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The Detective (1968 film)

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Title: The Detective (1968 film)  
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Subject: Tom Atkins (actor), Tony Rome, Lady in Cement, Frank Sinatra, Personal life of Frank Sinatra
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The Detective (1968 film)

The Detective
Theatrical release poster
Directed by Gordon Douglas
Produced by Aaron Rosenberg
Screenplay by Abby Mann
Story by Roderick Thorp
Starring Frank Sinatra
Lee Remick
Jacqueline Bisset
Music by Jerry Goldsmith
Cinematography Joseph Biroc
Edited by Robert L. Simpson
Arcola Pictures Corporation
Distributed by 20th Century Fox
Release dates
  • May 28, 1968 (1968-05-28)
Running time 114 minutes
Country United States
Language English
Budget $4,490,000[1]
Box office $6,500,000 (US/ Canada)[2]

The Detective is a 1968 film directed by Gordon Douglas, produced by Aaron Rosenberg and starring Frank Sinatra, based on the 1966 novel of the same name by Roderick Thorp.

Co-stars include Lee Remick, Jacqueline Bisset, Jack Klugman, William Windom and Robert Duvall, with a script by Academy Award-winning screenwriter Abby Mann.

The Detective marked a move towards — and was billed as — a more "adult" approach to depicting the life and work of a police detective while confronting, for one of the first times in mainstream cinema, hitherto taboo subjects such as homosexuality. Here, the detective in question is Joe Leland, who is trying to juggle marital issues with a murder case that seemed to be open-and-shut at first, but runs much deeper than he could have imagined.

The Detective was Sinatra's fourth collaboration with director Douglas, having worked together on Tony Rome (1967), Robin and the 7 Hoods (1964) and some years prior on Young at Heart (1954). Their final film together would be a sequel to Tony Rome, 1968's Lady in Cement.


New York City police detective Joe Leland is called to the home of a murder victim who has been beaten to death and has had his genitals removed. Puzzled and disgusted, the police on call are left bemused, Leland holding things together with his direct, no-nonsense approach.

Few leads are found, other than the fact that a house-mate of the victim remains conspicuous by his absence. All the while notions about the victim's sexuality and personal interests warp the ideals of the officers assigned to the task. Leland tries to remain focused on the case while, at the same time, dealing with the breakdown of his marriage to wife Karen.

Eventually, the victim's housemate is identified as one Felix Tesla, and he is soon tracked down by Leland and another detective. A psychologically disturbed Tesla cracks until eventually Leland coaxes a confession out of him. This results in extensive publicity, a promotion for Leland and the electric chair for Tesla, which distresses Leland because it is clear to him that Tesla is insane.

Later, across town, a man kills himself by jumping from the rooftop of a racetrack. The case goes all but unnoticed until the wife of the dead man, Norma MacIver, comes to Leland's office and asks him to look into it, believing something far more complex is involved.

Leland and partner Dave Schoenstein follow up leads. A psychiatrist, Dr. Roberts, clearly knows more about the dead man, Colin MacIver, than he's willing to reveal. The therapist also is familiar with Karen Leland, whose infidelity is putting a great strain on the detective's home life and distracting him from his work.

Leland soon learns that certain powerful interests in the city do not want him asking questions. The incorruptible detective presses on, at risk to his career and life, as he discovers a lurid relationship between the man's suicide and the previous murder.



Sinatra originally planned to have his wife Mia Farrow cast as Norma MacIver, a role that was eventually taken by Jacqueline Bisset after Farrow was kept beyond the previously scheduled end of filming for Rosemary's Baby. This was the last straw for Sinatra, who had the divorce papers publicly served on Farrow on her film's set. Their divorce became final in August 1968, putting an end to a short-lived romance of barely two years.[3]

The Detective was cast strongly, with key roles being filled by character actors of good repute, including George Plimpton appear in brief cameos.

Bisset and Duvall would both end up in the cast of another popular detective drama of the era, Bullitt with Steve McQueen.

Release and critical reception

Released on May 28, 1968 The Detective was a box office success, becoming the 20th highest earning film of the year with $6.5 million taken in box office rentals. Critical reception was mostly good while Sinatra delivered one of his most intense and dedicated acting performances.

The Hollywood Reporter would comment: "Sinatra has honed his laconic, hep veneer to the point of maximum credibility." Roger Ebert praised his performance and the concept of the film, stating: "It is pretty clear that Sinatra wanted 'The Detective' to be as good a movie as he could manage. It provides a clear, unsentimental look at a police investigation, and even the language reflects the way cops (and the rest of us) talk."[4]

In 1979 Roderick Thorp wrote a sequel to The Detective called Nothing Lasts Forever, in which Leland is trapped in a Klaxon Oil Corporation skyscraper after it is taken by German terrorists and must rescue his daughter and grandchildren. The novel was adapted into the 1988 20th Century Fox film Die Hard, in which Joe Leland's name was changed to John McClane, the object of his heroism was changed from his daughter to his wife, and Klaxon became the Nakatomi Corporation; that film launched a film franchise that continues into the 2010s.

The Detective was released on DVD by 20th Century Fox in 2005 as part of a boxed set that included Tony Rome and Lady in Cement.


  1. ^ Solomon, Aubrey. Twentieth Century Fox: A Corporate and Financial History (The Scarecrow Filmmakers Series). Lanham, Maryland: Scarecrow Press, 1989. ISBN 978-0-8108-4244-1. p255
  2. ^ Solomon p 230. See also "Big Rental Films of 1968", Variety, 8 January 1969 p 15. Please note this figure is a rental accruing to distributors.
  3. ^ Mia Farrow - More Than Just a Famous Haircut
  4. ^ Roger Ebert's Review, July 12th 1968

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