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Paradoxist Distiches

By Smarandache, Florentin

Book Id: WPLBN0002828520
Format Type: PDF (eBook)
File Size: 751.54 kb
Reproduction Date: 8/6/2013

Title:	Paradoxist Distiches
Author:	Smarandache, Florentin
Volume:
Language:	English
Subject:	Fiction, Drama and Literature, Paradoxism
Collections:	Poetry, Probability Theory, Authors Community, Math, Geography, Philosophy, Statistics, Fine Arts, Religion, Medicine, Literature, Military Science, Most Popular Books in China, Government
Historic Publication Date:	2013
Publisher:	World Public Library

Member Page:	Florentin Smarandache
Citation APA MLA Chicago Smarandache, F. (2013). Paradoxist Distiches. Retrieved from http://www.self.gutenberg.org/

Description
The whole paradoxist distich should be as a geometric unitary parabola, hyperbola, ellipse at the borders between art, philosophy, rebus, and mathematics – which exist in complementariness. The School of Paradoxist Literature, which evolved around 1980s, continues through these bi-verses closed in a new lyric exact formula, but with an opening to essence. For this kind of procedural poems one can elaborate mathematical algorithms and implement them in a computer: but, it is preferable a machine with … soul!

Summary
The PARADOXIST DISTICH consists of two verses, antithetic to each other, but which together amalgamate in a whole defining (or making connection with) the title.

Excerpt
I M M O D E S T With the shame Shamelessness U N D E C I D E D Fighting Himself J A Z Z ( I ) Melodious Anarchy J A Z Z ( I I ) Anarchic Melody

Table of Contents
Fore/word and Back/word _________ 3 The making of the distich : _____ 3 Characteristics: ______________ 3 Historical considerations: _____ 5 Types of Paradoxist distiches ___ 8 1. Clichés paraphrased: ___ 8 2. Parodies: _____________ 8 3. Reversed formulae: ____ 8 4. Double negation _______ 8 5. Double affirmation, ____ 8 6. Turn around on false tracks: _________________ 8 7. Hyperboles (exaggerated): __________________ 8 8. With nuance changeable from the title: ________ 8 9. Epigrammatic: ________ 8 10. Pseudo-paradoxes: ___ 8 11. Tautologies: ________ 9 12. Redundant: _________ 9 13. Based on pleonasms: _ 9 14. or on anti-pleonasms: 9 15. Substitution of the attribute in collocations ___ 9 16. Substitution of the complement in collocations 9 17. Permutation of various parts of the whole: ___ 9 18. The negation of the clichés ______________ 10 19. Antonymization (substantively, adjectively, etc.) ________________ 10 20. Fable against the grain: _________________ 10 21. Change in grammatical category (preserving substitutions’ homonymy): ________________ 10 22. Epistolary or colloquia style: ____________ 10 23. Puzzles ___________ 11 24. Metaphors: ________ 11 25. Philosophical: _____ 11 26. Distiches – translations: _________________ 11 27. Pure scientific definitions _______________ 11 