, having failed to pay taxes in 1951 and 1952,[14] and the commercial disappointment of the film A Star is Born meant that her share of any profits from that film would be eaten up immediately.[15] A successful run on television would secure Garland's financial future.

The Judy Garland Show was initially slated to be taped in

  • The Judy Garland Show at the Internet Movie Database
  • Judy Garland Database site on the series
  • The Judy Garland Online Discography Television Section

External links

  • Clarke, Gerald (2000). Get Happy: The Life of Judy Garland. New York, Random House. ISBN 0-375-50378-1.
  • Deans, Mickey; Ann Pinchot (1972). Weep No More, My Lady. New York, Pyramid Books. ISBN 0-515-02989-0 (paperback edition).
  • Edwards, Anne (1975). Judy Garland. New York, Pocket Books. ISBN 0-671-80228-3 (paperback edition).
  • Finch, Christopher (1975). Rainbow: The Stormy Life of Judy Garland. New York, Ballantine Books. ISBN 0-345-25173-3 (paperback edition).
  • Frank, Gerold (1975). Judy. Harper & Row. ISBN 0-06-011337-5.
  • Sanders, Coyne Steven (1990). Rainbow's End: The Judy Garland Show. Zebra Books. ISBN 0-8217-3708-2 (paperback edition).
  • Shipman, David (1975). Judy Garland, The Secret Life of an American Legend. Harper & Row. ISBN 0-7868-8026-0 (paperback edition).


  1. ^ Sanders p. 52
  2. ^ Roush, Matt (June 3, 2013). "Cancelled Too Soon". TV Guide. pp. 20 and 21
  3. ^ a b Parsons, Louella (1955-09-23). "TV Spectacular Gives New Rainbow to Judy". The Daily Review. 
  4. ^ Sanders p. 16
  5. ^ Sanders p. 19
  6. ^ Sanders p. 20
  7. ^ Frank p. 423
  8. ^ Sanders p. 25-7
  9. ^ "Awards for The Judy Garland Show (1962)". Academy of Television Arts and Sciences. Retrieved 2007-12-14. 
  10. ^ a b Shipman p. 433
  11. ^ Sanders p. 65
  12. ^ Shipman p. 440-1
  13. ^ Clarke p. 371
  14. ^ Edwards p. 168
  15. ^ Edwards p. 175
  16. ^ Sanders pp. 55-61
  17. ^ Shipman 443-4
  18. ^ Sanders p. 78
  19. ^ Clarke p. 373
  20. ^ Penton, Edgar (1964-11-02). "Judy Takes to TV". Ventura County Press-Courier. 
  21. ^ Finch p. 349
  22. ^ Edwards p. 205
  23. ^ a b Clarke p. 372
  24. ^ Sanders p. 162
  25. ^ Sanders p. 179
  26. ^ Sanders p. 275
  27. ^ Deans, et al. p. 218
  28. ^ a b Frank p. 531
  29. ^ Sanders p. 322-3
  30. ^ Sanders p. 202-3
  31. ^ Edwards p. 208
  32. ^ a b Shearer, Lloyd (1963-12-15). "Judy Garland: 97 Pounds of Heart". Parade. 
  33. ^ Lewis, Richard Warren (1963-12-07). "The TV Troubles of Judy Garland". The Saturday Evening Post. 
  34. ^ Sarmento, Wiliam E. (1964-03-30). "Judy Sings her Swan Song". The Lowell Sun. 
  35. ^ Gross, Ben (1964-01-12). "Judy Garland's Fans Rally, But Odds Are Unfavorable". New York Daily News. 
  36. ^
  37. ^ Sanders p. 385-410
  38. ^ "Awards for Barbra Streisand". Academy of Television Arts and Sciences. Retrieved 2007-12-14. 


