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The Public Domain : Enclosing the Commons of the Mind

By: James Boyle

... be accessed through the author’s website at http://james-boyle.com. Printed in the United States of America. ISBN: 978-0-300-13740-8 Library of Congr... ...served mockery. “Want that insignia torn off your car, Dad? Then it would be in the public domain, right?” My colleagues at Duke are one of the main i... ... at Duke are one of the main influences on my work. I am lucky enough to work in the only “Center for the Study of the Public Domain” in the academic w... ...a brilliant composer, not only educated me in composition and the history of musical borrowing but co-taught a class on musical borrowing that dramati... ...s, and Carol Rose. Kembrew McLeod and Siva Vaidhyanathan inspired my work on music and sampling. Peter Jaszi was named in my last book as the person w... ...to many of its members. Whitney Brous- sard told me the dirty secrets of the music industry. Daphne Keller—a former student and later a colleague—help... ... of evidence-based policy making, but the few that do exist are striking. In 2006, the government-convened Gowers Review of intellectual property poli... ...d 20th Centuries,” Michigan T elecommunications & T echnology Law Review 13 (2006): 115–176. 6.The Digital Millennium Copyright Act is discussed at le... ......

...Our music, our culture, our science, and our economic welfare all depend on a delicate balance between those ideas that are controlled and those that are free, between intellectual property and the public domain. In The Public Do...

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