World Library  
Flag as Inappropriate
Email this Article

Ibero-American Exposition of 1929

Article Id: WHEBN0000475878
Reproduction Date:

Title: Ibero-American Exposition of 1929  
Author: World Heritage Encyclopedia
Language: English
Subject: 1929 Barcelona International Exposition, Seville, Enrique Larreta, United States Army Band, Neo-Mudéjar
Publisher: World Heritage Encyclopedia

Ibero-American Exposition of 1929

EXPO Sevilla 1929
A part ot the Plaza de España today
BIE-class Universal exposition
Category Historical Expo
Name Exposición General d'España (section:Exposición Ibero-Americana)
Area 69 hectares (170 acres)
Countries 18
Country Spain
City Sevilla
Venue Maria Luisa Park
Opening May 9, 1929 (1929-05-09)
Closure June 21, 1930 (1930-06-21)
Universal expositions
Previous Panama–Pacific International Exposition in San Francisco
Next Century of Progress in Chicago
Universal 1929 Barcelona International Exposition
Pavilion map

The Ibero-American Exposition of 1929 was a world's fair held in Seville, Spain, from 9 May 1929 until 21 June 1930. Countries in attendance of the exposition included: Portugal, the United States, Brazil, Uruguay, Mexico, Peru, Argentina, Chile, the Republic of Colombia, Cuba, Venezuela, the Dominican Republic, Bolivia, Panama, El Salvador, Costa Rica, and Ecuador. Each Spanish region and each of the provinces of Andalusia were also represented. Spain’s Dictator General Don Miguel Primo de Rivera gave the opening address. Primo allowed the Spanish King Alfonso XIII to give the final words and officially open the exposition. The purpose of the exposition was to improve relations between Spain and the countries in attendance, many of which were former Spanish colonies. Other countries were represented at the International section in Barcelona.

The exposition was smaller in scale than the International Exposition held in Barcelona during that same year, but it was not lacking in style. The city of Seville had prepared for the Exposition over the course of 19 years. The exhibition buildings were constructed in María Luisa Park along the Guadalquivir River. A majority of the buildings were built to remain permanent after the closing of the exposition. Many of the foreign buildings, including the United States exhibition building, were to be used as consulates after the closing of the exhibits. By the opening of the exposition all of the buildings were complete, although many were no longer new. Not long before the opening of the Exposition, the Spanish government also began a modernization of the city in order to prepare for the expected crowds by erecting new hotels and widening the medieval streets to allow for the movement of automobiles.

Spanish Pavilions and Exhibits

Spain spent a large amount of money in developing its exhibits for the fair and constructed elaborate buildings to hold them. The exhibits were designed to show the social and economic progress of Spain as well as expressing its culture. Spanish architect Don Aníbal González designed the largest and most famous of the buildings, which surrounded the Plaza de España. The largest of the exhibits housed in this building was located in the “Salón del Descubrimento de América.” The Salón contained documents, maps, and other objects related to the discovery of the Americas, including a set of 120 letters and manuscript that had belonged to Christopher Columbus, the last testament of Cortés, and detailed dioramas of historic moments. An exact replica of Columbus’s ship the “Santa María,” complete with a costumed crew, floated on the Guadalquivir River. The cities of Spain contributed structures designed to reflect their unique cultures to be placed in the “Pabellones de las Regiones Españolas.” Spain’s exhibits also included a large collection of art located in the Palacio Mudéjar, Palacio Renacimiento, and the Palacio de la Casa Real. The Institute of Art from the University of Seville was moved to the Palacio Mudéjar for the duration of the exposition on the permission gained from the exposition committee by Count Columbi. The committee also set aside funds from their budget to purchase materials for the Institute.

United States Exhibits

The United States’ contribution to the exposition consisted of three buildings and marked the end to a several year period in which the United States did not construct buildings for foreign expositions. The main building was to serve as the U.S. consulate office after the closing of the Ibero-American exposition, and housed a menagerie of electrical appliances including oil furnaces, electric refrigerators, airplane models, and miniature wind tunnels. The other two structures housed a movie theatre and government exhibits, including contributions from the Departments of Agriculture, Treasury, and Labor, the Commission of Fine Arts, the Navy, and the Library of Congress.

Ibero-American Exhibits

Of the Ibero-American nations in attendance of the exposition, 10 constructed pavilions to display their exhibits. Other nations, including Bolivia, Panama, El Salvador, Costa Rica, and Ecuador displayed their native products in the “Galerías Comerciales Americanas.”

