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Don Newton

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Don Newton

Don Newton
Newton self-portrait.
Born (1934-11-06)November 6, 1934[1]
St. Charles, Virginia
Died August 19, 1984(1984-08-19) (aged 49)
Phoenix, Arizona
Nationality American
Area(s) Penciller, Inker
Notable works
Detective Comics
New Gods

Don Newton (November 12, 1934 — August 19, 1984)[2] was an American comic book artist. During his career, he worked for a number of comic book publishers, including Charlton Comics, DC Comics, and Marvel Comics. He is best known for his work on The Phantom, Aquaman, and Batman. Newton also drew several Captain Marvel/Marvel Family stories, and was a fan of the character, having studied under Captain Marvel co-creator C. C. Beck.


Newton was born in St. Charles, Virginia, but after being diagnosed with asthma at the age of four, the Newton family moved to Arizona. Newton began drawing at a young age, with comic books being a major influence on his early artwork. He was a big fan of Batman and Daredevil, and an even bigger Captain Marvel fan.[3]

By the mid 1960s, Newton was teaching art in Phoenix. He also worked part-time as a student art reviewer for the mail order "Master Artist's Painting Course." Newton eventually discovered comic book Rocket's Blast Comicollector (RBCC). Newton did not limit himself exclusively to the publications of the SFCA; he also worked for most of the major fanzines during these years. In all Newton’s work appeared in over one hundred fanzines. Newton did one major strip during this time, which ran for more than a year in the RBCC called The Savage Earth. Over a period stretching from 1968 to 1970 the science fiction strip appeared in issues 60-70 of the RBCC'. Issue #65 of the RBCC sported a Newton Savage Earth painting as its cover.

Newton tried for years to leverage his connections in fandom into work at DC Comics or Marvel Comics, but he was at a distinct disadvantage living in Arizona. Marvel in particular wanted their artists close at hand. Newton finally set his sights a little lower and sent some sample pages to Nicola Cuti at Charlton Comics where his first professional comic book work was published.[3]

Charlton Comics

Newton's first work for Charlton appeared in Ghost Manor #18 (May 1974)[4] and would work on Charlton horror books for the next year and half. Besides drawing for the Charlton horror comics, Newton also began painting covers for their horror and romance books.

Don Newton's cover to The Phantom #74 featuring the Phantom of 1776.

In October 1975 Newton's first issue of The Phantom, #67, was published. Newton would pencil and ink all of his Phantom work and would supply a cover painting for every issue he drew. Newton’s short run on the book featured two classic Newton pieces at Charlton. Issue #70 of The Phantom stars Humphrey Bogart, Lauren Bacall, Sydney Greenstreet, Peter Lorre, and Claude Rains and is a mixture of Casablanca, The African Queen, The Maltese Falcon, and The Treasure of the Sierra Madre.

Newton’s final issue of The Phantom features the Phantom of 1776 meeting Benjamin Franklin. It has a Phantom cover, the Phantom of 1776, sword in one hand, flintlock pistol in the other in front of a smoky background of the Declaration of Independence and a tattered 13-star American flag.

After Charlton

Newton had always seen Charlton as a stepping-stone to Marvel Comics. While still working for Charlton, Newton did do work on an issue of Giant-Size Defenders, did some small uncredited inking on a few of the Deadly Hands of Kung Fu magazine over Mike Vosburg, a frontispiece for the Savage Sword of Conan and a single painting for Roy Thomas, which years later, became a cover for Thomas' magazine Alter Ego. Newton inked an issue of Ghost Rider over Don Heck's pencils and produced a cover for Marvel's Unknown Worlds of Science Fiction Annual.[4]

DC Comics

Newton began his career at DC with DC Special #28 (July 1977).[4] Newton contributed the pencils on an Aquaman strip inked by his old friend Dan Adkins. Newton would draw Aquaman off and on for the next three years. That same month saw the release of Newton's first series at DC, The New Gods #12.[5] Dan Adkins inked most of his work on the New Gods. It was during his tenure on this strip that Newton left his job as a junior high school art teacher to go work full-time as an artist. In the middle of Newton's run on The New Gods, he and David Michelinie co-created the Star Hunters for DC but Newton dropped the feature after drawing two stories.

One of Newton’s lifelong ambitions was to draw Captain Marvel and he fulfilled this desire in 1978 when he was signed as the new penciler for the Shazam! title. He would draw this strip through October 1982.

