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Title: Golan-Globus  
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The Cannon Group, Inc.
Industry Movie studio
Fate Bankruptcy (Original)
Successor(s) MGM
Founded October 23, 1967 (1967-10-23)
Founder(s) Dennis Friedland
Christopher C. Dewey
Defunct 1993 (1993)
Headquarters United States (Also owned studios and cinema chains throughout the UK, Israel and Europe)
Key people Dennis Friedland (1967-1979)
Christopher C. Dewey (1967-1979)
Menahem Golan (1979-1989)[1]
Yoram Globus (1979-1993)
Giancarlo Parretti (1989-1990)
Ovidio G. Assonitis (1989-1993)
Christopher Pearce (1990-1993)
Products Motion pictures, Video releasing, Cinema Chains (UK & Europe)
Subsidiaries Cannon Video
Cannon Cinemas

The Cannon Group Inc. was an American group of companies, including Cannon Films, which produced a distinctive line of low-to-medium budget films[2] from 1967 to 1993. The extensive group also owned, amongst others, a large international cinema chain and a video film company that invested heavily in the video market, buying the international video rights to several classic film libraries.


1967–1979: Beginnings

Cannon Films was incorporated on October 23, 1967. It was formed by Dennis Friedland and Chris Dewey while they were in their early 20s. By 1970, they had produced films on a larger production scale than a lot of major distributors, such as Joe, starring Peter Boyle. They managed this by tightly limiting their budgets to $300,000 per picture—or less, in some cases. However, as the 1970s moved on, a string of unsuccessful movies seriously drained Cannon’s capital. This, along with changes to film-production tax laws, led to a drop in Cannon's stock price. Other notable films co-produced by Friedland and Dewey included Blood on Satan's Claw and Michael Reeves' The Sorcerers.

1979–1985: Golan Globus era

By 1979, Cannon had hit serious financial difficulties, and Friedland and Dewey sold Cannon to Israeli cousins Menahem Golan (who had directed The Apple) and Yoram Globus for $500,000.[3] The two cousins forged a business model of buying bottom-barrel scripts and putting them into production.

They tapped into a ravenous market for action B-pictures in the 1980s.[4] Although they are most remembered for the Death Wish sequels and Chuck Norris action pictures such as The Delta Force and Invasion U.S.A., and even the vigilante thriller Exterminator 2 (the sequel to 1980’s The Exterminator), Cannon’s output was actually far more varied, with musical and comedy films like Breakin’, Breakin’ 2: Electric Boogaloo, The Last American Virgin, and the U.S. release of The Apple; period romance pictures like Lady Chatterley's Lover (1981), Bolero, and Mata Hari (1985); science fiction and fantasy films like Hercules, Lifeforce and The Barbarians; as well as serious pictures like John CassavetesLove Streams, Zeffirelli’s Otello (a film version of the Verdi opera), Norman Mailer’s Tough Guys Don’t Dance, Andrei Konchalovsky’s Runaway Train, and Shy People; and action/adventure films such as the 3-D Treasure of the Four Crowns, King Solomon’s Mines, Cobra and American Ninja.

One of Cannon’s biggest hits was the Vietnam action B-movie Missing in Action, with Chuck Norris.[5] The film, however, was criticized heavily as being a preemptive cash-in on the Rambo film series.[6][7] James Cameron's story treatment for Rambo: First Blood Part II was floating around Hollywood in 1983, by which Golan and Globus reviewed and were "inspired".[6][7] The writers of MIA even gave Cameron credit saying their film was inspired by his script treatment.[8] But Cannon had initially put the prequel Missing in Action 2: The Beginning into production. Only after the two movies were completed had the company realized that the planned second movie was superior to the first one. So, the first movie produced became an awkward prequel.[9]

During these years, Cannon worked with entertainment-advertising company Design Projects, Inc. for most of the one-sheet posters, trade advertising, and large billboards prominently displayed at the Cannes Film Festival each year. Substantial pre-sales of the next years' films were made based on the strong salesmanship skills of Golan, Danny Dimbort, and the advertising created by Design Projects. The deposits made from these sales financed production of the first film in the production line-up, which—when completed and delivered to theatre owners around the world—generated enough money to make the next film in the line-up. Slavenberg Bank in the Netherlands provided bridge financing until the pre-sales amounts were collected.

