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Monty Python's The Meaning of Life

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Title: Monty Python's The Meaning of Life  
Author: World Heritage Encyclopedia
Language: English
Subject: Terry Jones, Monty Python, Jane Leeves, John Cleese, John Du Prez
Collection: 1980S Comedy Films, 1980S Musical Films, 1983 Films, Anthology Films, British Films, British Musical Comedy Films, British Satirical Films, Elstree Studios Films, English-Language Films, Films Directed by Terry Jones, Films Shot in Buckinghamshire, Films Shot in Cambridgeshire, Films Shot in England, Films Shot in Hertfordshire, Films Shot in London, Films Shot in Scotland, Heaven in Popular Culture, Monty Python Films, Personifications of Death in Fiction, Screenplays by Eric Idle, Screenplays by Graham Chapman, Screenplays by John Cleese, Screenplays by Michael Palin, Screenplays by Terry Gilliam, Screenplays by Terry Jones, Universal Pictures Films
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Monty Python's The Meaning of Life

Monty Python's
The Meaning of Life
Theatrical release poster
Directed by Terry Jones
Produced by John Goldstone
Written by
  • Graham Chapman
  • John Cleese
  • Terry Gilliam
  • Eric Idle
  • Terry Jones
  • Michael Palin
Music by John Du Prez
Edited by Julian Doyle
Distributed by Universal Studios
Release dates
  • 31 March 1983 (1983-03-31) (US)
  • 22 April 1983 (1983-04-22) (UK)
Running time
90 minutes[1] (Original cut)
107 minutes
116 minutes (Director's cut)
Country United Kingdom
Language English
Budget $9 million[2]
Box office $14.9 million[3]

Monty Python's The Meaning of Life, also known as The Meaning of Life, is a 1983 British musical sketch comedy film written and performed by the Monty Python troupe, directed by one of its members, Terry Jones, and was the last film to feature all six Python members before Graham Chapman's death in 1989. Unlike Holy Grail and Life of Brian, the film's two predecessors, which each told a single, more-or-less coherent story,[2] The Meaning of Life returns to the sketch comedy format of the troupe's original television series and their first film from twelve years earlier, And Now for Something Completely Different, loosely structured as a series of comic sketches about the various stages of life.


  • Plot 1
  • Cast 2
  • Production 3
  • Release 4
    • Censorship and ratings 4.1
    • Box office 4.2
    • Critical reception 4.3
    • Accolades 4.4
  • Home media 5
  • References 6
  • External links 7


The film begins with a stand-alone 17-minute supporting feature entitled The Crimson Permanent Assurance (directed by Gilliam). A group of elderly office clerks in a small accounting firm rebel against their emotionlessly efficient, yuppie corporate masters. They commandeer their building, turn it into a pirate ship, and sail into a large financial district, where they raid and overthrow a large multinational corporation (before ultimately sailing to the edge of the earth and falling off).

The film proper consists of a series of distinct sketches, broken into seven chapters.