Newton began drawing the Batman character beginning with Batman #305 (November 1978), and would draw 79 stories featuring Batman or members of the Batman family during his tenure at DC. Newton and writer Dennis O'Neil co-created the Maxie Zeus character in Detective Comics #483 (April–May 1979).[6] O'Neil and Newton produced the story "The Vengeance Vow" in Detective Comics #485 (Aug.–Sept. 1979) in which the original Batwoman is killed by the League of Assassins.[7]

Marvel Comics

In 1979 Newton returned to Marvel. He wanted to draw Captain America, but that title was unavailable at the time and The Avengers was the closest Marvel could do to fulfilling that request. Newton took the assignment when he was promised Joe Rubinstein as his permanent inker on the book. Newton loved the inks that Rubinstein had done on The New Gods years earlier and jumped at the opportunity to work with him again.

Newton only finished the pencils for two issues before returning to DC. Those two issues of The Avengers became Avengers Annual #9, half of which was inked by Rubinstein, half by Jack Abel. In 1981 Don Newton again left DC for Marvel. As was the case the first time, better money was one of the factors that pushed him to Marvel. Marvel had other artists, such as Val Mayerik, call Don to entice him into working at Marvel again. Unlike the previous time, Joe Rubinstein was not part of the deal. The Avengers #204 featured inks by Dan Green. Newton was so upset with the result that he left Marvel and never worked for them again.

DC again

During the time that Newton was drawing this second attempt at The Avengers book, he was contacted by Paul Levitz who promised him some additional advertising artwork, should Newton return to DC. After the Avengers inking by Green (which he had been unsatisfied with) and again the lack of scheduled work from Marvel, Newton agreed to accept a new contract with DC.

Newton did two issues of Green Lantern in 1982. Both were Green Lantern Corps stories, one of which contained the first appearance of Ch'p, the squirrel-like Green Lantern of H'lven. Two years later Newton returned to Green Lantern in the only DC comics work he inked. In Newton’s obituary, Dick Giordano said of this work, "To my mind, Don's final statement was the Green Lantern Corps story he penciled and inked that appeared in Green Lantern #181. He showed us how to do it right."[8]

He drew the first appearance of Jason Todd in Batman #357 (March 1983),[9] a character who became the second Robin.[10]

Newton had always told DC that other than Batman and Captain Marvel the only book he would like to draw was the Jim Shooter let Rubinstein out of his contract for a month so that he could ink a fill-in issue Newton had done. It became Infinity Inc. #13 (April 1985). This was Newton's last published original work.

In 2011, DC published Tales of the Batman: Don Newton, a hardcover collection of Newton's Batman stories.[11]


Comics work (interior pencil art) includes:





  1. ^ "United States Social Security Death Index," index, FamilySearch : Don Newton, August 1984, accessed March 2, 2013
  2. ^ "Don Newton".  
  3. ^ a b "Interview With Don Newton", The Collector #17, Bill G. Wilson, 1969.
  4. ^ a b c Don Newton at the Grand Comics Database
  5. ^ McAvennie, Michael; Dolan, Hannah, ed. (2010). "1970s". DC Comics Year By Year A Visual Chronicle.  
  6. ^ McAvennie "1970s" in Dolan, p. 181: "For Detective Comics fortieth anniversary, scribe Denny O'Neil and artist Don Newton told the tale of...mob boss Maxie Zeus - a former Greek mythology-obsessed history teacher, who considered himself a god."
  7. ^ McAvennie "1970s" in Dolan, p. 183: "It was the League of Assassins' murder of Kathy (Batwoman) Kane that sent Batman out for revenge in a story by scripter Denny O'Neil and artist Don Newton."
  8. ^ Giordano, Dick, "Meanwhile" column", DC Comics cover dated February 1985.
  9. ^ Manning, Matthew K. "1980s" in Dolan, p. 201: "Jason Todd first appeared in a circus scene in the pages of Batman #357, written by Gerry Conway and illustrated by Don Newton."
  10. ^ Manning "1980s" in Dolan, p. 207
  11. ^ Newton, Don (2011). Tales of the Batman: Don Newton. DC Comics. p. 360.  

External links

  • The Art of Don Newton fansite
  • Don Newton at Mike's Amazing World of Comics
  • Don Newton at the Unofficial Handbook of Marvel Comics Creators
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