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Familiar Studies of Men and Books

By: Robert Louis Stevenson

... not many more conscious than Hugo. The passage at the head of these pages shows how organically he had understood the nature of his own changes. He h... ...painter; and, though the pleasure derived is in itself merely personal, it shows a man who is, to say the least of it, not pained by general attention... ...res, in at least one more letter, to spelling number two. And this, again, shows a man preoccupied about the manner of his appear- ance even down to t... ... tiffs, reconciliations, and expan- sions to the chosen confidant, as in a comedy of Marivaux. Here was a field for a man of Burns’s indiscriminate pe... ... gather their activities about some conception of human- ity that shall be central and normal, if only for the moment -the poet must portray that popu... ...synthesis, than any or than all of them put together. In feeling after the central type of man, he must embrace all eccentricities; his cosmol- ogy mu... ...ars; and their performances are thought to hail from the Owl’s Nest of the comedy. They have something more, however, in their eye than the dul- ness ... ...el gravely with the fashions not foppishly before, nor dowdily behind, the central movement of his age. For long he durst not keep a carriage; that, i...

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