Part I — The Miracle of Birth
  • A woman in labour is taken into a hospital delivery room, where she is largely ignored by doctors (Cleese and Chapman) and nurses, who are more concerned with using the hospital's most expensive equipment to impress the hospital's administrator (Palin). The idea came from Chapman, himself a physician,[4] who had noticed that hospitals were changing, with "lots and lots of machinery".[2]
The Miracle of Birth Part II — The Third World
  • In Yorkshire, a Roman Catholic man (Palin) loses his employment. He goes home to his wife (Jones) and an impossible number of children, where he discusses the church's opposition to the use of contraception, leading into the musical number "Every Sperm Is Sacred". Watching this unfold, a Protestant man (Chapman) proudly lectures his wife (Idle) on their church's tolerance towards contraception and having intercourse for fun, although his frustrated wife points out that they never do.
Part II — Growth and Learning
  • A schoolmaster (Cleese) and chaplain (Palin) conduct a nonsensical Anglican church service in an English public school. The master lectures the boys on excessively detailed school etiquette regarding the school cormorant, and hanging clothes on the correct peg. In a subsequent class, the schoolboys (Idle, Palin, Jones, Chapman and others) watch in boredom as the master gives a sex education lesson by physically demonstrating techniques with his wife (Patricia Quinn). Later, a team of boys is beaten — physically and on the scoreboard — in a violent rugby match against the masters; the scene then match cuts to Part III.
Part III — Fighting Each Other
  • A World War I officer (Jones) attempts to rally his men (Chapman, Gilliam, Palin, Idle and Cleese) to find cover during an attack, but is hindered by their insistence on celebrating his birthday, complete with presents and cake.
  • A blustery army RSM (Palin) attempts to drill a platoon of men but ends up left alone when he excuses them one by one to pursue leisure activities.
  • In 1879, during the Anglo-Zulu War in Natal, a devastating attack by Zulus is dismissed due to a far more pressing matter: one of the officers, Perkins (Idle), has had his leg bitten off during the night. The military doctor (Chapman) hypothesises that, despite not being native to Africa, a tiger might be the perpetrator. Ainsworth (Cleese), Packenham-Walsh (Palin) and a sergeant (Jones) form a hunting party, which encounters two suspicious men (Idle and Palin) dressed in two halves of a tiger suit, who attempt to assert their innocence through a succession of increasingly feeble excuses to explain why they are dressed as a tiger.
The Middle of the Film
  • A woman (Palin), as if on a talk-show called "The Middle of the Film", introduces a segment called "Find the Fish" — a brief surreal piece in which a drag queen (Chapman), a gangly long-armed man (Jones) and an elephant-headed butler, cavorting in a corridor of mysterious machinery attended by white-coated technicians, eerily challenge the audience to find a fish in the scene.
Part IV — Middle Age
  • A middle-aged American couple (Idle as the wife and Palin as the husband) heads to a dungeon-themed Hawaiian restaurant at a holiday resort. They are presented with a menu of conversation topics by their waiter (Cleese), and choose philosophy and the meaning of life. Their awkward and generally uninformed conversation quickly grinds to a halt, and they send it back, complaining "this conversation isn't very good".
Part V — Live Organ Transplants
  • Two paramedics (Chapman and Cleese) arrive at the doorstep of Mr Brown (Gilliam), a card-carrying organ donor, to claim his liver. He protests on the basis that he is not dead, but is nonetheless gruesomely operated on against his will. Cleese's paramedic unsuccessfully attempts to chat up Mrs Brown (Jones), then requests her liver as well. She initially declines, but after a man (Idle) sings a song about man's insignificance in the universe ("Galaxy Song"), she agrees. Michael Palin said in an interview that this scene harked back to Python's love of bureaucracy, and sketches with lots of people coming round from the council with different bits of paper.[2]
  • In a large corporate boardroom, a businessman straightforwardly summarises his two-part report on the meaning of life: firstly that the human soul must be "brought into existence by a process of guided self-observation", which rarely happens because people are easily distracted; and secondly that "people aren't wearing enough hats". This is followed by an attempted takeover of the building by the Crimson Permanent Assurance from the short feature, which is promptly brought to a halt by having a skyscraper tipped over onto the CPA's building-ship.
Part VI — The Autumn Years
  • A posh restaurant (complete with a pianist played by Idle, singing "The Penis Song" in the style of Noël Coward) is visited by Mr Creosote (Jones), a morbidly obese man in the autumn of his years. Creosote swears at the unflappable maître d' (Cleese), vomits copiously, and consumes an enormous meal and a huge quantity of beer and wine to the disgust of other patrons. After he has finished, the maître d' offers him a small after-dinner mint; despite initial resistance, Creosote eats it then explodes, showering the restaurant with human entrails and vomit.
Part VI-B — The Meaning of Life

Afterwards, two of the restaurant's staff offer their own thoughts on the meaning of life. The maître d' converses with cleaning lady Maria (Jones). The waiter Gaston (Idle) leads the viewer to the countryside where he was born, and explains that his mother encouraged him to notice the beauty of the world and love everyone. Realising that the audience is unamused, he angrily dismisses them and walks off.

Part VII — Death
  • A condemned man (Chapman) is allowed to choose the manner of his execution: being chased off the edge of a cliff by a horde of topless women.
  • A depressed autumn leaf "commits suicide" by falling off its tree. Distraught, his wife and children quickly do likewise, followed by the rest of the tree's leaves simultaneously. (Animated segment)
  • The Grim Reaper (Cleese) visits an isolated country house, and finds himself invited into a dinner party. Not knowing who he is, the dinner guests spend a lot of time arguing with him before finally being told they've all died from eating contaminated salmon mousse (Palin's line, "Hey, I didn't even eat the mousse!" was a rare case of on-set improvisation[5]). Their souls leave their bodies, and they follow the Grim Reaper to Heaven in their automobiles.
  • The dinner guests arrive in Heaven, a bright Las Vegas-style hotel where every day is Christmas. In a large auditorium filled with characters from throughout the film, a cheesy lounge singer resembling Tony Bennett (Chapman) performs "Christmas in Heaven", while women wearing Santa Claus costumes and fake plastic breasts perform an elaborate dance number.

The End of the Film

The hostess from "The Middle of the Film" is handed an envelope containing the meaning of life, and casually reads it out: "Try and be nice to people, avoid eating fat, read a good book every now and then, get some walking in, and try and live together in peace and harmony with people of all creeds and nations". She retorts that "gratuitous pictures of penises" and other meaningless controversies would do a better job at bringing the audiences into the cinema, and bitterly announces the closing credits.


