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Digital pet

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Title: Digital pet  
Author: World Heritage Encyclopedia
Language: English
Subject: Life simulation game, Pokémon Channel, Artificial human companion, Digimon, List of toys
Collection: 1990S Fads and Trends, Electronic Toys, Life Simulation Games, Toy Animals, Virtual Pets
Publisher: World Heritage Encyclopedia

Digital pet

Part of a series on:
Simulation video games

A digital pet (also known as a virtual pet, artificial pet,[1] or pet-raising simulation) is a type of artificial human companion. They are usually kept for companionship or enjoyment. People may keep a digital pet in lieu of a real pet.

Digital pets are distinct in that they have no concrete physical form other than the hardware they run on. Interaction with virtual pets may or may not be goal oriented. If it is, then the user must keep it alive as long as possible and often help it to grow into higher forms. Keeping the pet alive and growing often requires 'feeding', grooming and playing with the pet. If the interaction is not goal oriented, the user can explore the character of the pet and enjoy the feeling of building a relationship with it.

Digital pets can be "simulations of real animals, as in the Petz series"[1] or "fantasy ones like the Tamagotchi".[1] Unlike biological simulations, the pet does not usually reproduce.[1] They generally do not die, and they can regenerate.[1]


  • Types of digital pets 1
    • Web-based digital pets 1.1
    • Software-based digital pets 1.2
  • History 2
  • Controversy 3
    • Digital pets over real pets 3.1
      • Relationship with digital pet 3.1.1
  • Common features of digital pets 4
    • Communicating with digital pets 4.1
    • Sense of reality 4.2
    • Interactivity 4.3
    • Example of common features 4.4
  • Generalization to non-pet situations 5
  • See also 6
  • References 7

Types of digital pets

Web-based digital pets

Virtual pet sites are usually free to play and accessible to all who sign up. They can be accessed through web browsers and often include a virtual community, such as Neopia in Neopets. In these worlds, a user can play games to earn virtual money which is usually spent on items and food for pets. One large branch of virtual pet games are sim horse games.

Some sites adopt out pets to put on a webpage and use for role-playing in chat rooms. They often require the adoptee to have a page ready for their pet. Sometimes they have a setup for breeding one's pets and then adopting them out.

Most sites use quests in order for users to make points and receive items. Some quests can give stat points to the user's pets for when they are battling. Such sites that use quests for a primary foundation on the site are Neopets. These sites, and their clones, have a single non-dynamic image for each pet and its various colors, leading to a lot of similarity in the pets.

There are also "simulation sites" where the webpage attempts to simulate a real-life discipline, such as horse dressage or pedigree dog showing. Often these sites will also have a breeding aspect, including genetics and markings. Other simulation sites focus mostly on the markings. Some have done away with the showing aspect and created a great fantasy or comedic website, based around a nonexistent discipline or creature. An example of this is Woolly Hooves, a simulation game where the player gets his/her very own elemental llama, and goes on to hike, explore and complete less single-objective quests than some sites in a bizarre yet endearing world. A few more websites with a similar genre include Kingdom Of Knuffel, Mweor, Khimeros, Xanje, Aywas, Wajas, Tygras, The Dragon Empire and many more.[2]

Software-based digital pets

There are many video games that focus on the care, raising, breeding or exhibition of simulated animals. Such games are described as a sub-class of life simulation game. Since the computing power is more powerful than with webpage or gadget based digital pets, these are usually able to achieve a higher level of visual effects and interactivity. Pet-raising simulations often lack a victory condition or challenge, and can be classified as software toys.[1]

The pet is capable of learning to do a variety of tasks. "This quality of rich intelligence distinguishes artificial pets from other kinds of A-life, in which individuals have simple rules but the population as a whole develops emergent properties".[1] For artificial pets, their behaviors are typically "preprogrammed and are not truly emergent".[1]

A screen mate is a downloadable virtual pet that creates a small animation that walks around a computer desktop and over open screens unpredictably. Each pets is a small animation of an animal (such as a sheep or a frog, or in some cases a human or bottle cap) that can be interacted by clicking on or dragging, which lifts the pet as if you were picking it up. Most screen mates are free to download and used for entertainment purposes.[3]


PF Magic released the first widely popular virtual pets in 1995 with Dogz,[4] followed by Catz in the spring of 1996, eventually becoming a franchise known as Petz. Digital pets were further popularized by Nintendo's Pokémon series, debuting in 1996.

Digital pets were a massive fad in Japan, and to a lesser extent in the United States and United Kingdom during the late 1990s. There have been significant improvements of digital pets since Tamagotchi's success when it was released in 1996, from dot-images (such as Tamagotchi) to rendered and animated 3D games (such as Nintendogs). Today, there are also "Digital Pets" which have physical robotic bodies, known as Ludobots or Entertainment robots.