29. Distiches of dual verses: ________________ 11 30. Paradoxist poems-collage: _______________ 11 31. Semi-collage poems: 11 32. The majority of distiches can be generalized: 11 33. Snapped (entrapped) in creationist formulae: 11 34. Pairs of dual distiches: __________________ 12 35. Double paradox: ___ 12 36. Double semi-paradox: __________________ 12 37. Novel of paradoxist distiches (concatenated): 13 601 Paradoxist Distiches _____ 16 PERPETUUM MOBILE _________________ 16 SOLUTION _________ 16 ATHEIST ___________ 16 EQUATION _________ 16 BAD LUCK _________ 16 TEMPORAL ________ 16 TAXATION _________ 16 SUCKER ___________ 16 LAW OF COMPENSATION ______________ 17 INCERTITUDE ______ 17 INTRUDER _________ 17 SPREE _____________ 17 NOSTALGIA ________ 17 EUPHORIA _________ 17 METAPHYSICS _____ 17 SLUGGARD ________ 17 PASSION ___________ 18 ILLUSION __________ 18 BREAKING UP ______ 18 INSOLENCE ________ 18 INDOCTRINATED ___ 18 PERVERSE _________ 18 EMOTION __________ 18 INHIBITED _________ 18 BULLET ___________ 19 MIHAI _____________ 19 SUFFERING OF FLU _ 19 NON-IDENTITY _____ 19 NEUROSIS _________ 19 GUEST _____________ 19 ALGORITHM _______ 19 FEVER _____________ 19 DIAGNOSIS ________ 20 MEDICAL ASSISTANCE ________________ 20 OBITUARY _________ 20 CATHARSIS ________ 20 SYN-LOGISMOS ____ 20 UTOPIA ____________ 20 DIVORCEE _________ 20 EPIPHANY _________ 20 SELF PORTRAIT ____ 21 DEMAGOGUE ______ 21 FATHERHOOD ______ 21 SENTENCED _______ 21 LOSER _____________ 21 SURGERY __________ 21 ROUNDING ________ 21 PATRIOTIC LABOR _ 21 VOLENS NOLENS __ 22 VIRGIN MARY _____ 22 PROSTITUTE _______ 22 UNSOLVABLE ______ 22 AMBITIOUS ________ 22 FAR EAST _________ 22 ANTARCTICA ______ 22 THE EQUATOR (I) __ 22 THE EQUATOR (II) __ 23 DINNER ____________ 23 ARTESIAN WELL ___ 23 MARRIAGE ________ 23 MATCH THEORY ___ 23 OFFENDER _________ 23 STRUGGLE _________ 23 SMALL TALK _______ 23 COINCIDENCE ______ 24 REVENGE __________ 24 PREVENTION _______ 24 JAIL _______________ 24 SHREWD (I) ________ 24 SHREWD (II) ________ 24 PRESCRIPTION _____ 24 FOG _______________ 24 TROUBLE __________ 25 IDEAL _____________ 25 IDIOT ______________ 25 AT ORDERLY HOUR 25 PERFIDY ___________ 25 PHARISEE __________ 25 MONEY LENDER ___ 25 PROTOZOAN _______ 25 TABOO ____________ 26 DEMOCRACY ______ 26 DEFIANCE _________ 26 DIZZINESS _________ 26 ALMS ______________ 26 BUDDHISM ________ 26 DRONE ____________ 26 POVERTY __________ 26 WITTY _____________ 27 ELF ________________ 27 JOKER _____________ 27 MASQUERADE _____ 27 CAUTIOUS _________ 27 BE PRUDENT _______ 27 SPECIFIC DIFFERENCE _________________ 27 MASTER AND APPRENTICE _____________ 27 STUDIES ___________ 28 THE SLOTHFUL _____ 28 THE ARGUMENT ___ 28 PARAPSYCHOLOGY 28 NAIL ON NAIL ______ 28 VIGILANCE ________ 28 ORDER ____________ 28 PATOMIME ________ 28 CUCKOO CLOCK (I) _ 29 CUCKOO CLOCK (II) 29 AMERICAN IMMIGRANTS ______________ 29 APHORISM _________ 29 DISGUST ___________ 29 CLASSIC ___________ 29 HEROISM __________ 29 BAGATELLE _______ 29 PRODUCER ________ 30 INTRODUCTION ____ 30 LITERARY REVIEW: 30 PUBLICITY _________ 30 MILITARY STRATEGY _________________ 30 TRANSCENDENT ___ 30 ORDINARILY _______ 30 MEETING __________ 30 GEOPHYSICIST _____ 31 CONTENTS _________ 31 FORECAST _________ 31 COMPLEMENTARY _ 31 COHABITATION ____ 31 VIGOR _____________ 31 THE ARTIST ________ 31 DIRECTION ________ 31 MASOCHISM _______ 32 HIS DAUGTER WAS SO BEAUTIFUL… ___ 32 ENDEARMENT _____ 32 BITTER ____________ 32 SUGAR SYRUP _____ 32 FICTION ___________ 32 NONCONFORMIST __ 32 VINDICTIVE ________ 32 CONFUSION ________ 33 THE PUDDLE _______ 33 ATTEMPT __________ 33 DEAR MASTER _____ 33 EDUCATION _______ 33 QUESTER __________ 33 CHAOS ____________ 33 BLAH-BLAH- BLAH _ 33 BARBARIANS ______ 34 GOSSIPER __________ 34 ABYSS _____________ 34 MYOPIA ___________ 34 COMATOSE ________ 34 QUOTIDIAN (I) _____ 34 QUOTIDIAN (II) ____ 34 SELF-CENSORSHIP __ 34 WHERE ____________ 35 BIG LIE ____________ 35 APPEARANCES _____ 35 EXCESS ____________ 35 DESPAIR ___________ 35 ANALYTIC _________ 35 BACOVIAN _________ 35 UNINVITED GUEST _ 35 NAUGHTY _________ 36 ESSENCE __________ 36 IN HARD TIMES ____ 36 HARDLY ___________ 36 CONTRADICTORY __ 36 PHYLOSOPHY ______ 36 PARSIFAL __________ 36 HEGELIAN _________ 36 CAUSE AND EFFECT 37 PROBABILITY ______ 37 COWARDS _________ 37 VAINGLORIOUSES __ 37 ROMAN TRIUMVIRATE _________________ 37 ABSURDITY ________ 37 RETRO FASHION ___ 37 NUNS ______________ 37 RECOURSE _________ 38 SCATTER-BRAINED _ 38 SILENCE ___________ 38 IMPOTENCE ________ 38 SHADOW __________ 38 ECLIPSE ___________ 38 NEGLECTABLE QUANTITIES ____________ 38 WAR ______________ 38 VERSE _____________ 39 KANT ______________ 39 MANNEQUIN _______ 39 INCONCLUSIVE ____ 39 BREEZE ____________ 39 STORM ____________ 39 DIALECTICS _______ 39 NERD ______________ 39 THEOLOGY ________ 40 PORTRAIT _________ 40 STUPID ____________ 40 THE DEVIL _________ 40 TAUTOLOGY _______ 40 INSPIRATION _______ 40 GEMS ______________ 40 SCAPEGOAT _______ 40 FUTUROLOGY ______ 41 RETROGRADE ______ 41 REMEDY ___________ 41 CONFUSION ________ 41 RESEARCH _________ 41 TRAGICOMEDY (I) __ 41 TRAGICOMEDY (II) _ 41 CERTIFICATE ______ 41 MARATHON ________ 42 THE RAILWAY STATION _______________ 42 HISTORY __________ 42 SLOUCHY __________ 42 PARENTALLY ______ 42 ROLL CALL ________ 42 OBNUBILATION ____ 42 ECHO ______________ 42 THE PARADOXISM __ 43 IN CONCLUSION ____ 43 SO AND SO _________ 43 LOVE ______________ 43 THE INCONSOLABLE LAW (I) ___________ 43 THE INCONSOLABLE LAW (II) __________ 43 MIRACLE __________ 43 BI-SEXUAL _________ 43 PEDANT ___________ 44 METROPOLIS _______ 44 WORTHLESS _______ 44 VICE-PRESIDENT ___ 44 BETRAYER _________ 44 OVERACHIEVER ____ 44 QUALITY __________ 44 COWARD __________ 44 THE “TITANIC” SHIP 45 INTERNET _________ 45 GAME WITH ZERO SUM ________________ 45 BOMB _____________ 45 THE APPROXIMATION THEORY _________ 