... Eminescianism, Barbianism, etc. We have even the advantage of a centered communication when we suggest with a sole notion the work as well as its d... ...rformance to the derisive. The paradox is any fair sabotage of the linear communication. “The use of paradox - Solomon Marcus specifies - is a funda... ...ification, but that must also be considered like a moment of crisis of the communication, like an insufficiency of the language, something that shows... ...sic, since it homologates in this way the metalinguistic possibilities of communication. Then, in the theory of the paradoxes, as we can see, we lea... ...ection against abusive inscriptions (there’s a normal favourable artistic serialism, on which Tudor Vianu attracts our attention) in the official ent... ...ugh, however, we accept - as far as there’s acceptability -the dialect of serialization in art, materialized in cycles, we can consider paradoxism a... ...ntour but they fill the strophic space, outlining the whole “poetry” as a serial scripted arrangement under the “lexical” occurrence of a cross (wit... ...ic exercises of vocalization, joining of letters and figures, mono-literal serialities, amalgamations of signs, segmented numerical rows (translated ... ...ented numerical rows (translated in ...mathematic language), computerized serialities, fractions and equations. Somehow more attenuated are Drawn ...

...erms as Aristotelianism, Platonism, Kantianism, Hegelianism, Proustianism, Eminescianism, Barbianism, etc. We have even the advantage of a centered communication when we suggest with a sole notion the work as well as its dominant features, linked with the renown of the concerned author....