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Wilhelm Kempff

Album cover for Wilhelm Kempff's recording of
Beethoven Piano Sonatas on DG 139 935 (1965),
which received the Grand Prix du Disque.

Wilhelm Walter Friedrich Kempff (25 November 1895 – 23 May 1991) was a German pianist and composer. Although his repertoire included Bach, Mozart, Chopin, Schumann, Liszt and Brahms, Kempff was particularly well known for his interpretations of the music of Ludwig van Beethoven and Franz Schubert. He recorded the complete collection of their piano sonatas.[1][2] He is considered to have been one of the chief exponents of the Germanic tradition during the 20th century and one of the greatest pianists of all time.[3]

Contents

  • Early life 1
  • As a pianist 2
    • Technique and style 2.1
  • As a teacher 3
  • Composition 4
  • Autobiography 5
  • Recordings 6
  • References 7
  • External links 8

Early life

Kempff was born in University of Erlangen. Kempff studied music at first at the Berlin Hochschule für Musik at the age of nine after receiving lessons from his father at a younger age. Whilst there he studied composition with Robert Kahn and piano with Karl Heinrich Barth[1] (with whom Arthur Rubinstein also studied). In 1914 Kempff moved on to study at the Viktoria gymnasium in Potsdam before returning to Berlin to finish his training.[1]

As a pianist

In 1917, Kempff gave his first major recital, consisting of predominantly major works, including Beethoven's Hammerklavier Sonata and Brahms Variations on a theme of Paganini.[1] Kempff toured widely in Europe and much of the rest of the world. Between 1936 and 1979 he performed ten times in Japan (a small Japanese island was named Kenpu-san in his honor). Kempff made his first London appearance in 1951 and his first in New York in 1964. He gave his last public performance in Paris in 1981, and then retired for health reasons (Parkinson's Disease). He died in Positano, Italy, in 1991 at the age of 95, five years after his wife, whom he had married in 1926. They were survived by five children.[1]

Wilhelm Kempff recorded over a period of some sixty years. His recorded legacy includes works of Schumann, Brahms, Schubert, Mozart, Bach, Liszt, Chopin and particularly, of Beethoven.[1]

Kempff (right) with Ernest Ansermet (left) in 1965

He was among the first to record the complete sonatas of Franz Schubert, long before these works became popular. (For Schubert sonatas which were left incomplete, Kempff recorded only the completed movements and not the fragments.) He also recorded two sets of the complete Beethoven sonatas (and one early, almost complete set on shellac (1926-1945), one in mono (1951–1956) and the other in stereo (1964–1965). He recorded the complete Beethoven piano concertos twice as well, both with the Berlin Philharmonic; the first from the early 1950s in mono with Paul van Kempen, and the later in stereo from the early 1960s with Ferdinand Leitner. Kempff also recorded chamber music with Yehudi Menuhin, Pierre Fournier, Wolfgang Schneiderhan, Paul Grummer, and Henryk Szeryng, among others.

He left recordings of most of his repertory, including the complete sonatas of Beethoven and Schubert. He performed to an advanced age, concertizing past his eightieth birthday. His association with the Berlin Philharmonic spanned over sixty years.

Technique and style

As a performer Kempff stressed lyricism and spontaneity in music, particularly effective in intimate pieces or passages. He always strove for a singing, lyrical quality. He avoided extreme tempos and display for its own sake.

The pianist Alfred Brendel has written that Kempff "played on impulse... it depended on whether the right breeze, as with an aeolian harp, was blowing. You then would take something home that you never heard elsewhere." (in Brendel's book, The Veil of Order). He regards Kempff as the "most rhythmical" of his colleagues. Brendel helped choose the selections for Phillip's "Great Pianists of the 20th Century" issue of Kempff recordings, and wrote in the notes that Kempff "achieves things that are beyond him" in his "unsurpassable" recording of Liszt's first Legende, "St. Francis Preaching to the Birds."

When pianist Artur Schnabel undertook his pioneering complete recording of the Beethoven sonatas in the 1930s, he told EMI that if he didn't complete the cycle, they should have Kempff complete the remainder - even though the two pianists took noticeably different approaches to the composer (for example, Schnabel preferred extremely fast or slow tempos, while Kempff preferred moderate ones). Later, when Kempff was in Finland, the composer Jean Sibelius asked him to play the slow movement of Beethoven's 29th Sonata, the Hammerklavier; after Kempff finished, Sibelius told him, "You did not play that as a pianist but rather as a human being."[4]

As a teacher

From 1924 to 1929, Kempff took over the direction of the Stuttgart College of Music as a successor of Max Pauer. In 1931, he was co-founder of the summer courses at Marmorpalais Potsdam. In 1957, Kempff founded Fondazione Orfeo (today: Kempff Kulturstiftung) in the south-Italian city Positano and held his first Beethoven interpretation masterclass at Casa Orfeo, which Kempff had built especially for this reason. He continued teaching there once a year until 1982. His wife died in 1986. After his death in 1991, Gerhard Oppitz taught the courses from 1992-1994 until John O'Conor took over. Oppitz and O’Conor had both been outstanding participants of Kempff's masterclasses and were personally closely connected with Wilhelm Kempff.

Other noted pianists to have studied with Kempff include Jörg Demus, Norman Shetler, Mitsuko Uchida, Peter Schmalfuss, Idil Biret and Ventsislav Yankov.

Composition

A lesser-known activity of Kempff was composing. He composed for almost every genre and used his own cadenzas for Beethoven's Piano Concertos 1-4. His student Idil Biret has recorded a CD of his piano works. His second symphony premiered in 1929 at the Leipzig Gewandhaus by Wilhelm Furtwängler. He also prepared a number of Bach transcriptions, including the Siciliano from the Flute Sonata in E-flat major, that have been recorded by Kempff and others.

Autobiography

  • Kempff, Wilhelm. Unter dem Zimbelstern: Jugenderinnerungen eines Pianisten ["Under the Cymbal Star: The Development of a Musician" (1951)]. Laaber: Laaber Verlag, 1978.

Recordings

Among many others:

  • Beethoven: Piano Sonatas Nos. 1, 12, 19, and 20 (DG LP 138 935; released 1965; recipient of Grand Prix du Disque)
  • Schubert: The Piano Sonatas (complete), (DG 463 766-2 (seven compact disks)) recordings made in 1965, '67, '68, '70.

References

  1. ^ a b c d e f g "Wilhelm Kempff Is Dead at 95". The New York Times. 25 May 1991. Retrieved 9 May 2010. 
  2. ^ Schubert, Complete Piano Sonatas, 9-LP set Deutsche Grammophon 1976, one of a number of boxed sets issued under the title Hommage à Wilhelm Kempff to celebrate his fifty years of recording for the DG label. Booklets dedicated to both Schubert and Kempff.
  3. ^ Kaiser, Joachim; Wooldridge, David, translator; Unwin, George, translator (1971). Great Pianists of Our Time. New York: Herder and Herder. OCLC 235884. An entire chapter is devoted to Kempff.
  4. ^ Complete Beethoven Sonatas sleevenotes

External links

  • Media related to at Wikimedia Commons
  • Obituary for Wilhelm Kempff, by B. John Zavrel
  • A discussion of Kempff's work, with a special emphasis on Beethoven, by Christopher Breunig, in Jeunesses Musicales
  • Wilhelm Kempff discography by Frank Forman
  • Video recordings of Kempff performances, youtube.com
  • Wilhelm Kempff playing on YouTube the 3rd movement of Beethoven's Moonlight Sonata.
  • Wilhelm Kempff playing Sonate No. 14, "Moonlight" 1st Movement


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