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Anna Karenina (1948 film)

Anna Karenina
Original Spanish film poster
Directed by Julien Duvivier
Produced by Alexander Korda
Herbert Mason
Written by Julien Duvivier
Jean Anouilh
Guy Morgan
Leo Tolstoy (novel)
Starring Vivien Leigh
Ralph Richardson
Kieron Moore
Sally Ann Howes
Martita Hunt
Music by Constant Lambert
Cinematography Henri Alekan
Edited by Russell Lloyd
Distributed by British Lion Films & London Films (United Kingdom)
20th Century Fox (United States)
Release dates
  • 22 January 1948 (1948-01-22) (London premiere)
  • 27 April 1948 (1948-04-27) (New York premiere)
  • 27 September 1948 (1948-09-27) (United Kingdom)
Running time
139 minutes
Country United Kingdom
Language English
Budget £700,000[1][2]
Box office ₤149,414 (UK)[3]

Anna Karenina [p] (also known within the UK as Tolstoy's Anna Karenina) is a 1948 British film based on the 19th-century novel, Anna Karenina, by the Russian writer Leo Tolstoy.

The film was directed by Constant Lambert, decors by André Andrejew and deep focus cinematography by Henri Alekan.


  • Plot 1
  • Cast 2
  • Production 3
  • Reception 4
  • Rerelease 5
  • References 6
  • External links 7


Anna Karenina (Vivien Leigh) is married to Alexei Karenin (Ralph Richardson), a cold government official in St Petersburg who is apparently more interested in his career than in satisfying the emotional needs of his wife. Called to Moscow by her brother Stepan Oblonsky (Hugh Dempster), a reprobate who has been unfaithful to his trusting wife Dolly (Mary Kerridge) once too often, Anna meets Countess Vronsky (Helen Haye) on the night train. They discuss their sons, with the Countess showing Anna a picture of her son Count Vronsky (Kieron Moore), a cavalry officer.

Vronsky shows up at the train to meet his mother, and is instantly infatuated with Anna. He boldly makes his interest known to her, which Anna demurely pushes away – but not emphatically so. At a grand ball, Vronsky continues to pursue the married Anna, much to the delight of the gossiping spectators. But poor Kitty Shcherbatsky (Sally Ann Howes), Dolly's sister who is smitten with Vronsky, is humiliated by his behaviour and leaves the ball – much to the distress of Konstantin Levin (Niall MacGinnis), a suitor of Kitty's who was rejected by her in favour of Vronsky. However, after a change of heart, Kitty marries Levin.

Boldly following Anna back to St Petersburg, Vronsky makes it known to society that he is the companion of Anna – a notion she does nothing to stop. Soon, society is whispering about the affair, and it's only a matter of time before Karenin learns of the relationship. Outwardly more worried about his social and political position than his wife's passion, he orders her to break off with Vronsky or risk losing her son. She tries, but cannot tear herself away from Vronsky.

Leaving Karenin, Anna becomes pregnant with Vronsky's child. Almost dying in childbirth (the child is stillborn), Anna begs Karenin for forgiveness, which he coldly grants. Karenin, being magnanimous, allows Vronsky the notion that he may visit Anna if she calls for him. Embarrassed by the scandal, Vronsky tries to shoot himself, but fails.

Anna tries again to live with Karenin, but cannot get Vronsky out of her head. She leaves Karenin for good, abandoning her child to live in Italy with Vronsky. But her doubts over Vronsky's feelings for her grow, and she eventually pushes him away. Realizing that she has lost everything, Anna walks onto the railway tracks and commits suicide by letting the train hit her.



Michael Redgrave was to play the male lead but elected to accept a Hollywood offer instead.[4] Vivien Leigh previously had an uncredited role as a schoolgirl extra in Things Are Looking Up, which Herbert Mason worked on as an associate producer.

Filming started on 15 April 1947.[5] Filming took place in London Film Studios, Shepparton.


The film was picketed at some cinemas in the USA by members of the anti-British organisation, the Sons of Liberty.[6]


A re-mastered version was released in France on 5 July 2012


  1. ^ "THE STARRY WAY.".  
  2. ^ Karol Kulik, Alexander Korda: The Man Who Could Work Miracles, Virgin, 1990, p. 303.
  3. ^ Vincent Porter, "The Robert Clark Account", Historical Journal of Film, Radio and Television, Vol. 20, No. 4, 2000.
  6. ^ "FILM PICKETING.".  

External links

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