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A Boy and His Dog (1975 film)

A Boy and His Dog
Theatrical release poster
Directed by L.Q. Jones
Produced by L. Q. Jones
Alvy Moore
Written by L. Q. Jones
Alvy Moore
Wayne Cruseturner (uncredited)
Based on story by Harlan Ellison
Starring Don Johnson
Susanne Benton
Alvy Moore
Jason Robards
Music by Tim McIntire
Ray Manzarek
Jaime Mendoza-Nava
Cinematography John Arthur Morrill
Edited by Scott Conrad
LQ/JAF Productions
Distributed by LQ/JAF Productions (1975)
First Run Features (2008)
Anglo-EMI Film Distributors (1975) (UK)
Release dates
November 14, 1975 (1975-11-14)
Running time
91 minutes
Country United States
Language English

A Boy and His Dog is a 1975 independently made American science fiction film produced, written (with Alvy Moore), and directed by L. Q. Jones, starring Don Johnson, Susanne Benton, Alvy Moore, and Jason Robards. The film was distributed in the U.S. by LQ/JAF Productions and in the UK by Anglo-EMI Film Distributors. The film's script is based on the 1969 cycle of narratives by fantasy author Harlan Ellison titled "A Boy and His Dog."

A Boy and His Dog concerns a teenage boy (Vic) and his telepathic dog (Blood), who work together as a team in order to survive in the dangerous post-apocalyptic wasteland of the Southwestern United States. On August 6, 2013, Shout! Factory released the film on Blu-ray.[1]


  • Plot 1
  • Cast 2
  • Production 3
  • Reception 4
  • See also 5
  • References 6
  • External links 7


Set in a post-nuclear war of the year 2024, the main character, Vic (Don Johnson), is an 18-year-old boy, born in and scavenging throughout the wasteland of the former southwestern United States. Vic is most concerned with food and sex; having lost both of his parents, he has no formal education and does not understand ethics or morality. He is accompanied by a well-read, misanthropic, telepathic dog named Blood, who helps him locate women, in return for food. Blood cannot forage for himself, due to the same genetic engineering that granted him telepathy. The two steal for a living, evading bands of marauders, berserk androids, and mutants. Blood and Vic have an occasionally antagonistic relationship (Blood frequently annoys Vic by calling him "Albert" for reasons never made clear), though they realize they need each other. Blood wishes to find a legendary promised land where above ground utopias are said to exist, though Vic believes that they must make the best of what they have.

Searching a bunker for a woman for Vic to rape, they find one, but she has already been severely mutilated and is on the verge of death. Vic displays no pity, and is merely angered by the "wastefulness" of such an act as well as disgusted by the thought of satisfying his urges with a woman in such a condition. They move on, only to find slavers excavating another bunker. Vic steals several cans of their food, later using them to barter for goods in a nearby shantytown settlement.

That evening, while watching old vintage stag films at a local outdoor movie house, Blood claims to smell a woman, and the pair track her to a large underground warehouse. There, they meet Quilla June Holmes (Susanne Benton), the scheming and seductive teenage girl from "Downunder," a society located in a large underground vault. Unknown to the pair, Quilla June's father, Lou Craddock (Jason Robards), had sent her above ground to "recruit" surface dwellers. Blood takes an instant dislike to her, but Vic ignores him. After Vic saves Quilla June from raiders and mutants, they have repeated sex. Eventually, though, she takes off secretly to return to her underground society. Vic, enticed by the thought of women and sex, follows her, despite Blood's warnings. Blood remains at the portal on the surface.

Downunder has an artificial biosphere, complete with forests and an underground city, which is named Topeka, after the ruins of the city it lies beneath. The entire city is ruled by a triumvirate known as "The Committee", who have shaped Topeka into a bizarre caricature of pre-nuclear war America, with all residents wearing whiteface and wearing clothes that hark back to the rural United States prior to WWII. Vic is told that he has been brought to Topeka to help fertilize the female population and is elated to learn of his value as a "stud." Then he is told that Topeka meets its need for exogamous reproduction by electroejaculation and artificial insemination. Anybody who refuses to comply or otherwise defies the committee is sent off to "the farm" and never seen again. Vic is then told that when his sperm has been used to impregnate 35 women, he will be sent to "the farm."

