...McPherson, August 13, 1813, p. 6. 37278_u00.qxd 8/28/08 11:04 AM Page ii James Boyle The Public Domain Enclosing the Commons of the Mind Yale Uni... ...son, August 13, 1813, p. 6. 37278_u00.qxd 8/28/08 11:04 AM Page ii James Boyle The Public Domain Enclosing the Commons of the Mind Yale Universit... ... book. For more information, visit www.caravanbooks.org. Copyright © 2008 by James Boyle. All rights reserved. The author has made an online version o... ...s? Even the ones they claim to have been dictated by gods or aliens? Even if American copyright law requires “an author,” presumably a human one? 9 Ca... ...r the films of the Second World War, or footage on the daily lives of African-Americans during segregation, or the music of the Great Depression, or th... ...x the law in this area. When the case of Bridgeport Music, Inc. v. Dimension Films came up, they thought they had what they wanted. The band NWA had u... ...d. To appropriate a phrase from Carol Rose, open source teaches us about the comedy of the commons, a way of arranging markets and production that we,... ... at http:// www.law.duke.edu/cspd/pdf/cspdproposal.pdf, and Access to Orphan Films: Submission to the Copyright Office—March 2005, available at http://... ...e Action (Cambridge: Cambridge University Press, 1990), and Carol Rose, “The Comedy of the Commons: Custom, Com- merce, and Inherently Public Property...

...e that are free, between intellectual property and the public domain. In The Public Domain: Enclosing the Commons of the Mind (Yale University Press) James Boyle introduces readers to the idea of the public domain and describes how it is being tragically eroded by our current copyright, patent, and trademark laws. In a series of fascinating case studies, Boyle explains why...