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Sam Peckinpah's "Salad Days"

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Title: Sam Peckinpah's "Salad Days"  
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Subject: Monty Python, Cheese Shop sketch, List of Monty Python's Flying Circus episodes, Salad Days, Philip Jenkinson
Collection: Monty Python Sketches
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Sam Peckinpah's "Salad Days"

"Sam Peckinpah's 'Salad Days‍ '​" is a Monty Python's Flying Circus sketch from season 3 (episode 33).

Contents

  • Plot 1
  • Background 2
  • Reaction 3
  • References 4
  • External links 5

Plot

After a preamble by Eric Idle (impersonating the British film critic Philip Jenkinson), who praises American film director Sam Peckinpah's predilection for "violence in its starkest form" (while constantly sniffling, despite the onscreen captions persistently telling him to stop), we are treated to a clip from Peckinpah's latest project, which is an adaptation of the aforementioned Salad Days musical.

Well-dressed, well-spoken, upper-class youngsters frolic in an idyllic garden around an upright piano, responding enthusiastically to Michael Palin's suggestion of a game of tennis. Things go awry when Palin is struck in the face by the ball, causing blood to seep through his fingers. He reflexively flings his racquet out of shot; we then see that it has become embedded in the stomach of a pretty girl (Nicki Howorth), who faints, tearing Eric Idle's arm off in the process. Idle staggers across to the piano and slams down the lid, severing both hands of the pianist (John Cleese). The piano then collapses in slow motion, crushing a screaming woman to death. Somehow Graham Chapman gets impaled by the piano keyboard, which slices off a woman's head when he turns around.

The sketch then cuts back to the studio, prompting Idle to remark "pretty strong mead there from [sniffs] Sam Peckinpah", before he is gunned down in slow motion, with much spurting blood (and the caption "Tee Hee").

The end credits roll over his dying agonies, before a serious-sounding Cleese reads an apology to everyone in the entire world (which states that "they didn't mean it"), and that while they all came from broken homes and have very unhappy personal lives (especially Eric), they are actually nice, warm people underneath and urging the viewers not to write or phone complaints about the sketch since the BBC is going through an unhappy phase due to its father dying (Lord Reith had indeed died the previous year) "and BBC 2 going out with men". A second voiceover by Idle disputes the first voiceover and mentions that the BBC is "very happy at home" and that the "BBC 2 is bound to go through this phase".

This is followed by Richard Baker in a newsdesk reporting the news (which is filled with running jokes from the preceding sketches, such as the phrase Lemon Curry), then by a deliberately tranquil final scene of waves crashing against a shore. Cleese briefly walks into shot in a Roundhead costume, explaining that the scene was added to fill in time and apologising for the lack of any more jokes.

Background

The sketch is an example of the Python team's fondness of the 'double spoof', and a forerunner of the mashup genre.[1] It targets both the genteel stage musical and the work of the controversial director Peckinpah and his exaggeration of extreme bloodshed and violence in his films.[2] By the time the sketch was shown in 1972, Peckinpah had achieved notoriety for the level of violence in his films, particularly Straw Dogs which received an X rating by the BBFC.[3] The sketch also mentions contemporary director Ken Russell.[4]

Director Ian MacNaughton insisted on deliberately using an excessive level of blood, telling the production team that it "cannot be overdone".[5] The slow motion technique of shooting Idle's character parodied Michelangelo Antonioni's film Zabriskie Point.[6]

This sketch follows the famous Cheese Shop sketch in the television episode.[1]

Reaction

Robert Hewison's book, Monty Python: The Case Against, contains extracts from a BBC viewers panel's response to the show, and there were complaints that this particular sketch was "over the top", "horrific", and "sick".

"Weird Al" Yankovic referenced this sketch in his video for "You Don't Love Me Anymore", in which Robert Goulet is horribly maimed by a piano and cello bow.

Peckinpah himself reportedly loved this sketch and enjoyed showing it to friends and family.

References

Citations

  1. ^ a b Cogan, Brian; Massey, Jeff. Everything I Ever Needed to Know About _____* I Learned from Monty Python. Macmillan. p. 275.  
  2. ^ Cooper, Ian (2013). Bring Me the Head of Alfredo Garcia. Columbia University Press. p. 8.  
  3. ^ Fifty Hollywood Directors. Routledge. 2014. p. 356.  
  4. ^ Larsen 2008, p. 400.
  5. ^ Larsen 2008, p. 424.
  6. ^ Larsen 2008, p. 431.

Sources

  • Larsen, Darl (2008). Monty Python's Flying Circus: An Utterly Complete, Thoroughly Unillustrated, Absolutely Unauthorized Guide to Possibly All the References : from Arthur "Two-Sheds" Jackson to Zambesi. Rowman & Littlefield.  

External links

  • Sam Peckinpah's "Salad Days" script
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