The largest of the ten pavilions was the Peruvian pavilion, which was designed by Peruvian architect Don Manuel Piquera. The pavilion contained a large archeology collection consisting of three halls filled with pre-Columbian era artifacts, which were to be kept on permanent display. The pavilion also contained an agricultural exhibit filled with stuffed vicunas, alpacas, llamas, and guanacos. The exhibit was complemented by a pack of live llamas grazing on the pavilion grounds.

The Republic of Colombia constructed a pavilion designed by Seville architect José Granados. The pavilion included a collection of sculpture and artwork by Colombian artist Rómulo Rozo, and of Colombian emeralds, and a coffee café that demonstrated all of the steps in coffee cultivation.

The Brazilian pavilion also contained a coffee cultivation exhibit complete with panoramas and models illustrating the different phases of cultivation. Architect Pedro Paulo Bernardes Bastos designed the pavilion, which also included a coffee bar.

Chilean architect José Martínez designed the three-story building that served as home to Chile’s exhibits. The exhibits included displays of Chilean industries, including detailed replicas of a nitrate mine and a copper plant, Araucanian arts and crafts, and galleries displaying Chilean art and history.

The Mexican pavilion, designed by Manuel Amabilis, included exhibits on archeology, education, and the history of Spanish accomplishments in Mexico. Students in Mexican schools prepared some of the education exhibits.

Architect Martin Noel designed Argentina’s pavilion, which included a movie theatre and displays focusing on Argentinean industries and products.

Uruguay’s pavilion included displays of its industrial schools, including the Institute of Agronomy and an art gallery filled with paintings and bronze sculptures.

Cuba contributed demonstrations of the sugar and tobacco industries to the exposition in their pavilion.

The Dominican Republic pavilion included a reproduction of the Columbus's Alcázar.

Guatemala signed up late for the exhibition and as a result rather than resembling a huge palace its pavilion looks more like a school portable building with blue and white tiles on the front. The building contained exhibits relating to the resources found in Guatemala.

Venezuela also erected a pavilion containing displays of its resources.

Today, many of the pavilions from the exposition remain, notably the famous Plaza de España, which chronicles each of the regions of Spain in ceramics, as well as some of the national pavilions, which have now been converted to Consulate-Generals. Many of the buildings have been converted into museums and the pavilion of Argentina is now a flamenco school. They have also been featured in a number of films, including Lawrence of Arabia, The Wind and the Lion, and Star Wars Episode II: Attack of the Clones, among others.

See also

The Exposition is reviewed by Evelyn Waugh in his collected travel writings, 'When The Going Was Good' 1946, Duckworth. See 'A Pleasure Cruise in 1929'.


Martin, Percy Alvin. (1931) "The Ibero-American Exposition at Seville." Vol. 11, No. 3. The Hispanic American Historical Review.

"Seville Exposition." (20 May 2009) Time Magazine. Retrieved on 4 March 2009.

"A Seminar in the History of Art at the University of Seville." (1930) Vol. 3. No. 1. Parnassuss.

Williams, Mark. (1990) The Story of Spain. Malaga, Spain: Santana Books.

Richman, Irving Berdine. (1919) The Spanish Conquerors: A Chronicle of the Dawn of Empire Overseas. New Haven, CT: Yale University Press.

This article was sourced from Creative Commons Attribution-ShareAlike License; additional terms may apply. World Heritage Encyclopedia content is assembled from numerous content providers, Open Access Publishing, and in compliance with The Fair Access to Science and Technology Research Act (FASTR), Wikimedia Foundation, Inc., Public Library of Science, The Encyclopedia of Life, Open Book Publishers (OBP), PubMed, U.S. National Library of Medicine, National Center for Biotechnology Information, U.S. National Library of Medicine, National Institutes of Health (NIH), U.S. Department of Health & Human Services, and, which sources content from all federal, state, local, tribal, and territorial government publication portals (.gov, .mil, .edu). Funding for and content contributors is made possible from the U.S. Congress, E-Government Act of 2002.
Crowd sourced content that is contributed to World Heritage Encyclopedia is peer reviewed and edited by our editorial staff to ensure quality scholarly research articles.
By using this site, you agree to the Terms of Use and Privacy Policy. World Heritage Encyclopedia™ is a registered trademark of the World Public Library Association, a non-profit organization.

Copyright © World Library Foundation. All rights reserved. eBooks from Project Gutenberg are sponsored by the World Library Foundation,
a 501c(4) Member's Support Non-Profit Organization, and is NOT affiliated with any governmental agency or department.