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Went the Day Well?

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Title: Went the Day Well?  
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Subject: British propaganda during World War II, Harry Fowler, John Dighton, Roy Douglas, War film
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Went the Day Well?

Went the Day Well?
Theatrical movie poster
Directed by Alberto Cavalcanti
Produced by Michael Balcon
Written by Graham Greene (story)
John Dighton
Angus MacPhail
Diana Morgan
Starring Leslie Banks
Mervyn Johns
Basil Sydney
C.V. France
Valerie Taylor
Thora Hird
David Farrar
Music by William Walton
Cinematography Wilkie Cooper
Edited by Sidney Cole
Distributed by Ealing Studios
Release dates 7 December 1942 (UK)
Running time 92 minutes
Country United Kingdom
Language English

Went the Day Well? is a 1942 British war film adapted from a story by Graham Greene and directed by Alberto Cavalcanti. It was produced by Michael Balcon of Ealing Studios and served as unofficial propaganda for the war effort. It tells of how an English village is taken over by Nazi paratroopers. It reflects the greatest potential nightmare of many Britons of the time, although the threat of German invasion had largely receded by that point.[1] (Germany's planned invasion, Operation Sea Lion, had been indefinitely postponed.) It includes the first major role of Thora Hird, and one of the last of C. V. France. The village location for some scenes was Turville in Buckinghamshire.[2]


The story is told in flashback by a villager, played by Mervyn Johns, as though to a person visiting after the war. He recounts: one Saturday during the Second World War, a group of seemingly authentic British soldiers arrive in the small, fictitious English village of Bramley End. It is the Whitsun weekend so life is even quieter than usual and there is almost no traffic of any kind. At first they are welcomed by the villagers, until doubts begin to grow about their true purpose and identity. After they are revealed to be German soldiers intended to form the vanguard of an invasion of Britain, they round up the residents and hold them captive in the local church. The vicar is shot after sounding the church bell in alarm.

The civilians attempt to escape to warn the local Home Guard, but are betrayed by the village squire, who is revealed to be collaborating with the Germans. Members of the local Home Guard are ambushed and shot by the Germans. Several attempts are made to escape or contact the outside world, all of which fail until eventually a young boy succeeds in escaping; despite being shot in the leg, he alerts the army. British soldiers arrive, and - aided by some of the villagers, including a group of Women's Land Army girls, who have managed to escape, barricade themselves in, and arm themselves - defeat the Germans after a short battle. The squire is shot dead by the vicar's daughter, who had discovered his treachery, as he attempts to let the Germans into the barricaded house.

The villager retelling the story to the camera shows the Germans' grave in the churchyard and explains proudly that "this is the only bit of England they got".


Title quotation

Went the day well?
We died and never knew.
But, well or ill,
Freedom, we died for you.

This epitaph was written by the classical scholar John Maxwell Edmonds, and originally appeared in The Times on 6 February 1918, page 7, under the heading Four Epitaphs. "Went the day well" also appeared in an unidentified newspaper cutting in a scrapbook now held in the RAF Museum (AC97/127/50), and in a collection of First World War poems collated by Vivian Noakes.[3]


The film reinforced the message that civilians should be vigilant against fifth columnists and that "careless talk costs lives". It was based on a short story by the author Graham Greene entitled The Lieutenant Died Last.[1] By the time the film was released the threat of invasion had subsided somewhat, but it was still seen as an effective piece of propaganda, and its reputation has grown over the years. It has been noted that by opening and closing in a predicted future where not only had the war been won but a (fictitious) full-scale German invasion of Britain defeated, and by presenting a scenario where all echelons of British society unite for the common good (the lady of the manor sacrifices herself without hesitation, for example), the film's message was morale-boosting and positive rather than scaremongering.[1][4] In 2010 an article in The Independent (London) commented, "It subtly captures an immemorial quality of English rural life—the church, the local gossip, the sense of community—and that streak of native 'pluck' that people believed would see off Hitler".[5]

In 2005 it was named as one of the "100 Greatest War Films" in a Channel 4 poll in Britain. The 1975 book, and later film, The Eagle Has Landed uses some of the same ideas.[2][4]

In July 2010, [7]

See also


  1. ^ a b c Duguid, Mark. "Went the Day Well? (1942)".  
  2. ^ a b "Nazis into Germans: Went the Day Well? (1942) and The Eagle Has Landed (1976; Critical Essay)". Journal of Popular Film and Television ( 22 June 2003. Retrieved 2 January 2010. 
  3. ^ Noakes, Vivian (ed.) Voices of Silence: the Alternative Book of First World War Poetry, History Press 2006. ISBN 0750945214
  4. ^ a b Nield, Anthony (6 September 2003). "Went the Day Well?". DVD Times. Retrieved 2 January 2010. 
  5. ^ "Went The Day Well? (PG)".  
  6. ^ Huddleston, Tom (8 July 2010). "Went the Day Well? Movie Review". Time Out London. Retrieved 2 June 2011. 
  7. ^ Scott, A.O. (20 May 2011). "Bucking Up the British in the Midst of the Fight". The New York Times. Retrieved 2 June 2011. 


  • Houston, Penelope. Went the Day Well? London: BFI, 1992 ISBN 0-85170-218-6

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