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An art movement is a tendency or style in art with a specific common philosophy or goal, followed by a group of artists during a restricted period of time, (usually a few months, years or decades) or, at least, with the heyday of the movement defined within a number of years. Art movements were especially important in modern art, when each consecutive movement was considered as a new avant-garde.
According to theories associated with modernism and the concept of postmodernism, art movements are especially important during the period of time corresponding to modern art.[1] The period of time called "modern art" is posited to have changed approximately half-way through the 20th century and art made afterward is generally called contemporary art. Postmodernism in visual art begins and functions as a parallel to late modernism[2] and refers to that period after the "modern" period called contemporary art.[3] The postmodern period began during late modernism (which is a contemporary continuation of modernism), and according to some theorists postmodernism ended in the 21st century.[4][5] During the period of time corresponding to "modern art" each consecutive movement was often considered a new avant-garde.[4]
Also during the period of time referred to as "modern art" each movement was seen corresponding to a somewhat grandiose rethinking of all that came before it, concerning the visual arts. Generally there was a commonality of visual style linking the works and artists included in an art movement. Verbal expression and explanation of movements has come from the artists themselves, sometimes in the form of an art manifesto,[6][7] and sometimes from art critics and others who may explain their understanding of the meaning of the new art then being produced.
In the visual arts, many artists, theorists, art critics, art collectors, art dealers and others mindful of the unbroken continuation of modernism and the continuation of modern art even into the contemporary era, ascribe to and welcome new philosophies of art as they appear.[8][9] Postmodernist theorists posit that the idea of art movements are no longer as applicable, or no longer as discernible, as the notion of art movements had been before the postmodern era.[10][11] There are many theorists however who doubt as to whether or not such an era was actually a fact;[4] or just a passing fad.[5][12]
The term refers to tendencies in visual art, novel ideas and architecture, and sometimes literature. In music it is more common to speak about genres and styles instead. See also cultural movement, a term with a broader connotation.
As the names of many art movements use the -ism suffix (for example cubism and futurism), they are sometimes referred to as isms.
Jacques-Louis David, The Coronation of Napoleon, (1806), Musée du Louvre, History painting
Eugène Delacroix, Liberty Leading the People 1830, Romanticism
Thomas Cole, The Course of Empire: The Savage State 1836, Hudson River School
Gustave Courbet, Stone-Breakers, 1849, Realist School
Jean-Baptiste-Camille Corot, c. 1867, Ville d'Avray National Gallery of Art, Washington, DC, Barbizon School[13]
Claude Monet, Haystacks, (sunset), 1890–1891, Museum of Fine Arts, Boston, Impressionism
Vincent van Gogh, The Starry Night, 1889, Post-Impressionism
Edvard Munch, 1893, early example of Expressionism
Wassily Kandinsky, 1903, Der Blaue Reiter
Pablo Picasso, Family of Saltimbanques, 1905, Picasso's Rose Period
Henri Matisse 1905, Fauvism
Pablo Picasso 1907, early Cubism
Georges Braque 1910, Analytic Cubism
Piet Mondrian, 1912, early De Stijl
Kazimir Malevich, (Supremus No. 58), Museum of Art, 1916, Suprematism
Marcel Duchamp, Fountain, 1917, photograph by Alfred Stieglitz, Dada
Theo van Doesburg, Composition XX, 1920, De Stijl
Max Ernst, The Elephant Celebes (1921), Tate, Surrealism
Charles Demuth, I Saw the Figure 5 in Gold, 1928, Metropolitan Museum of Art, Precisionism
Grant Wood, American Gothic, 1930, Social Realism