The idea of an animal companion composed of technology rather than flesh has also inspired several works of fiction, such as the anime based loosely on the "Digimon" virtual pets (itself a contraction of "Digital Monster") and Pokémon virtual pets (itself a contraction of "Pocket Monster").


The popularity of virtual pets in the United States, and the constant need for attention the pets required, led to them being banned from schools across the country, a move that hastened the virtual pet's decline from popularity.

A Mad Magazine cover parody on regular issue #362, October 1997 shows a gun being pointed at a virtual pet with Alfred E. Neuman's face and the line "If you don't buy this magazine, we'll kill this virtual pet!" Illustrated by Mark Fredrickson, the cover was a double parody, also referencing the January 1973 issue of National Lampoon which depicted a gun being held to a real dog's head and the line "If you don't buy this magazine, we'll kill this dog."[5]

Digital pets over real pets

Some people suggest that digital pets are preferable for a number of reasons. Having a digital pet in place of a real pet ensures real pets do not have to suffer, and it is arguably training before adopting a real pet. PETA has suggested that robotic animals can help people recognize that they are not up to the commitment of caring for a real animal.[6] Another cogent argument is that the digital pet can successfully substitute a real one for children who cannot care for a real pet, such as those who suffer from allergies.

Relationship with digital pet

There is research concerning the relationship between digital pets and their owners, and their impact on the emotions of people. For example, Furby affects the way people think about their identity, and many children think that Furby is alive in a "Furby kind of way" in Sherry Turkle's research.[7]

Common features of digital pets

There are many common features between different digital pets, some of them are used to give a sense of reality to the user (such as pet's responds to "touch"), and some for enhancing playability (such as training).

Communicating with digital pets

With advanced video-gaming technology, most modern digital pets do not show a message box or icon to display the pet's internal variable, health state or emotion like earlier generations (such as Tamagotchi). Instead, users can only understand the pet by interpreting their actions, body language, facial expressions, etc. This helps to make a pet's behavior seem natural, rather than calculated, and fosters a feeling of a relationship between user and digital pet.

Sense of reality

To give a sense of reality to users, most digital pets have certain level of autonomy and unpredictability. The user can interact with the pet and this process of personalizing can make the pet more distinctive. Personalizing increases the feeling of responsibility for the pet to the user.[8][9] For example, if a Tamagotchi is unattended for long enough, it will "die".


To increase user's personal attachment to the pet, the pet interacts with the user. Interactivity can be classified into two categories: Short-term and long-term.

Short-term interactivity includes direct interaction or action to reaction from the pet. Example: "touch" a pet with mouse cursor and the pet will give a direct response to the "touching".

Long-term interactivity includes action that affects the pet's growth, behavior or life span. For example, training a pet may have a good effect on the pet's behavior. Long-term interactivity is quite important for a sense of reality as the user would think that he has some lasting influence on the pet.

Two kinds of interactivity are often combined. Training (long-term interaction) may happen through continuing short-term interaction. Similarly, playing with a pet (short-term interaction) may, if continued over the long term, make the pet more optimistic.

Example of common features

  1. Responds to calling
  2. Responds to touching
  3. Training the pet
  4. Supplies or toys for the pet
  5. Dressing up the pet
  6. Competition or trial amongst pets
  7. Meeting other pets
  8. Complaining when it needs care

Generalization to non-pet situations

Many of the common features of digital pets are present in some games that seek to represent something other than a pet. For example, the short-term and long-term interactivity of digital pets is present in Derby Owners Club (race horses) and The Idolmaster (pop stars). Such a game is sometimes called a raising simulation. It is a pet-raising simulation, without a pet.

See also


  1. ^ a b c d e f g h Rollings, Andrew; Ernest Adams (2003). Andrew Rollings and Ernest Adams on Game Design. New Riders Publishing. pp. 477–487.  
  2. ^
  3. ^ J. D. Biersdorfer (February 24, 2000). "Screen Mates for Fun or Profit". New York Times. Retrieved April 14, 2015. 
  4. ^ Rita Koselka (1996-12-02). "Save on dog food".  
  5. ^ MAD Cover Site, MAD #362 October 1997.
  6. ^ G. Jeffrey, "If you kick a robotic dog, is it wrong?" in The Christian Science Monitor, Feb of 2004
  7. ^ Katie Hafner, What Do You Mean, `It's Just Like a Real Dog'? , 2000
  8. ^ Frédéric Kaplan Free creatures : The role of uselessness in the design of artificial pets, 2000
  9. ^ Frank, A.; Stern, A.; and Resner, B. 1997. Socially intelligent virtual petz. In Socially Intelligent Agents.
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