World Library  
Flag as Inappropriate
Email this Article

Medea (opera)

Article Id: WHEBN0000357368
Reproduction Date:

Title: Medea (opera)  
Author: World Heritage Encyclopedia
Language: English
Subject: Medea, Luigi Cherubini, List of operas by title, Bengt Lidner, Bruno Prevedi, Lamberto Gardelli, Gabriella Tucci, Anna Caterina Antonacci
Publisher: World Heritage Encyclopedia

Medea (opera)

For other operas called Médée or Medea, see Medea (disambiguation).

Médée is a French language opéra-comique by Luigi Cherubini. The libretto by François-Benoît Hoffmann (Nicolas Étienne Framéry) was based on Euripides' tragedy of Medea and Pierre Corneille's play Médée.[1]

The opera was premiered on 13 March 1797 at the Théâtre Feydeau, Paris. It met with a lukewarm reception and was not immediately revived. During the nineteenth- and most of the twentieth-century, it was usually performed in Italian translation as Medea, with the spoken dialogue replaced by recitatives not authorised by the composer. More recently, opera companies have returned to Cherubini's original version.

The long-lost final aria, which Cherubini appears to have blanked out in his original manuscript, was discovered by researchers from the University of Manchester and Stanford University by employing x-ray techniques to uncover the blackened out areas of Cherubini's manuscript. [2]

Performances and Versions

Several versions of the opera were produced and staged in Italian and German:

  • 1802: The Italian translation was premiered in Vienna on 6 November 1802.
  • 1809: The shortened version of the Italian translation was given in Vienna, where Cherubini produced a version which omitted some 500 bars of music
  • 1855: Franz Lachner's German version was given in Frankfurt. This was based on the shortened Vienna version, but with recitatives composed by Lachner which replaced the spoken dialogue.
  • 1909: The Italian translation of the Lachner version by Carlo Zangarini was prepared for its Italian premiere at the Teatro alla Scala, on 30 December 1909, and starred Ester Mazzoleni. It was this hybrid version that was revived in 1953 for Maria Callas.

Callas Revivals (1953-1962)

Perhaps the most famous 20th-century revival of the work was in Florence in 1953, with Maria Callas in the title role, conducted by Vittorio Gui and staged by Margherita Wallmann. Callas learned and performed the role within a week, to critical acclaim. The production was so successful that the Teatro alla Scala decided to stage this opera during the opening week of its 1953-1954 season, with Leonard Bernstein filling in for an indisposed Victor de Sabata.
Callas performed the role throughout the 1950s and early 1960s, with possibly the most famous production being by the Dallas Opera in 1958, conducted by Nicola Rescigno (with Jon Vickers as Jason) and directed by the Greek director Alexis Minotis. This production traveled to the Royal Opera House, Covent Garden, in London in 1959, and to La Scala (where a few minutes of it were filmed) in 1961-62. It was in these performances that Callas made her last appearances in Italy.

Late Twentieth-Century revivals

  • 1984 - 1995: Revivals of the original French version were given at the Buxton Festival on 28 July 1984; at The Royal Opera House, Covent Garden on 6 November 1989; and at the Valle d'Itria Festival on 4 August 1995.
  • 1996: The shortened Vienna version was given in an English translation and sung in English by Opera North in Leeds in April 1996.
  • March 1997: A Bicentennial production by Opera Quotannis presented an unabridged (text and music) version (with a period-instrument orchestra) of the original opéra-comique at Alice Tully Hall, Lincoln Center, commemorating the bicentennial of the premiere. Bart Folse conducted Brian Morgan's stylized production, which featured Phyllis Treigle (in the title role), Carl Halvorson (as Jason), D'Anna Fortunato (as Néris), David Arnold (as Créon), Thaïs St Julien (as Dircé), and Jayne West and Andrea Matthews (as the Handmaidens of Dircé). Peter G. Davis, in New York magazine, wrote that "Opera Quotannis delivers Cherubini's Médée in all its original glory…. The occasion proved that the real Médée is indeed a masterpiece. Its weak sister, the doctored Medea we've been hearing all these years, should now be permanently set aside." Newport Classic subsequently recorded the production for Compact Disc.

The role of Médée is famed for its difficulty. Other famous interpreters of the role in the 20th century included Anna Caterina Antonacci, Dame Josephine Barstow, Montserrat Caballé, Eileen Farrell, Marisa Galvany, Leyla Gencer, Dame Gwyneth Jones, Nadja Michael, Maralin Niska, Magda Olivero, Leonie Rysanek, Sylvia Sass, Anja Silja, Dunja Vejzovic, and Shirley Verrett.