Quilla June helps Vic escape, as she wants him to kill the committee members and their android enforcer, Michael (Hal Baylor), so she can usurp power. Vic has no interest in politics or remaining underground, only wishing to return to Blood and the wasteland, where he feels at home. The rebellion is quashed by Michael, who crushes the heads of Quilla June's co-conspirators before Vic can disable him. She proclaims her "love" for Vic and decides to escape to the surface with him, realizing her rebellion has been undone.

On the surface, Vic and Quilla June discover Blood is starving and near death. She pleads with him to abandon Blood, forcing Vic to face his feelings. Vic decides that his loyalties lie with Blood. This results, off-camera, in her being sacrificed and roasted, so that they can eat and survive. The film ends with the boy and his dog walking off into the wasteland together.



Harlan Ellison, the author of the original novella A Boy and His Dog, started the screenplay but encountered writer's block, so producer Alvy Moore and director L. Q. Jones wrote the script, with Wayne Cruseturner, who was uncredited. Jones' own company, LQ/Jaf Productions (L. Q. Jones & Friends), produced the film. They filmed the movie near Coyote Dry Lake in the Mojave Desert. The Firesign Theater was also involved with the writing of the script.

James Cagney's voice was considered as the voice of Blood, but was dropped because it would have been too recognizable and prove to be a distraction. Eventually, after going through approximately six hundred auditions, they settled on Tim McIntire, a veteran voice actor who also did most of the music for the film. McIntire was assisted with this by Ray Manzarek (misspelled in the film credits as Manzarec), formerly of The Doors. McIntire sang the main theme. Latin American composer Jaime Mendoza-Nava provided the music for the Topeka underground segment.

Rumors have abounded over the years regarding a movie sequel, but it has never materialized. On the film's DVD audio commentary, L. Q. Jones states that he had started to write a script sequel to the film that would have picked up right where the first film ended and featured a female warrior named Spike, and we would have seen this world through the eyes of a female instead of a male. Jones and Ellison collaborated on this short-lived effort. Ellison, however, has denied that development went beyond a short "what if?" conversation, and that any efforts were solely that of Jones. According to Cult Movies 2, Jones had a sequel planned called A Girl and Her Dog, but the plan was scrapped when Tiger, the dog who portrayed Blood, died. In a December 2003 interview,[2] Jones claimed that he has been repeatedly approached to make a sequel, but funding is always an issue.


The film adaptation won the 1976 Hugo Award for Best Dramatic Presentation at MidAmeriCon, the 34th World Science Fiction Convention in Kansas City, not far from the real Topeka. The lead actor, Don Johnson, won the Golden Scroll for Best Actor, which was shared with James Caan for his performance in Rollerball. In 2007 it ranked #96 on Rotten Tomatoes "Journey Through Sci-Fi" (100 best-reviewed science fiction films).[3]

The film was not commercially successful at the time of its release. It has, however, developed a cult following over the years and also inspired the video game series Fallout "on many levels, from underground communities of survivors to glowing mutants."[4] On the film's DVD audio commentary, L. Q. Jones states that Harlan Ellison was generally pleased with the film, with the exception of some lines of dialog. Ellison particularly objected to the film's final line, in which Blood said of Quilla, "Well I'd say she certainly had marvelous judgement, Albert, if not particularly good taste." Ellison referred to it as a "moronic, hateful chauvinist last line, which I despise." [5][6]

See also


  1. ^
  2. ^
  3. ^ "RT's Journey Through Sci-Fi", Rotten Tomatoes, 2007.
  4. ^
  5. ^
  6. ^ Ellison, Harlan and Richard Corben. Vic and Blood. Simon & Schuster. 2003. 5-6.

External links

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