1986–1989: Later years

By 1986, when company earnings reached their apex with 43 films in one year, Cannon Films shares had soared a hundredfold. Golan remained Chairman of the Board, while Globus served as President.

During this year, Cannon Films released Robotech: The Movie (also called Robotech: The Untold Story) for a limited run in Mesquite, Texas, a suburb of Dallas. Cannon was reportedly unsatisfied with Carl Macek’s first version of the movie, which was almost a straight adaptation of the anime Megazone 23. It was at their insistence that footage from The Super Dimension Cavalry Southern Cross (the series adapted as the Robotech Masters segment of the Robotech TV series) and Megazone 23 be spliced together to produce a more action-oriented movie. Macek recalls that although he was unhappy with this revised version, Menahem Golan, after viewing it, happily said: "Now that’s a Cannon movie!" Nevertheless, Robotech: The Movie was unsuccessful in its brief Texas run and saw no further release. Carl Macek has gone on record as disowning it.

Film critic Roger Ebert said of Golan-Globus in 1987, "no other production organization in the world today—certainly not any of the seven Hollywood "majors"—has taken more chances with serious, marginal films than Cannon."[10] That year, Cannon gained its greatest artistic success: its Dutch production The Assault won the 1986 Academy Award for Best Foreign Language Film and a Golden Globe Award for Best Foreign Language Film.

Golan and Cannon Films were famous for making huge announcements and over-promoting movies that did not live up to expectations—or even exist. For instance, Lifeforce (1985) was to be "the cinematic sci-fi event of the '80s" and Masters of the Universe (1987) was dubbed "the Star Wars of the '80s."


Additionally, Cannon owned the film rights to Spider-Man, and planned to make a Spider-Man movie in the mid-1980s.[11] Golan and Globus agreed to pay Marvel Comics $225,000 over the five-year option period, plus a percentage of the film’s revenues.[11] The rights would revert to Marvel if a film was not made by April 1990.[12] Marvel and Columbia would eventually complete the film several years later for director Sam Raimi.

Pathé ownership

By 1988, a cooling of the film market and a string of box office flops had drained Cannon’s capital. The multi-million dollar production of Superman IV: The Quest for Peace (1987), whose original $36-million budget was halved ($17 million) by Cannon, failed at the box office. Cannon signed an agreement with Warner Bros. to handle part of Cannon’s assets; however, the financial loss was staggering. Having purchased Thorn EMI's Screen Entertainment division in 1986,[13] Cannon Films was severely stretched, and faced bankruptcy. The U.S. Securities and Exchange Commission began an investigation into Cannon's financial reports, suspecting that Cannon had fraudulently misstated them.

On the verge of failure, Cannon Films was taken over by Pathé Communications, a holding company controlled by Italian financier Giancarlo Parretti. Financed by the French bank Credit Lyonnais, Pathé Communications' takeover of Cannon immediately began a corporate restructuring and refinancing of $250 million to pay off Cannon debt. By 1989, Golan, citing differences with both Parretti and Globus, resigned from his position and left Cannon to start 21st Century Film Corporation, while Globus remained with Pathé.

One of the final movies produced by the team of Golan and Globus that received a wide release under the Cannon Films banner was the Jean-Claude Van Damme post-apocalyptic action film Cyborg. This film was conceived to use both the costumes and sets built for an intended sequel to Masters of the Universe and the ill-fated live-action version of Spider-Man. Both projects were planned to shoot simultaneously under the direction of Albert Pyun. After Cannon Films had to cancel deals with both Mattel and Marvel Entertainment because of their financial troubles, they needed to recoup the money spent on both projects.

As part of his severance package from Pathé, Golan took the rights to Marvel’s characters Spider-Man and Captain America. (Golan was able to put Captain America into production, and released it directly to video through his 21st Century Film Corporation, while, as aforementioned, Columbia would eventually take Spider-Man to production for 2002 release.) Not to let that pre-production work go to waste, Pyun wrote Cyborg, with Chuck Norris in mind, suggesting it to Cannon Films. Jean-Claude Van Damme was cast in the lead role. Some television stations still give the film’s title as Masters of the Universe 2: Cyborg.