  • Graham Chapman as Chairman (also in Crimson) / Fish No. 1 / Obstetrician / Harry Blackitt / Wymer / Hordern / General / Coles / Narrator No. 2 / Dr Livingstone / Transvestite / Eric / Guest No. 1 / Arthur Jarrett / Geoffrey / Tony Bennett lounge singer
  • John Cleese as Fish No. 2 / Dr Spencer / Humphrey Williams / Sturridge / Ainsworth / Waiter / Eric's assistant / Maître D' / Grim Reaper
  • Terry Gilliam as Window Washer (in Crimson) / Fish No. 4 / Walters / Middle of the Film announcer / M'Lady Joeline / Mr Brown / Howard Katzenberg
  • Eric Idle as Gunther (also in Crimson) / Fish No. 3 / "Meaning of Life" singer / Mr Moore / Mrs Blackitt / Watson / Blackitt / Atkinson / Perkins / Soldier Victim No. 3 / Man in Front End of Tiger Suit / Mrs Hendy / Man in pink / Noël Coward / Gaston / Angela
  • Terry Jones as Bert (also in Crimson) / Fish No. 6 / Mum / Priest / (Capt.) Biggs / Sergeant / Man with bendy arms / Mrs. Brown / Mr Creosote / Maria / Leaf father (voice) / Fiona Portland-Smythe
  • Michael Palin as Window Washer (in Crimson) / Harry (also in Crimson) / Fish No. 5 / Mr Piecrust / Dad / Narrator No. 1 / Chaplain / Carter / Spadger / Regimental Seargeant Major / Pakenham-Walsh / Man in Rear End of Tiger Suit / Female TV presenter / Mr Marvin Hendy / Governor / Leaf son (voice) / Debbie Katzenberg
  • Carol Cleveland as Beefeater waitress / Wife of Guest No. 1 / Leaf mother (voice) / Leaf daughter (voice) / Heaven receptionist
  • Patricia Quinn as Helen Williams
  • Judy Loe as Nurse
  • Simon Jones as Chadwick / Jeremy Portland-Smyth
  • Matt Frewer as one of the yuppies in Crimson
  • Jane Leeves as "Christmas in Heaven" dancer


According to Palin, "the writing process was quite cumbersome. An awful lot of material didn't get used. Holy Grail had a structure, a loose one: the search for the grail. Same with Life of Brian. With this, it wasn't so clear. In the end, we just said: 'Well, what the heck. We have got lots of good material, let's give it the loosest structure, which will be the meaning of life.'"[2]

After the film's title was chosen, Douglas Adams called Jones to tell him he had just finished a new book, to be called The Meaning of Liff; Jones was initially concerned about the similarity in titles, which led to the scene in the title sequence of a tombstone which, when hit by a flash of lightning, changes from "The Meaning of Liff" to "The Meaning of Life".[2]

The film was produced on a budget of less than US$10 million, which was still bigger than that of the earlier films. This allowed for large-scale choreography and crowd sequences, a more lavishly produced soundtrack that included new original songs, much more time could be spent on each sketch, especially The Crimson Permanent Assurance. Palin later said that the larger budget, and not making the film for the BBC (i.e., television), allowed the film to be more daring and dark.[2]


The original tagline read "It took God six days to create the Heavens and the Earth, and Monty Python just 90 minutes to screw it up" (the length of The Meaning of Life proper is 90 minutes, but becomes 107 minutes as released with the "Short Subject Presentation", The Crimson Permanent Assurance). In the 2003 DVD release of the film, the tagline is altered to read "It took God six days to create the Heavens and the Earth, and Monty Python just 1 hour and 48 minutes to screw it up".

Censorship and ratings

Ireland banned the film on its original release as it had previously done with Monty Python's Life of Brian, but later rated it 15 when it was released on video. In the United Kingdom the film was rated 18 when released in the cinema[1] and on its first release on video, but was re-rated 15 in 2000. In the United States the film is rated R.

Box office

The film opened in North America on 31 March 1983. At 257 theatres, it ranked number six in the domestic box office, grossing US$1,987,853 ($7,734 per screen) in its opening weekend. It played at 554 theatres at its widest point, and its total North American gross was $14,929,552.[3]

Critical reception

As of July 2014, it has a 90% rating on Rotten Tomatoes based on 30 reviews.[6]


The Meaning of Life was awarded the Grand Jury Prize at the 1983 Cannes Film Festival.[7]

Home media

The DVD also features a director's cut, which adds three deleted scenes (totaling nine minutes) back into the film, making it 116 minutes. The first is The Adventures of Martin Luther, inserted after the scene with the Protestant couple talking about condoms. The second is a promotional video about the British army, which comes between the marching around the square scene and the Zulu army scene. The third and last is an extension of the American characters that Idle and Palin do; they are shown their room and talk about tampons.


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External links

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