45 LAZY ______________ 45 UNCERTAINTY _____ 45 PUNISHMENT ______ 45 BIASED SENTENCE _ 46 FALSE WITNESSES __ 46 RANDOM __________ 46 POETS ! ____________ 46 ALTERNANCE ______ 46 YARN BUNDLE _____ 46 SURPRISE __________ 46 STRIKING __________ 46 INCOGNITO ________ 47 OPPOSITION _______ 47 NOVELTY __________ 47 FASHION __________ 47 CONSTRUCTION ____ 47 ABYSS _____________ 47 EX_________________ 47 SO POVERTY-STRICKEN ________________ 47 APOCALYPSE ______ 48 ETERNITY _________ 48 EPHEMERALLY _____ 48 TO SOMEONE WHO LIKES MEETINGS ___ 48 TO THE ABSOLUTENESS _______________ 48 GRECO-ROMAN WRESTLING ___________ 48 WHITE _____________ 48 INCONCLUSIVE ____ 48 DON JUAN _________ 49 THE ORDER IS TO BE EXECUTED ________ 49 DARWINISM _______ 49 WINGS _____________ 49 SHABBY ___________ 49 RETROGRADE ______ 49 CONNECTION ______ 49 POSTMODERNISM __ 49 SELF-DISTRUCTION _ 50 ABSENT-MINDED / INATTENTIVE _______ 50 BACKWARDNESS ___ 50 THE CHAOS THEORY __________________ 50 HALF-SCHOLAR CHRONICLER __________ 50 IDEAL _____________ 50 IN HUNGER STRIKE _ 50 INFERIORITY COMPLEX ________________ 50 DUMP _____________ 51 MULATTO _________ 51 GYPSY _____________ 51 TOMATOES ________ 51 A LIFE _____________ 51 REVIEW ___________ 51 REPUGNANT _______ 51 SERAPHIC _________ 51 BACKWARDNESS ___ 52 WINDBAG _________ 52 THE ARROGANT ONES _________________ 52 PERFIDIOUS POLITICIANS ______________ 52 IMMODEST ________ 52 UNDECIDED _______ 52 JAZZ (I) ____________ 52 JAZZ (II) ___________ 52 JAZZ (III) ___________ 53 DISTURBANCE _____ 53 AFTER COSMETIC SURGERY ___________ 53 OBITUARY _________ 53 PLAGIARIST _______ 53 THE BUS CONDUCTRESS _______________ 53 THE PASSENGERS __ 53 PUG DOG __________ 53 MAYOR ____________ 54 RIVALRY __________ 54 ARRANGEMENT ____ 54 COUNCIL __________ 54 PRUDENCE _________ 54 EXOTIC ____________ 54 SMATTERS _________ 54 CONFLICT _________ 54 RELATIVITY (I) _____ 55 RELATIVITY (II) ____ 55 RELATIVITY (III) ___ 55 RELATIVITY (IV) ___ 55 WEED _____________ 55 HISTORIOGRAPHY __ 55 BIBLIOGRAPHY ____ 55 HERMENEUTIC _____ 55 EXEGESES _________ 56 ENDEAVOR ________ 56 ABSENT-MINDED ___ 56 AUDACIOUS _______ 56 NON-REMEDY ______ 56 FANTASIST ________ 56 INFAMY ___________ 56 FLIGHT ____________ 56 STATUES __________ 57 MUSEUM (I) ________ 57 MUSEUM (II) _______ 57 WOODEN TONGUE __ 57 PAGAN ____________ 57 SCAPEGOAT _______ 57 BUMPTIOUS ________ 57 MODEST ___________ 57 GODFATHER TO GODFATHER __________ 58 OFFICIAL __________ 58 GENIALITY ________ 58 DIVERSIFIED _______ 58 YOU, ______________ 58 REGENERATION ____ 58 AGEING ___________ 58 THEATRUM MUNDI _ 58 PEACE _____________ 59 HISTORY __________ 59 WILY ______________ 59 FAILURE (I) ________ 59 FAILURE ( I I ) ______ 59 FAILURE (III) _______ 59 DAWN _____________ 59 LIBRARY __________ 59 HOMER (I)__________ 60 HOMER (II) _________ 60 TIMING ____________ 60 HYPHEN ___________ 60 IMPRUDENT _______ 60 HAZARDOUS _______ 60 CONSERVATISM ____ 60 SAINT _____________ 60 CHALLENGER ______ 61 COMPETITOR ______ 61 THEE-ING __________ 61 ILL WILL ___________ 61 FIERCE DOG _______ 61 LAZY ______________ 61 THE CHILDREN _____ 61 IN BALANCE _______ 61 STROKE ___________ 62 DESTINE ___________ 62 PASSIVE ___________ 62 COPIED ____________ 62 SINE QUA NON ______ 62 THE STUDENT (I) ___ 62 THE STUDENT (II) ___ 62 VERY WELL-KNOWN __________________ 62 ENTROPY __________ 63 BRIDE _____________ 63 WRECK ____________ 63 INDIFFERENCE _____ 63 CURSE _____________ 63 EXHIBITIONIST _____ 63 ABYSS _____________ 63 PROXIMITY ________ 63 EXTREME FAR AWAY __________________ 64 SO FRIGHTENING ___ 64 BEGGARY _________ 64 WOMANIZER _______ 64 HONESTY __________ 64 CUNNING __________ 64 EFFICIENCY ________ 64 VILLAINESS ________ 64 PRUDENCE _________ 65 MEDIOCRE _________ 65 ROGUE ____________ 65 UNDER THE QUESTION MARK ( I ) _______ 65 UNDER THE QUESTION MARK (II) _______ 65 GENERALIST _______ 65 BOOMERANG ______ 65 WITHOUT CHANCES 65 LIBERTINISM ______ 66 REJOINDER ________ 66 MAO TSE-TUNG ____ 66 SATRAPY __________ 66 EXERCISES ________ 66 PLEBEIANS ________ 66 PARLIAMENT ______ 66 PUBLICITY _________ 66 SLEEPING DURING THE NEW YEAR’S NIGHT ________________ 67 DILETTANTE _______ 67 PASSIONATE _______ 67 DICTATORSHIP _____ 67 GROTESQUE _______ 67 BUREAUCRATIZE ___ 67 ESTIMATION _______ 67 REJECTED _________ 67 CINDER ____________ 68 THE MOLE _________ 68 GLOVES ___________ 68 PRIMITIVISM _______ 68 THAUMAZEIN ______ 68 WINE ______________ 68 WITH MINI SKIRT ___ 68 BLUFF _____________ 68 DECANTING _______ 69 HORIZONT _________ 69 SPIRAL (I) __________ 69 SPIRAL (II) _________ 69 INCONSISTENT _____ 69 LONGING __________ 69 SYNCOPATE _______ 69 TALENT ___________ 69 ACTOR ____________ 70 AMNESIA __________ 70 PULLEY ___________ 70 DOTTED LINE ______ 70 ORDINATION _______ 70 UNADJUSTED ______ 70 REBEL _____________ 70 AVANT-GARDE _____ 70 DECADENT ________ 71 SHELL-FISH ________ 71 DANTE ____________ 71 TALKATIVE ________ 71 AMEBA (I)__________ 71 AMEBA (II) _________ 71 MICRO-COSMOS ____ 71 THE ABROGATION LAW ________________ 71 INDOLENT _________ 72 IN DECLINE ________ 72 DON”T ABUSE ______ 72 IMPEDIMENT _______ 72 CYCLICAL _________ 72 THE CANOPY OF HAVEN _______________ 72 WITHOUT MEASURE 72 NOTHINGNESS _____ 72 GO AWAY FROM HERE! ________________ 73 FIRE _______________ 73 SHORTSIGHTED ____ 73 FORCE _____________ 73 NIRVANA __________ 73 DUPLICITY _________ 73 GUARDING THE HOMELAND ___________ 73 PROSAISM _________ 73 CHILDISH __________ 74 PROFLIGATE _______ 74 ANCHORITE ________ 74 INDIFFERENCE _____ 74 LETHARGY ________ 74 PRAYER ___________ 74 ABJECTION ________ 74 COINCIDENCE ______ 74 UNLUCKY _________ 75 GUILTY ____________ 75 MADAM ___________ 75 ERRATIC FELLOW __ 75 UNDER WATCH ____ 75 BOLD ______________ 75 EXPLORER _________ 75 HYPOCRITE ________ 75 ENEMY ____________ 76 PERFIDIOUS ________ 76 ALCOHOLIC ________ 76 OH, GOD! __________ 76 SORROWFUL _______ 76 CUR _______________ 76 AT THE BUTTONHOLE _________________ 76 DUALITY __________ 76 FUTILITY __________ 77 DEAF ______________ 77 ZODIAC ____________ 77 RITUAL ____________ 77 AXIOMATIC ________ 77 REINCARNATION ___ 77 CURSE _____________ 77 DOUBLE NEGATION 77 DOUBTFULNESS ____ 78 SELF-EXPOSURE ____ 78 OCEAN ____________ 78 TOTALITARIANISM _ 78 BOYCOTT __________ 78 IRRESOLUTE _______ 78 ASPIRATION _______ 78 DIAMONDS ________ 78 ONTOLOGY ________ 79 SELF-BRAZING _____ 79 MORPHOLOGICAL __ 79 SIMILITUDE ________ 79 NEBULOUS ________ 79 RESPONSE _________ 79 SPIES ______________ 79 CAPRICIOUS _______ 79 GOODS TRAIN ______ 80 ST. GEORGE KILLING THE DRAGON _____ 80 LAME _____________ 80 COWARDICE _______ 80 PARSIMONY _______ 80 CEREBELLUM ______ 80 WITH HALF MEASURE _________________ 80 PERFUNCTORY _____ 80 HUBBUB ___________ 81 COLUMNED ________ 81 RAGAMUFFIN ______ 81 PERSONALITY ______ 81 RIVAL _____________ 81 INSIGNIFICANT _____ 81 „ ≤ ” _______________ 81 AMNESIA __________ 81 WISE ______________ 82 AMENDMENT ______ 82 ORDINARY _________ 82 MISERY ____________ 82 ANALOGY _________ 82 DISCORDANT ______ 82 ROMANCE (I) _______ 82 ROMANCE (II) ______ 82 DISOBEDIENT ______ 83 AMENABLE ________ 83 SLY _______________ 83 MOTORCYCLE _____ 83 PARVENU __________ 83 OF BROKEN HEART _ 83 DAILY JOURNAL ___ 83 FORMULA _________ 83 TELLURIC _________ 84 COMMON __________ 84 ATOM _____________ 84 HORROR MOVIE ____ 84 ASCENDANCY ______ 84 ENIGMA ___________ 84 LIGAMENTS ________ 84 BANALITY _________ 84 SURREALIST _______ 85 FAINT WITH HUNGER __________________ 85 MONDRIAN ________ 85 INFORMERS ________ 85 TELESCOPE ________ 85 FORGED ___________ 85 BANKRUPTCY ______ 85 MISHAP ____________ 85 CAPRICE ___________ 86 ANIMOSITY ________ 86 DEVIL _____________ 86 DOZINESS _________ 86 WINDBAG _________ 86 POETRY ___________ 86 OPPONENT _________ 86 WORTHLESS _______ 86 IT MEANS THAT YOU DON’T DO WHAT HE WANTS __________ 87 PACIFIST __________ 87 NIHILIST ___________ 87 TRANSFORMATION _ 87 VICIOUS CIRCLE ___ 87 DRAWBACK _______ 87 NEGLECT __________ 87 HOPE ______________ 87 SKILLFUL __________ 88 THE CONOPY OF HAVEN (II) ____________ 88 BOOK WITH PHOTOS __________________ 88 CONJECTURE ______ 88 NEGATIVE PUBLICITY _________________ 88 SHORT- SIGHTED ___ 88 TREATY ___________ 88 ABYSS (II) __________ 88 CANONIZATION ____ 89 DEMENT ___________ 89 NON-EUCLIDIAN GEOMETRY __________ 89 TO AN AROGANT ___ 89 IN BENUMBING ____ 89 MASTER ___________ 89 HUSBAND AND WIFE __________________ 89 CROOK ____________ 89 ANARCHY _________ 90 GORDIAN KNOT _______________________ 90 RELATED __________ 90 INNOCENT _________ 90 RUMOR ____________ 90 MATTED WINDOW __ 90 JET PLANE _________ 90 SOCIALIST COMPETITION ______________ 90 EUPHORIA (II) ______ 91 THE LAWS OF PARADOXISM1 __________________ 92 References _________________ 94 Exercises for Readers and Invitations for Writers ______ 96 CON/TENTS _______________ 97