The Cannon Group sold in May 1987 its 2,000-title British film library,[14] the Thorn-EMI Screen Entertainment Library, for $85-million to Weintraub Entertainment Group.[15]

1990–1993: Relaunch and demise

Following Golan's departure from Cannon Films, he became the head of 21st Century Film Corporation. Globus continued working with Parretti at Pathé.

When Pathé took over control of MGM/UA in 1990 as part of the MGM-Pathe merger, a majority of the Cannon Films library became part of the MGM library (certain rights for other media and select films during the Thorn EMI merger now lie with other entities). During Parretti's tenure at MGM and Warner Bros. Pictures, he appointed Globus as president of the studio for a brief period of time.

In 1990, Parretti reorganized Cannon Pictures, Inc. as the low-budget distribution arm of Pathé. Veteran Italian film producer Ovidio G. Assonitis served as Chairman and CEO of the new Cannon Pictures from 1990 to 1991. After the MGM-Pathe merger, Cannon Pictures spun off from Pathé, and was later run by former Cannon Group production head Christopher Pearce, who served as Chairman and CEO from 1991 to 1994. Cannon Pictures continued to release films, including A Man Called Sarge, American Ninja 4: The Annihilation and No Place to Hide.

Parretti was pushed out of management control of MGM in 1991 by Credit Lyonnais, after he defaulted on loan payments.[16] Parretti was later convicted of perjury and evidence tampering in a Delaware court for statements he made in a 1991 civil case, brought by Credit Lyonnais to validate their removal of Parretti, to the effect that a document he claimed allowed him to retain control of MGM was authentic;[17][18] he fled the country for Italy before he could be sentenced or extradited to France, where he was wanted on criminal charges related to his use of MGM's French assets.[18][19] In 1997, the California Superior Court in Los Angeles entered a final judgement in a separate civil suit against Parretti, ordering him to pay $1.48 billion to Credit Lyonnais.[18] After Federal prosecuters unsealed an indictment against Parretti and Florio Fiorini accusing them of fraud in 1999, Italian authorities arrested both men and held them for extradition to the United States.[20] Parretti was released by the court of appeal in Perugia shortly thereafter, ordered to remain in his home town of Orvieto and report to the police three times a week, even though authorities in Rome had requested he be held pending a decision on the extradition.[21]

The 1988 Golan-Globus film Alien from L.A., starring model Kathy Ireland, was used as the basis of episode #516 of the movie-mocking television show Mystery Science Theater 3000. In 1993, Cannon Pictures released its last film Street Knight before it closed down. Yoram Globus and Christopher Pearce later joined 21st Century Film Corporation until 1996.

Golan is still producing and directing films. Globus is the president of Globus Max, which has interests in film production and distribution and runs a 140-screen cinema chain in Israel.

In late 2011 it was revealed that Australian director Mark Hartley is working on a documentary about Cannon Films called Electric Boogaloo: The Wild, Untold Story of Cannon Films.[22]

