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Marcel Samuel-Rousseau

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Title: Marcel Samuel-Rousseau  
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Subject: Berenice (daughter of Herod Agrippa), 1955 in music, Prix de Rome, 1882 in music, Federico Mompou, Wilfrid Pelletier, Jean-Michel Damase, Yvonne Brothier, Plays with incidental music, Irène Joachim
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Marcel Samuel-Rousseau

Marcel Samuel-Rousseau (18 August 1882 Paris – 11 June 1955 Paris) was a French composer, organist, and opera director. He studied composition at the Paris Conservatoire and was awarded the Prix de Rome in 1905. He was the organist at Saint-Séverin from 1919–1922 and president of the Société des auteurs, compositeurs et éditeurs de musique from 1935-1953. For many years he was a professor of harmony at the Paris Conservatoire and artistic director of the Pathé opera company. From 1941-1944 he was director of the Opéra National de Paris.

As a composer Samuel-Rousseau was highly influenced by the works of Franck and Fauré. He tended to be more conservative in style than many of contemporaries but he was a master at chromatic harmony and had a strong sense for the dramatic. His compositions include operas, ballets, orchestral and piano music and songs. His best works are his operas, which tend towards the exotic and are ambitious in scale. Two of his operas, Le Hulla (1920) and Kerkeb (1931), are based in the Orient; with the latter's title role a Barber dancer in a harem. His opera Tarass Boulba (1919), is based on the legend of a Cossack warrior. He also wrote one opera based on the Arthurian legend Le roi Arthur (1903).


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