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End of the World (1931 film)

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End of the World (1931 film)

End of the World
Quad poster under original French title
Directed by Abel Gance
Produced by K. Ivanoff
Written by Jean Boyer
Camille Flammarion
Abel Gance
André Lang
Starring Victor Francen
Colette Darfeuil
Abel Gance
Jeanne Brindau
Samson Fainsilber
Cinematography Nicolas Rudakov
Jules Kruger
Roger Hubert
Edited by Mme. Bruyere
Release dates
  • 23 January 1931 (1931-01-23)
Running time 105 minutes
Country France
Language French

End of the World (French: La Fin du monde) is a 1931 French science fiction film directed by Abel Gance based on the novel Omega: The Last Days of the World by Camille Flammarion.[1][2] The film stars Victor Francen as Martial Novalic, Colette Darfeuil as Genevieve de Murcie, Abel Gance as Jean Novalic, and Jeanne Brindau as Madame Novalic. The plot concerns a comet hurling toward Earth on a collision course and the different reactions to people on the impending disaster. Scientist Martial Novalic who discovers the comet, seeks a solution to the problem and becomes a fugitive after skeptical authorities blame him for starting a mass panic.[1]

End of the World was director Abel Gance's first sound film. The original film was to be over three hours long, but the backing production took the film from Gance, and cut it to be 105 minutes. It was again cut on its release in the United States under the title of Paris after Dark. Both abridged versions of the film were not well received by audiences or critics.


The film opens with Jean Novalic (Abel Gance) playing Jesus Christ in a passion play. Isabelle Bolin (Sylvie Grenade) attends with her boyfriend stock promoter Schomburg (Samson Fainsilber) who is entranced by the blonde actress playing Mary Magdalene, Genevieve de Murcie (Colette Darfeuil). Genevieve defies her scientist father Monsieur de Murcie (Jean d'Yd) to propose to Jean, who tells her that they cannot marry. Back home, Genevieve's father, jealous of the wealthy Martial Novalic (Victor Francen)'s fame, accepts money from Schomburg to build an observatory better than Novalic's. Schomburg then announces his intention to court de Murcie's daughter.

As Jean aids a young woman being abused, he is accused of rape and is critically wounded by a blow to the head. Schomburg accompanies Genevieve to a fancy party, but takes her back to her apartment and rapes her. In his observatory, Martial detects the Lexell's Comet is on a collision course with Earth. Jean himself begins to predict a coming apocalypse, and claims that the cataclysm has arrived to "save the hearts of man". Martial confides to his colleagues that the comet will strike in 114 days. After Jean is taken to an asylum, Martial and Genevieve listen to his phonographs which instruct Genevieve to abandon her worldly life and help Martial inaugurate a new World Government. Jean's voice tells them they must marry and become the shepherd and shepherdess of humanity. Genevieve sees a vision of Jean as Christ.

With 92 days left, Schomburg invests heavily in armaments while Martial goes to the rich Werster and tells him that the world will end. Motivated to help, Werster deals with Schomburg and gives Martial money to buy a newspaper and a broadcast station. Genevieve has remained single but helps to organize Radio Martial Novalic's broadcasts of peace bulletins. Martial's confederates jam official radio news, blocking warnings that war mobilization is imminent. Martial announces the coming end of the world. Stock markets plunge around the globe but Schomburg continues to buy. De Murcie and Schomburg accuse Novalic of kidnapping Genevieve and using the Comet as a hoax to destroy the economy. A government minister orders the exchanges closed and the arrest of Martial and Werster. But Martial's agents learn of the arrest warrant with a hidden microphone. The newspaper is confiscated and the radio station destroyed, and Martial and Werster escape.

The government hides the truth which allows the stock market to recover. Schomberg holds a party the very night Martial claims that the Comet will become visible. Schomnberg tells gangsters he'll pay a million Francs if Martial and Werster are found dead before morning. Genevieve returns to her father and joins Schomburg in the garden; the jealous Isabelle runs to warn Martial Novalic. At the party, the comet comes into sight. Isabelle helps Martial escape and learns that war mobilization will soon be announced. He and Werster rush to destroy the government's radio antenna in the Eiffel Tower. Genvieve tips off Martial by telephone that Schomburg and his killers are ascending in an elevator. Werster warns Genevieve to stay on the ground and uses a cutting torch to sever the elevator cable, but Genevieve had taken the elevator as well and is killed with the rest.

The world can now see the Lexell's Comet narrowly misses the earth. Much of the world has been reduced to rubble, but life will go on.


The film is based on a novel by Camille Flammarion

Director Abel Gance had meditated on the idea of End of the World since 1913 and after creating the film Napoleon in 1927, he convinced himself and backers to go forward with the project.[3] Gance originally was going to title the film The End of the World, as Seen, Heard and Rendered, by Abel Gance.[2] Filming began in mid-1929 and was finished roughly a year later.[3] The film had been edited to a running time of just over three hours.[3] When the backers felt that the film was becoming far too long, they took production control away from Gance and cut the film to a shorter length.[2]



The film was released in France in January 1931 under the title La Fin du monde at a rough length of 105 minutes and was never shown in the United States in this form.[2][3] Although American director Cecil B. DeMille showed interest in purchasing the rights to the film, it was released in 1934 by American film distributor Harold Auten who trimmed the running time to 54 minutes in the fashion of various exploitation films of the time.[4][5] Auten's version was re-titled Paris After Dark and included a new opening by Dr. Clyde Fisher discussing the scientific nature of the film.[2][6] Auten's version of the film removed most of the film's dialogue filling it with title cards and made the leading character Jean Novalic into a minor character who only has a few scenes in the background.[2]


The film received a disastrous reception from audiences and critics alike.[3] Contemporary critic Philippe Soupault described it as "portentously naive" and "blatantly unrealistic".[4] Director Abel Gance himself referred to the film as "an abortive work" ruined by the producer taking the film away from him so he could edit it himself.[4]

The lack of success of End of the World forced Gance to turn to more conventional projects in order to continue work as a filmmaker.[7]


  1. ^ a b "New York Times: End of the World". NY Times. Retrieved 2008-07-19. 
  2. ^ a b c d e f Mitchell, 2001. p.70
  3. ^ a b c d e Williams, 1992. p.163
  4. ^ a b c Telotte 1999. p.91
  5. ^ Birchard 2004. p.263
  6. ^ Telotte 1999. p.92
  7. ^ Harvey, Stephen (March 15, 1981). "After 'Napolean'- Another Film by Abel Gance".  

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