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Johann Caspar Ferdinand Fischer

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Title: Johann Caspar Ferdinand Fischer  
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Subject: Prelude (music), Baroque music, Ariadne musica, Prelude and fugue, Johann Krieger
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Johann Caspar Ferdinand Fischer

Johann Caspar Ferdinand Fischer (some authorities use the spelling Johann Kaspar Ferdinand Fischer) (c. 1656 – 27 August 1746) was a German Baroque composer. Johann Nikolaus Forkel ranked Fischer as one of the best composers for keyboard of his day,[1] however, partly due to the rarity of surviving copies of his music, his music is rarely heard today.


  • Life 1
  • Works 2
  • References 3
  • Sources 4
  • External links 5


Fischer seems to have been of Bohemian origin, possibly born at Schönfeld, but details about his life are sketchy. The first record of his existence is found in the mid-1690s: by 1695 he was Kapellmeister to Ludwig Wilhelm of Baden, and he may have remained with the court until his death in Rastatt.


Performed on a clavichord by Joan Benson

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Much of Fischer's music shows the influence of the French Handel knew Fischer's work and sometimes borrowed from it.

Many compositions by Fischer were published during his lifetime. These published pieces include:

  • Le journal du printemps (1695), a collection of eight orchestral suites (ouvertures) for strings (the first and last with two trumpets ad libitum, that is, optional.) Each suite begins with an introductory Benedikt Anton Aufschnaiter's Concors Discordia (all published the same year) were the first collections of orchestral suites published in Germany.
  • Pièces de Clavessin (1696), several harpsichord suites. The suites explore different styles and genres: for instance, the 5th one consists of an aria and nine variations, and the 8th only includes a prelude and a chaconne. This collection was later expanded by Fischer and the new version was published in 1698 under the title Musicalisches Blumen-Büchlein.
  • Vesperae seu Psalmi vespertini (1701), a collection of sacred music.
  • manuals only or have optional pedal) in two parts:
  • Lytaniae Lauretanae VII (1711), a collection of sacred music.
  • Blumen-Strauss (before 1736), a collection of organ pieces.
  • Musikalischer Parnassus (Musical Parnassus, c. 1738), nine dance suites for harpsichord, each named after one of the Muses. The suites represent a fusion of German and French styles, updating the old Froberger model by inserting many additional movements, making use of the latest dance forms of the time and using new ideas such as double minuets and double rigaudons. As a result, some of the suites include as many as nine parts and are quite long. The longest movement of all in the Musikalischer Parnassus and the longest movement by Fischer still extant is the Passacaglia from the Uranie suite, which some experts believe may recount the tragedy of Orpheus and Eurydice.[2] This movement is probably Fischer's best-known piece, and has been recorded by Trevor Pinnock and other harpsichordists.

Evidence exists of numerous lost works, among them an opera in Italian style, miscellaneous chamber works, court music and keyboard pieces.


  1. ^ Forkel/Terry 1920/2011, pp. 10–11
  2. ^ Comments made by harpsichordist William Porter during a 23 April 2006 performance of the Uranie suite at the Yale Collection of Musical Instruments


  • Johann Sebastian Bach: His Life, Art, and Work at Project Gutenberg by Johann Nikolaus Forkel, translated by Charles Sanford Terry. New York: Harcourt, Brace and Howe. 1920 (e-version: 2011).
  • Walter, Rudolf. Johann Caspar Ferdinand Fischer, Hofkapellmeister der Markgrafen von Baden (Quellen und Studien zur Musikgeschichte von der Antike bis in die Gegenwart), Frankfurt am Main: Peter Lang (1990) ISBN 3-8204-9976-8

External links

About the composer and his music
  • Johann Caspar Ferdinand Fischer im Verlag Dohr Extensive biography and miscellaneous details about keyboard compositions (German) (English)
  • Review of "L'Œuvre pour orgue (Intégrale)" at Includes a large essay about Fischer's life and organ works (French)
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