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Marshall Berman

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Marshall Berman

Marshall Berman
Born Marshall Howard Berman
(1940-11-24)November 24, 1940
Bronx, New York, U.S.
Died September 11, 2013(2013-09-11) (aged 72)
Manhattan, New York, U.S.
Occupation Professor of Political Science
Ethnicity Ashkenazi Jewish
Alma mater Columbia University (B.A., 1961)
Oxford University (BLitt, 1963)
Harvard University (Ph.D., 1968)[1]
Genre Marxist Humanism, Philosophy
Subject Political Philosophy, Urbanism
Notable works All That Is Solid Melts Into Air
Spouse Shellie Sclan
Children Elijah Tax-Berman, Daniel Berman

Marshall Howard Berman (; November 24, 1940 – September 11, 2013) was an American philosopher and Marxist Humanist writer. He was a Distinguished Professor of Political Science at The City College of New York and at the Graduate Center of the City University of New York, teaching Political Philosophy and Urbanism.

Contents

  • Life and work 1
  • Modernity and modernism 2
  • Bibliography 3
  • See also 4
  • References 5
  • External links 6

Life and work

Marshall Berman was born in New York City in 1940, and spent his childhood in Tremont, then a predominately Jewish neighborhood of the South Bronx. His parents Betty and Murray Berman (both children of Jewish Eastern European immigrants) owned the Betmar Tag and Label Company. His father died of a heart attack at age 48 in the autumn of 1955, shortly after the family had moved to the Kingsbridge neighborhood of the Bronx. Berman attended the Bronx High School of Science,[2] and was an alumnus of Columbia University, BLitt from Oxford University where he was a student of Isaiah Berlin. Berman completed his Ph.D. at Harvard University in 1968.[3] He began working at City College in 1968 where he taught until his death. He was on the editorial board of Dissent and a regular contributor to The Nation, The New York Times Book Review, Bennington Review, New Left Review, New Politics and the Voice Literary Supplement.

In Adventures in Marxism, Berman tells of how, while a Columbia University student in 1959, the chance discovery of Karl Marx's Economic and Philosophical Manuscripts of 1844 proved a revelation and inspiration, and became the foundation for all his future work.[4] This personal tone pervades his work, linking historical trends with individual observations and inflections from a particular situation. Berman is best known for his book All That Is Solid Melts Into Air: The Experience Of Modernity. Some of his other books include The Politics of Authenticity, Adventures in Marxism, On the Town: A Hundred Years of Spectacle in Times Square (2006). His final publication was the "Introduction" to the Penguin Classics edition of The Communist Manifesto. Also in the 2000s, Berman co-edited (with Brian Berger) an anthology, New York Calling: From Blackout To Bloomberg, for which he wrote the introductory essay. Berman also was a participant in Ric Burns' landmark 8-part documentary titled New York.

He died on September 11, 2013 of a heart attack.[5] According to friend and fellow author Todd Gitlin, Berman suffered the heart attack while eating at one of his favorite Upper West Side diners, the Metro Diner.[6]

Modernity and modernism

During the mid-to-late-20th century, philosophical discourse focused on issues of modernity and the cultural attitudes and philosophies towards the modern condition. Berman put forward his own definition of modernism to counter post-modern philosophies.

"Others believe that the really distinctive forms of contemporary art and thought have made a quantum leap beyond all the diverse sensibilities of modernism, and earned the right to call themselves “post-modern”. I want to respond to these antithetical but complementary claims by reviewing the vision of modernity with which this book began. To be modern, I said, is to experience personal and social life as a maelstrom, to find one's world and oneself in perpetual disintegration and renewal, trouble and anguish, ambiguity and contradiction: to be part of a universe in which all that is solid melts into air. To be a modernist is to make oneself somehow at home in the maelstrom, to make its rhythms one’s own, to move within its currents in search of the forms of reality, of beauty, of freedom, of justice, that its fervid and perilous flow allows.[7]

Berman's view of modernism is at odds with post-modernism. Paraphrasing Charles Baudelaire, Michel Foucault defined the attitude of modernity as "the ironic heroization of the present."[8] Berman viewed postmodernism as a soulless and hopeless echo chamber. He addressed this specifically in his Preface to the 1988 reprint of All That Is Solid Melts Into Air:

"Post-modernists may be said to have developed a paradigm that clashes sharply with the one in this book. I have argued that modern life and art and thought have the capacity for perpetual self-critique and self-renewal. Post-modernists maintain that the horizon of modernity is closed, its energies exhausted—in effect, that modernity is passé. Post-modernist social thought pours scorn on all the collective hopes for moral and social progress, for personal freedom and public happiness, that were bequeathed to us by the modernists of the eighteenth-century Enlightenment. These hopes, post moderns say, have been shown to be bankrupt, at best vain and futile fantasies"[9]

Berman's view of modernism also conflicts with Christopher Lasch and Jackson Lears. But Scialabba also believes that Berman "never fully faces up to the possibility of nihilism."[10]

Bibliography

  • The Politics of Authenticity: Radical Individualism and the Emergence of Modern Society (1970) Reissued 2009 by Verso Press
  • All That Is Solid Melts Into Air: The Experience of Modernity (1982)
  • Adventures in Marxism (1999)
  • On the Town: One Hundred Years of Spectacle in Times Square (2006)
  • New York Calling: From Blackout to Bloomberg (2007), edited by Marshall Berman and Brian Berger.
  • "Introduction" to The Communist Manifesto by Karl Marx, Penguin Books 2010

See also

References

  1. ^ Homberger. Eric, "Marshall Berman obituary: Author and academic who wrote insightfully on Marx, modernism and his native New York", The Guardian, Friday 27 September 2013
  2. ^ Seventy-fifth Anniversary Record - John Simon Guggenheim Memorial Foundation - Google Books. Books.google.ca. Retrieved 2013-09-16. 
  3. ^ https://nplusonemag.com/online-only/online-only/on-marshall-berman/
  4. ^ Christopher Hitchens (1999-11-16). "Marshall Berman’s Love Affair With Marx". Village Voice. Retrieved 2014-06-26. 
  5. ^ In memoriam: Marshall Berman, 1940-2013
  6. ^ "Marshall Berman, author and educator, dead at 72". Huffingtonpost.com. 2013-09-12. Retrieved 2014-06-26. 
  7. ^ Berman, Marshall (2009). All That Is Solid Melts Into Air:The Experience Of Modernity (9th ed.). London, New York: Verso. pp. 345–346.  
  8. ^ Michel Foucault, 1978, "What Is Enlightenment?" (translation by Mathew Henson, 1992).
  9. ^ Berman, Marshall (1988). All That Is Solid Melts Into Air:The Experience Of Modernity (reissue ed.). London, New York: Penguin. pp. 9–10.  
  10. ^ Published in Boston Phoenix on 21 June 1983 (1983-06-21). "All That Is Solid Melts into Air by Marshall Berman. Simon & Schuster, 383 pages, $6.95.". GeorgeScialabba.Net. Retrieved 2014-06-26. 

External links

  • Marshall Berman at the Internet Movie Database
  • Tradition . . . Transgression! Singer in the Shtetl and on the Street by Marshall Berman
  • An Interview with Marshall Berman Interviewed by Tony Monchinski
  • Marshall Berman's Love Affair With Marx by Christopher Hitchens
  • "All That Is Solid Melts Into Air — Afterword 2010". Globality Studies Journal (GSJ)-Globality.cc.stonybrook.edu. 2010-11-22. Retrieved 2014-06-26. 
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