Role Voice type Premiere cast,
13 March 1797[3]
(Conductor: - )
Médée soprano Julie-Angélique Scio
Dircé, Créon's daughter soprano Rosine
Néris, Médée's slave mezzo-soprano or contralto Auvray
Jason tenor Pierre Gaveaux
King Créon bass Alexis Dessaules
Captain of the Guard speaking role Legrand
Two Handmaidens of Dirce sopranos Verteuil, -
Two children silent roles
Chorus: Servants of Dircé, Argonauts, priests, warriors, people of Corinth


Place: Corinth
Time: Antiquity

Act 1

Outside the palace of King Créon

Dircé is preparing for her wedding to Jason. However, with Médée's help, he had stolen the golden fleece and, in doing so, Médée had betrayed her family and established a relationship with him, the result of which was her two children. Although Jason had since abandoned Médée, she reappears and demands that he return to her. Jason refuses and Médée curses him, swearing vengeance.

Act 2

Inside the palace

Despairing, Médée is encouraged to leave the city by her slave, Néris. However, Créon appears and orders that Médée leave. She asks for one more day with her children and, after the king agrees, she appears to be calmer and gives Néris two wedding presents to take to her rival.

Act 3

Between the palace and the temple

Néris brings the two children out to where Médée is waiting. Sounds of lamentation are heard from within the palace and it is discovered that one of Médée's wedding presents has poisoned Dircé. An angry crowd gathers and Néris, Médée, and the children take refuge in the temple. The two women reappear with Médée grasping a blood-stained knife with which she has killed her two children. The temple, to which Médée returns, goes up in flames.


Original French version:

Year Cast
(Médée, Dircé,
Néris, Jason,
Opera House and Orchestra
1997 Phyllis Treigle,
Thaïs St Julien,
D'Anna Fortunato,
Carl Halvorson,
David Arnold
Bart Folse,
Brewer Chamber Orchestra and the Chorus Quotannis
Audio CD: Newport Classic
Cat: NPD 85622/2

Lachner version, in Italian translation:

Year Cast
(Medea, Glauce,
Neris, Giasone,
Opera House and Orchestra
1957 Maria Callas,
Renata Scotto,
Miriam Pirazzini,
Mirto Picchi,
Giuseppe Modesti
Tullio Serafin,
Teatro alla Scala Orchestra and Chorus
Audio CD: EMI
Cat: CDMB-63625
1967 Dame Gwyneth Jones,
Pilar Lorengar,
Fiorenza Cossotto,
Bruno Prevedi,
Justino Díaz
Lamberto Gardelli
Orchestra and Chorus of Accademia Nazionale di Santa Cecilia
Audio CD: Decca «Double»
Cat: 452 611-2
1977 Sylvia Sass,
Magda Kalmár,
Klára Takács,
Veriano Luchetti,
Kolos Kováts
Lamberto Gardelli,
Hungarian Radio and Television Symphony Orchestra and Chorus
Audio CD: Hungaroton
Cat: HCD 11904-05-2



External links

  • " on

This article was sourced from Creative Commons Attribution-ShareAlike License; additional terms may apply. World Heritage Encyclopedia content is assembled from numerous content providers, Open Access Publishing, and in compliance with The Fair Access to Science and Technology Research Act (FASTR), Wikimedia Foundation, Inc., Public Library of Science, The Encyclopedia of Life, Open Book Publishers (OBP), PubMed, U.S. National Library of Medicine, National Center for Biotechnology Information, U.S. National Library of Medicine, National Institutes of Health (NIH), U.S. Department of Health & Human Services, and, which sources content from all federal, state, local, tribal, and territorial government publication portals (.gov, .mil, .edu). Funding for and content contributors is made possible from the U.S. Congress, E-Government Act of 2002.
Crowd sourced content that is contributed to World Heritage Encyclopedia is peer reviewed and edited by our editorial staff to ensure quality scholarly research articles.
By using this site, you agree to the Terms of Use and Privacy Policy. World Heritage Encyclopedia™ is a registered trademark of the World Public Library Association, a non-profit organization.

Copyright © World Library Foundation. All rights reserved. eBooks from Project Gutenberg are sponsored by the World Library Foundation,
a 501c(4) Member's Support Non-Profit Organization, and is NOT affiliated with any governmental agency or department.