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John Bubbles

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Title: John Bubbles  
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Subject: Ziegfeld Follies, On with the Show (1929 film), Hoofers Club
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John Bubbles

John William Sublett (February 19, 1902 in Louisville, Kentucky – May 18, 1986 in New York City), known by his stage name John W. Bubbles, was an American vaudeville performer, dancer, singer and entertainer.

Life and career

He was born in Louisville, Kentucky, but soon moved with his family to Indianapolis. Here, he formed a partnership with Ford L. "Buck" Washington known as "Buck and Bubbles," with Buck playing stride piano and singing while Bubbles tapped, beginning in 1919. The two appeared in the Ziegfeld Follies of 1931 and were the first black artists to appear at the Radio City Music Hall. On November 2, 1936, they performed live in the inaugural programme of the world's first scheduled 'high definition' (240-line or better) television service at Alexandra Palace, London, and may thus be said to be the first black artists in television history.

Sublett is known as the father of "rhythm tap", a form of tap dance. As opposed to the tap dancing of Bill Robinson (Bojangles) who emphasized clean phrases and toe taps, Sublett brought in percussive heel drops and played with the traditional eight-bar phrase, slowing it down to allow for more rhythmic freedom. He thus merged the art of tap dancing with the new improvisatory style of jazz, reinventing the tap artform.[1][2]

Though unable to read music, Bubbles was chosen by George Gershwin to create the role of Sportin' Life in his opera Porgy and Bess in 1935. Sublett performed the role occasionally for the next two decades. In 1963, in a studio recording of Porgy and Bess featuring Leontyne Price and William Warfield, he performed Sportin' Life's two main arias from the opera, "It Ain't Necessarily So" and "There's A Boat Dat's Leavin' Soon For New York". (Ironically, he did not perform these songs on the so-called "original cast" album, recorded in 1940.)

In 1920 he gave lessons in tap dancing to Fred Astaire, who considered Sublett the finest tap dancer of his generation. In the number "Bojangles of Harlem" from Swing Time (1936) Astaire dresses in blackface as the Sportin' Life character and dances in the style of Sublett while ostensibly paying tribute to Bill Robinson.[3]

During the Vietnam War John Bubbles toured the war zone with the USO. In 1965 he appeared with Eddie Fisher on a USO tour, visiting many outposts and camps in the early war years.

In 1978, John Bubbles spoke at the Variety Arts Theatre in Los Angeles as a participant in a seminar on vaudeville. Someone asked him who the best tap dancer was. Bubbles answered, "You're looking at him." Then he added, "Honestly, if I had to name the best dancer, it would be Fred Astaire. He could tap. He had a good teacher. But he could ballroom, dance with a partner. All in all, he's the best." That same night, Bubbles mentioned that Astaire had brought him into the rehearsal hall to work on "Bojangles of Harlem" and John's chops are right there in the number.

Sublett also appeared in Hollywood films of the late 1930s and 1940s, including Varsity Show in 1937, Cabin in the Sky in 1943 and A Song Is Born in 1948. In later life, he also made television appearances, one of his last being on a musical episode of The Lucy Show, which also guest-starred Mel Tormé.

Sublett received the 1980 Life Achievement Award from the American Guild of Variety Artists. He died in 1986 in New York City.

Sublett's catchphrase, "Shoot the liquor to me john boy,"[4] has been quoted in songs by several artists, including The Manhattan Transfer, The Ink Spots, and Louis Armstrong, among others.

Michael Jackson admired Bubbles' dancing and studied his steps for inspiration. In the mid-1980s Jackson named his beloved pet chimpanzee "Bubbles" in memory of John Sublett.


External links

  • Internet Broadway Database
  • Internet Movie Database
  • Biographical blurb from the Dance Heritage Coalition

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