Number Taping date[37] U.S. air date Guests Notes
1 June 24, 1963 December 8, 1963 Mickey Rooney, Jerry Van Dyke
2 July 7, 1963 November 10, 1963 Count Basie, Mel Tormé, Judy Henske, Jerry Van Dyke
3 July 16, 1963 November 17, 1963 Liza Minnelli, Soupy Sales, The Brothers Castro, Jerry Van Dyke
4 July 23, 1963 October 13, 1963 Lena Horne, Terry-Thomas, Jerry Van Dyke
5 July 30, 1963 December 15, 1963 Tony Bennett, Dick Shawn, Jerry Van Dyke George Schlatter's final episode as producer.
5A August 2, 1963 (scheduled) N/A Nat "King" Cole, Jack Carter, Jerry Van Dyke This episode was scripted but never taped.
6 September 13, 1963 October 27, 1963 Steve Lawrence, June Allyson, Jerry Van Dyke
7 September 20, 1963 September 29, 1963 Donald O'Connor, Jerry Van Dyke
8 September 27, 1963 October 20, 1963 The Dillards, Leo Durocher, Jerry Van Dyke
9 October 4, 1963 October 6, 1963 Barbra Streisand, Ethel Merman, Smothers Brothers, Jerry Van Dyke Streisand was nominated for an Emmy award for her guest appearance.[38]
10 October 11, 1963 March 1, 1964 Ray Bolger, Jane Powell, Jerry Van Dyke Jerry Van Dyke's final episode.
11 October 18, 1963 January 5, 1964 Steve Allen, Mel Tormé, Jayne Meadows
12 November 1, 1963 November 3, 1963 Vic Damone, Zina Bethune
13 November 8, 1963 December 1, 1963 Peggy Lee, Jack Carter, Carl Reiner Norman Jewison's final episode as producer.
14 November 30, 1963 December 29, 1963 Bobby Darin, Bob Newhart
15 December 6, 1963 December 22, 1963 Jack Jones, Liza Minnelli, Lorna Luft, Joey Luft, Mel Tormé, Tracy Everitt The Christmas Special episode.
16 December 13, 1963 January 2, 1964 Ethel Merman, Shelley Berman, Peter Gennaro
17 December 20, 1963 January 9, 1964 Vic Damone, Chita Rivera, Louis Nye, Ken Murray
18 January 14, 1964 January 26, 1964 Martha Raye, Peter Lawford, Rich Little, Ken Murray
19 January 17, 1964 February 2, 1964 Louis Jourdan, Kirby Stone Four, Ken Murray
20 January 24, 1964 February 9, 1964 N/A "Judy Garland in Concert"
21 January 31, 1964 February 16, 1964 Diahann Carroll, Mel Tormé "Judy Garland in Concert"
22 February 14, 1964 February 23, 1964 Jack Jones, Ken Murray "Judy Garland in Concert"
23 February 21, 1964 March 8, 1964 N/A "Judy Garland in Concert: Music From the Movies"
24 February 23, 1964 March 15, 1964 Vic Damone "Judy Garland in Concert"
25 March 6, 1964 March 22, 1964 Bobby Cole "Judy Garland in Concert"
26 March 13, 1964 March 29, 1964 N/A "Judy Garland in Concert"

Episode list

Episodes of The Judy Garland Show are airing on the GetTV channel.[36]

Repeat broadcasts

, another concert episode, was broadcast on March 29, 1964. Judy Garland Show but their efforts were not enough to spare the show from cancellation. The final [35] The revised format with its Garland-deprecating humor continued to attract criticism rather than viewers.

Behind the scenes, however, the network continued to tinker with the show. In addition to the replacement of key production staff and constantly revising the format, Garland was also summoned to New York to receive such bits of information as she was touching her guests too much and was instructed to stop.[32]

CBS publicly responded to the critiques by issuing a statement through talent chief Michael Dann. "We have decided that [Judy] should never appear in sketches and never play any character but herself. And she'll be singing more songs, more medleys, more standards. Songs are her babies. We told her what we think and she's listening. She's far too insecure about television to exercise her own judgment. She knows what's good for her."[31]

Garland with Tony Bennett in episode 5. Garland would shortly be instructed to stop touching her guests.

