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Fort Apache (film)

Fort Apache
Theatrical release poster
Directed by John Ford
Produced by
Written by Frank S. Nugent
Based on "Massacre" 
by James Warner Bellah
Starring
Music by Richard Hageman
Cinematography Archie Stout, ASC
Edited by Jack Murray
Production
company
Distributed by RKO Radio Pictures
Release dates
  • March 27, 1948 (1948-03-27)[1]
Running time
125 minutes
Country United States
Language English

Fort Apache is a 1948 American Battle of Little Bighorn and to the Fetterman Fight.[4] The film was one of the first to present an authentic and sympathetic view of the Native Americans involved in the battle (Apache in the film, Sioux in the real battles).

The film was awarded the Best Director and Best Cinematography awards by the Locarno International Film Festival of Locarno, Switzerland. Screenwriter Frank S. Nugent was nominated for best screenplay by the Writers Guild of America.

Contents

  • Plot summary 1
  • Cast 2
  • Production 3
  • Reception 4
  • See also 5
  • References 6
  • Further reading 7
  • External links 8

Plot summary

After the American Civil War, highly respected veteran Captain Kirby York (John Wayne) is expected to replace the outgoing commander at Fort Apache, an isolated U.S. cavalry post. York had commanded his own regiment during the Civil War and was well-qualified to assume permanent command. To the surprise and disappointment of the company, command of the regiment was given to Lieutenant Colonel Owen Thursday (Henry Fonda). Thursday, a West Point graduate, was a general during the Civil War. Despite his Civil War combat record, Lieutenant Colonel Thursday lacks experience with the Indians he is expected to oversee, and is an incompetent, arrogant and egocentric officer.

Accompanying widower Thursday is his daughter, Philadelphia (Shirley Temple). She becomes attracted to Second Lieutenant Michael Shannon O'Rourke (John Agar), the son of Sergeant Major Michael O'Rourke (Ward Bond). The elder O'Rourke was a recipient of the Medal of Honor as a major with the Irish Brigade during the Civil War, entitling his son to enter West Point and become an officer. However, the class-conscious Thursday forbids his daughter to see someone he does not consider a gentleman.

When there is unrest among the Indians, led by

Cast

Production

Some exteriors for the film's location shooting were shot in Monument Valley, Utah. The exteriors involving the fort itself and the renegade Indian agent's trading post were filmed at the Corriganville Movie Ranch, a former Simi Hills movie ranch that is now a regional park in the Simi Valley of Southern California.

Reception

The film recorded a profit of $445,000.[5] In 2013 dollars, this amounts to U.S. $4,365,450.[6]

See also

References

  1. ^ "Fort Apache: Detail View". American Film Institute. Retrieved May 10, 2014. 
  2. ^ Variety film review; March 10, 1948, page 10.
  3. ^ Harrison's Reports film review; xxx.
  4. ^ Howze, William (2011). "Sources for Ford's "Cavalry trilogy:" The Saturday Evening Post and James Warner Bellah".  Section of Howze's doctoral dissertation.
  5. ^ Richard Jewell & Vernon Harbin, The RKO Story. New Rochelle, New York: Arlington House, 1982. p228
  6. ^ http://www.dollartimes.com/calculators/inflation.htm

Further reading

  • Crowther, Bosley (June 25, 1948). , RKO Western, With Fonda, Wayne and Temple, Bill at Capitol"Fort Apache". The New York Times.  In his contemporary review, Crowther writes "apparent in this picture, for those who care to look, is a new and maturing viewpoint upon one aspect of the American Indian wars. For here it is not the "heathen Indian" who is the "heavy" of the piece but a hard-bitten Army colonel, blind through ignorance and a passion for revenge. And ranged alongside this willful white man is a venal government agent who exploits the innocence of the Indians while supposedly acting as their friend."
  • Levy, Emanuel. "Fort Apache (1948)".  Recent, highly favorable review of "John Ford's superb black-and white elegiac Western".
  • Schwartz, Dennis (August 15, 2001). "Fort Apache". Ozus' World.  Schwartz summarizes the film as "a reworking of the Custer myth, in a film that over sentimentalizes Army life and chivalry."

External links

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