World Library  
Flag as Inappropriate
Email this Article

Emma Livry

Emma Livry
Emma Livry in the title role of the Taglioni/Schneitzhoeffer La Sylphide. Paris, 1862
Born Jeanne Emma Emarot or Emma Marie Emarot (disputed)
(1842-09-24)24 September 1842
Died 26 July 1863(1863-07-26) (aged 20)
Neuilly-sur-Seine, France
Nationality French
Occupation danseuse
Years active 1858–1863
Known for La Sylphide, other romantic ballets
Parent(s) Célestine Emarot and Baron Charles de Chassiron

Emma Livry (born as Jeanne Emma Emarot or Emma Marie Emarot; 24 September 1842 – 26 July 1863) was one of the last ballerinas of the Romantic ballet era and a protégée of Marie Taglioni. She died from complications after burn injuries sustained when her costume caught fire during a rehearsal.


  • Biography 1
    • Career 1.1
    • Accidental death 1.2
  • References 2
    • Notes 2.1
    • Sources and Further Reading 2.2
  • External links 3


Livry was the illegitimate daughter of Célestine Emarot, a ballet dancer, and Baron Charles de Chassiron, which prompted the following rhyming verse:

Can so skinny a rat
Be the daughter of so round a cat?[1]


She studied dancing under Madame Dominique and attended the Paris Opera School. Her career was promoted by her mother's lover at the time, Vicomte Ferdinand de Montguyon. On 19 October 1858,[2] at the age of sixteen, she made her debut with the Paris Opera Ballet at the Salle Le Peletier as the sylph in La Sylphide. Her talent brought her fame and she became a widely respected ballerina.[2]

Montguyon prevailed upon the director of the Opera to change the programme so that Marie Taglioni (who originated the role) would see Livry in La Sylphide when she visited. Taglioni decided to stay on in Paris to teach the girl, who reminded her of herself as a young woman. She choreographed for Livry the title-role of Farfalla (Butterfly) in Le Papillon, the only full-length ballet composed by Jacques Offenbach. The sculptor Jean-Auguste Barre created a figurine of Livry in this role in bronze and bisque versions.

Paul Smith wrote in Revue et gazette musicale de Paris:

Accidental death

On 15 November 1862, Livry was rehearsing the title role of Fenella, a mime part and the title role in Auber's opera La muette de Portici. Making her second-act entrance, she shook out her skirts, which caught fire on a gaslight. The accident was avoidable: a method of fire-proofing costumes was available in this period, but Livry and most female performers of the period were opposed to it because it discolored and stiffened fabrics.[2]

In flames, she ran across the stage three times before she was caught and the fire extinguished with the help of firemen and other dancers. Her burns were more extensive than deep. She had clasped the burning fabric to her torso out of modesty. Her face and breasts were undamaged. According to the doctor in attendance, her thighs, waist, back, shoulders and arms were burned, and her stays were burned on. She tried to pray. Taglioni, who was watching the rehearsal, rubbed make-up grease into her wounds in the mistaken belief that it would act as ointment. She suffered for months, yet remained opposed to fire-proofed skirts: "Yes, they are, as you say, less dangerous, but should I ever return to the stage, I would never think of wearing them – they are so ugly."[3]

In 1863, she was moved from her home in Paris to Neuilly-sur-Seine. However, her wounds re-opened and she succumbed to [3]



  1. ^ Guest, Ivor. The Ballet Annual & Year Book. p. 55. 
  2. ^ a b c Roger L. Williams, Gaslight and Shadow: The World of Napoleon III (NY: Macmillan, 1957), 106. Fire-proofing was required by an imperial decree of 27 November 1859. In 1860 a dancer's costume had caught fire during rehearsals for Offenbach's Le Papillon which starred Livry.
  3. ^ a b Guest, Ivor. The Ballet Annual & Year Book. p. 59. 

Sources and Further Reading

  • M. Quatrelles L'Epine, "Une danseuse française au XIXe siècle: Emma Livry", Bulletin de la Société de l'Histoire du Théâtre (Paris, November 1908 – January 1909), pp. 7–47.
  • Guest, Ivor, The Ballet of the Second Empire (London, 1955)
  • , Mary Clarke & Arnold Haskell, eds., (New York & London, 1963), pp. 54–60The Ballet Annual & Year BookGuest, Ivor, "Centenary: Emma Livry, 1842–1863", in

External links

  • Bernard Vassor: Emma Livry, une histoire tragique à l'opéra
  • Andros on Ballet
  • Christina Towle: Emma Livry
This article was sourced from Creative Commons Attribution-ShareAlike License; additional terms may apply. World Heritage Encyclopedia content is assembled from numerous content providers, Open Access Publishing, and in compliance with The Fair Access to Science and Technology Research Act (FASTR), Wikimedia Foundation, Inc., Public Library of Science, The Encyclopedia of Life, Open Book Publishers (OBP), PubMed, U.S. National Library of Medicine, National Center for Biotechnology Information, U.S. National Library of Medicine, National Institutes of Health (NIH), U.S. Department of Health & Human Services, and, which sources content from all federal, state, local, tribal, and territorial government publication portals (.gov, .mil, .edu). Funding for and content contributors is made possible from the U.S. Congress, E-Government Act of 2002.
Crowd sourced content that is contributed to World Heritage Encyclopedia is peer reviewed and edited by our editorial staff to ensure quality scholarly research articles.
By using this site, you agree to the Terms of Use and Privacy Policy. World Heritage Encyclopedia™ is a registered trademark of the World Public Library Association, a non-profit organization.

Copyright © World Library Foundation. All rights reserved. eBooks from Project Gutenberg are sponsored by the World Library Foundation,
a 501c(4) Member's Support Non-Profit Organization, and is NOT affiliated with any governmental agency or department.