The first episode of The Judy Garland Show aired on September 29, 1963. The show, featuring guest star Donald O'Connor, was the seventh one taped. Episodes would continue to be shown out of sequence throughout the series' run. The show scored an 18.7 rating[28] and reviews were largely positive. Variety wrote "If Judy Garland ... is of a mind to work every week with the same dedication and zeal that characterized her premiere this week, Bill Paley and his associates should be in clover. ... Miss Garland was in fine fettle." The San Francisco Chronicle characterized the show as "tasteful, elegant and exciting." Not every review was as glowing, with the New York Herald Tribune noting "Miss Garland is fine, just fine. The rest of the show, however, needs help." Other negative reviews were in a similar vein, focusing on Van Dyke in particular and the show's format and writing in general.[30]

On the air

CBS announced the cancellation of The Judy Garland Show on January 22, 1964. Officially, it was reported that it was Garland who exited the series, as explained in a letter released by CBS, supposedly from Garland to Aubrey advising him that she wanted to spend more time caring for her children.[29]

After Jewison, Bill Colleran joined the show as Garland's selection for its third executive producer.[26] Colleran revamped the format yet again, doing away with the insulting humor and focusing the show back on Garland and her singing, including several "Judy Garland in concert" episodes. It was during Colleran's time with the show, following Show 22 specifically, that Tormé was fired, replaced by Bobby Cole, a musician Garland had met recently in New York.[27] Tormé would later file suit for breach of contract[28] and write a tell-all book about the series, The Other Side of the Rainbow: With Judy Garland on the Dawn Patrol.

On August 2, after six weeks of taping and five completed shows, Schlatter was fired as producer by James Aubrey, Jr., president of CBS. Also fired were several of the writing staff and choreographer Danny Daniels.[24] Replacing Schlatter as executive producer was Norman Jewison, who shared a vision for the series that was closer to that of Aubrey's. That vision was that Garland was too glamorous for television and that she needed her series to present her in a more conventional light. Veteran musical variety show writers John Aylesworth and Frank Peppiatt were brought in as well. Jewison, who had agreed to serve as producer through the thirteenth episode, implemented changes designed to "make the sacred cow less sacred," including Garland's subjection to Van Dyke's jokes that denigrated her issues with her weight, her reputation for unreliability and her career highs and lows. Jewison also introduced a new recurring feature, "Be My Guest," with Tormé's writing tailored material for the week's guest to perform with Garland near the top of each show.[25] Production was suspended for five weeks.[23]

The first taping commenced on June 24, 1963. Garland's old friend and frequent MGM co-star Mickey Rooney was, at Garland's insistence, her first guest.[23]

Although initially planned for an East Coast shoot, The Judy Garland Show was taped in Studio 43 at CBS Television City in Los Angeles.[21] The network had gone to great expense to prepare the studio, including an estimated $100,000 to raise the stage and install a separate revolving stage. Garland's dressing room was a 110 ft × 40 ft trailer which had been decorated as a replica of her newly purchased Brentwood home. The corridor that led from her dressing room to the stage was painted to resemble the Yellow Brick Road from The Wizard of Oz.[22]

In addition to musical performances from Garland and the week's guest stars, the series' initial format included the recurring segments "Born in a Trunk" (the name taken from a number in A Star is Born) in which Garland would tell stories of her show business career and sing a related song, and "Tea for Two" which would feature her chatting with a surprise guest.[20] Van Dyke would perform comedy sketches, sometimes with Garland or the guests. Garland would close each episode by singing the song "Maybe I'll Come Back." The obscure novelty song, selected by Garland and Schlatter over CBS's objections (the network wanted a few bars of Over the Rainbow), included the line "And President Coolidge is a cousin of mine." Garland as a running gag would substitute a different name for Coolidge's each week.

With the producer question settled, Schlatter set about assembling the crew for the series. Mort Lindsey was hired to conduct the show's orchestra. Gary Smith, who had designed the earlier Sinatra/Martin special, was signed as art director. Multiple Academy Award-winner Edith Head was engaged to design Garland's costumes while Ray Agyahan, who Schlatter knew from their work together with Dinah Shore, was hired to costume Garland's guests. Mel Tormé was brought on as musical arranger and to write special musical material and would also appear as a guest on the program.[17] Choreography duties were taken by Danny Daniels.[18] Comedian Jerry Van Dyke was engaged as a series regular.[19]


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