List of Golan-Globus productions

Main article: List of films released by The Cannon Group
Title Release Date Notes
The Love Rebellion October 1967
Deep Inside February 1968
To Ingrid, My Love, Lisa March 1969
Scratch Harry 1969
Fando and Lis February 2, 1970
Margo Sheli April 14, 1971
Guess What We Learned in School Today? May 19, 1971
Who Killed Mary What's 'Er Name? November 12, 1971
Northville Cemetery Massacre March 1976
The Ups and Downs of a Handyman November 1976
Operation Thunderbolt January 27, 1978
Cheerleaders Beach Party September 1978
Sam's Song May 7, 1979
The Magician of Lublin November 9, 1979
The Apple November 21, 1980
New Year's Evil December 1980
Enter the Ninja October 2, 1981
Death Wish II February 20, 1982 Co-production with Filmways Pictures.
Lady Chatterley's Lover May 7, 1982
The Last American Virgin July 30, 1982
Nana (1982 film) 1982
That Championship Season January 14, 1983
Treasure of the Four Crowns January 21, 1983
10 to Midnight March 11, 1983
House of the Long Shadows June 17, 1983
Hercules August 12, 1983 Distributed by MGM/UA Distribution Company
Revenge of the Ninja September 16, 1983
Over the Brooklyn Bridge March 2, 1984
Breakin' May 4, 1984
Sword of the Valiant: The Legend of Sir Gawain and the Green Knight August 17, 1984
Love Streams August 24, 1984
Bolero August 31, 1984
Exterminator 2 September 14, 1984
Ninja III: The Domination September 14, 1984
Missing in Action November 16, 1984
Breakin' 2: Electric Boogaloo December 21, 1984
The Ambassador January 11, 1985
Missing in Action 2: The Beginning March 2, 1985
The Company of Wolves April 19, 1985
Rappin' May 11, 1985
Lifeforce June 21, 1985
American Ninja August 30, 1985
Mata Hari September 1985
Invasion U.S.A. September 27, 1985
Death Wish III November 1, 1985
King Solomon's Mines November 22, 1985
Runaway Train December 6, 1985
The Delta Force February 14, 1986
The Naked Cage March 1986
America 3000 April 1986
Behind Enemy Lines April 1986
Dangerously Close May 9, 1986
Cobra May 23, 1986
Invaders from Mars June 6, 1986
Robotech: The Movie July 25, 1986 Never given a wide release in the United States due to various problems.
The Texas Chainsaw Massacre 2 August 22, 1986 with Europa Filmes
Lightning, the White Stallion August 1986
Otello September 12, 1986
Avenging Force September 12, 1986
52 Pick-Up November 7, 1986
Firewalker November 21, 1986
Duet for One December 25, 1986
Assassination January 9, 1987
Allan Quatermain and the Lost City of Gold January 30, 1987
The Assault February 6, 1987
Over the Top February 13, 1987 with Warner Bros. Pictures
Number One with a Bullet February 25, 1987
Street Smart March 20, 1987
Down Twisted March 1987
The Barbarians March 1987 Warner Bros.
American Ninja 2: The Confrontation May 1, 1987
Superman IV: The Quest for Peace July 24, 1987 Co-production with Warner Bros.
Masters of the Universe August 7, 1987 Filmation Associated and Mattel
King Lear September 15, 1987
Tough Guys Don't Dance September 18, 1987
Surrender October 9, 1987
Barfly October 16, 1987
Death Wish 4: The Crackdown November 6, 1987
Shy People December 1987
Under Cover December 4, 1987
Doin' Time on Planet Earth 1988
Braddock: Missing in Action III January 22, 1988 with Warner Bros. Pictures
Going Bananas February 12, 1988 with Warner Bros. Pictures effect sonors from Hanna-Barbera
Alien from L.A. February 26, 1988
Bloodsport February 26, 1988 co-production with Golan-Globus Productions with Universal Studios
Mercenary Fighters February 1988
Storm April 1, 1988
Appointment with Death April 15, 1988
Powaqqatsi April 29, 1988
Salsa May 7, 1988
Hero and the Terror August 26, 1988
Little Dorrit October 21, 1988
Platoon Leader October 1988
Evil Angels (A Cry in the Dark)[23] November 11, 1988
Hanna's War November 23, 1988
Manifesto January 27, 1989
Kinjite: Forbidden Subjects February 3, 1989
American Ninja 3: Blood Hunt February 24, 1989
Cyborg April 7, 1989 co-production with Golan-Globus Productions
The Fruit Machine April 28, 1989
Business as Usual May 19, 1989
Kickboxer September 8, 1989
Crack House November 10, 1989
American Ninja 4: The Annihilation March 8, 1990
Delta Force 2: The Colombian Connection August 24, 1990
Delta Force 3: The Killing Game March 22, 1991
The Borrower October 19, 1991
Captain America July 22, 1992 with Marvel and Paramount Pictures and Europa Filmes
American Samurai 1992
Street Knight March 12, 1993
American Ninja V 1993
American Cyborg: Steel Warrior 1994

TV shows


External links

  • -The Cannon Films Archive
  • Cannon Films Appreciation Society
  • Internet Movie Database
  • Internet Movie Database
  • Internet Movie Database
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