... The Farmers’ Tale: An Allegory, 83 6 I Got a Mashup, 122 7 The Enclosure of Science and Technology: T wo Case Studies, 160 8 A Creative Commons, 179... ...thics, Law and Policy Center, provided cru- cial support to my work with the sciences in general and synthetic biology in particular. I was also inspi... ...lar. I was also inspired and informed by colleagues and students in computer science, English, history, and political science. But the work I am descr... ...x the law in this area. When the case of Bridgeport Music, Inc. v. Dimension Films came up, they thought they had what they wanted. The band NWA had u... ... cook’s shop underground. 12 The art form is different, but the thought of a 1960s Cliff Richard or Ian An- derson being “cheered under a fit of the sp... ... at http:// www.law.duke.edu/cspd/pdf/cspdproposal.pdf, and Access to Orphan Films: Submission to the Copyright Office—March 2005, available at http://... ...k: New York University Press, 2001). 22. Bridgeport Music, Inc. v. Dimension Films, 410 F .3d 792, 804n16 (6th Cir. 2005). 23. Walter Benjamin, “The W...

...Our music, our culture, our science, and our economic welfare all depend on a delicate balance between those ideas that are controlled and those that are free, between intellectual property and the public domain. In The Public Domain: Enclosing the Comm...