World Library  
Flag as Inappropriate
Email this Article

The French Revolution: A History

Article Id: WHEBN0004528548
Reproduction Date:

Title: The French Revolution: A History  
Author: World Heritage Encyclopedia
Language: English
Subject: French Republican Calendar, Victorian era, Writer, Emmeline Pankhurst, Napoleon, Thomas Carlyle, Lost work, Diamond (dog), Haitian Revolution, A Tale of Two Cities
Collection:
Publisher: World Heritage Encyclopedia
Publication
Date:
 

The French Revolution: A History

The French Revolution: A History
Title page of the first edition from 1837.
Author Thomas Carlyle
Country England
Language English
Publisher Chapman & Hall, London
Publication date
1837

The French Revolution: A History was written by the Scottish essayist, philosopher, and historian Thomas Carlyle. The three-volume work, first published in 1837 (with a revised edition in print by 1857), charts the course of the French Revolution from 1789 to the height of the Reign of Terror (1793–94) and culminates in 1795. A massive undertaking which draws together a wide variety of sources, Carlyle's history—despite the unusual style in which it is written—is considered to be an authoritative account of the early course of the Revolution.

Production and reception

Japanese print depicting Thomas Carlyle's horror at his manuscript burning

John Stuart Mill, a friend of Carlyle's, found himself caught up in other projects and unable to meet the terms of a contract he had signed with his publisher for a history of the French Revolution. Mill proposed that Carlyle produce the work instead; Mill even sent his friend a library of books and other materials concerning the Revolution, and by 1834 Carlyle was working furiously on the project. When he had completed the first volume, Carlyle sent his only complete manuscript to Mill. While in Mill's care the manuscript was destroyed, according to Mill by a careless household maid who mistook it for trash and used it as a firelighter. Carlyle then rewrote the entire manuscript, achieving what he described as a book that came "direct and flamingly from the heart."[1]

The book immediately established Carlyle's reputation as an important 19th century intellectual. It also served as a major influence on a number of his contemporaries, most notably, perhaps, Charles Dickens, who compulsively read and re-read the book while producing A Tale of Two Cities. The book was closely studied by Mark Twain during the last year of his life, and it was reported to be the last book he read before his death. [2]

Style

As an historical account, The French Revolution has been both enthusiastically praised and bitterly criticized for its style of writing, which is highly unorthodox within historiography. Most historians attempt to assume a neutral, detached tone of writing, in the tradition of Edward Gibbon. Carlyle unfolds his history by often writing in present-tense first-person plural: as though he and the reader were observers, indeed almost participants, on the streets of Paris at the fall of the Bastille or the public execution of Louis XVI. This, naturally, involves the reader by simulating the history itself instead of solely recounting historical events.

Carlyle further augments this dramatic effect by employing a style of prose poetry that makes extensive use of personification and metaphor—a style that critics have called exaggerated, excessive, and irritating. Supporters, on the other hand, often label it as ingenious. John D. Rosenberg, a Professor of humanities at Columbia University and a member of the latter camp, has commented that Carlyle writes "as if he were a witness-survivor of the Apocalypse. [...] Much of the power of The French Revolution lies in the shock of its transpositions, the explosive interpenetration of modern fact and ancient myth, of journalism and Scripture."[3] Take, for example, Carlyle's recounting of the death of Robespierre under the axe of the Guillotine:

Thus, Carlyle invents for himself a style that combines epic poetry with philosophical treatise, exuberant story-telling with scrupulous attention to historical fact. The result is a work of history that is perhaps entirely unique, and one that is still in print nearly 200 years after it was first published.

Notes

  1. ^ Eliot, Charles William, Ed. "Introductory Note" in The Harvard Classics, Vol. XXV, Part 3. New York: P.F. Collier & Son, 1909–14.
  2. ^ Mark Twain is Dead at 74 (The New York Times)
  3. ^ Carlyle, Thomas. The French Revolution: A History. 1837. New York: The Modern Library, 2002. pp. xviii.
  4. ^ Ibid. 743-744.

Further reading

  • Cumming, Mark (1988). A Disimprisoned Epic: Form and Vision in Carlyle's French Revolution. Philadelphia: University of Pennsylvania Press.
  • Harrold, Charles Frederick (1928). "Carlyle's General Method in the French Revolution," PMLA, Vol. 43, No. 4, pp. 1150-1169.

External links

  • The French Revolution: A History, annotated HTML text, based on the Project Gutenberg version.
  • The French Revolution: A History available at Internet Archive, scanned books, original editions, some illustrated.
  • The French Revolution at Classic Reader, HTML
This article was sourced from Creative Commons Attribution-ShareAlike License; additional terms may apply. World Heritage Encyclopedia content is assembled from numerous content providers, Open Access Publishing, and in compliance with The Fair Access to Science and Technology Research Act (FASTR), Wikimedia Foundation, Inc., Public Library of Science, The Encyclopedia of Life, Open Book Publishers (OBP), PubMed, U.S. National Library of Medicine, National Center for Biotechnology Information, U.S. National Library of Medicine, National Institutes of Health (NIH), U.S. Department of Health & Human Services, and USA.gov, which sources content from all federal, state, local, tribal, and territorial government publication portals (.gov, .mil, .edu). Funding for USA.gov and content contributors is made possible from the U.S. Congress, E-Government Act of 2002.
 
Crowd sourced content that is contributed to World Heritage Encyclopedia is peer reviewed and edited by our editorial staff to ensure quality scholarly research articles.
 
By using this site, you agree to the Terms of Use and Privacy Policy. World Heritage Encyclopedia™ is a registered trademark of the World Public Library Association, a non-profit organization.
 


Copyright © World Library Foundation. All rights reserved. eBooks from Project Gutenberg are sponsored by the World Library Foundation,
a 501c(4) Member's Support Non-Profit Organization, and is NOT affiliated with any governmental agency or department.