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Title: Beatbox  
Author: World Heritage Encyclopedia
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Subject: Deejay (Jamaican), Shlomo (beatboxing artist), Ingénue (album), Rahzel, Liquid Soul, Fat Boys (album), ...a nastal chaos, Thepetebox, Talentadong Pinoy, Billy Simons
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"Beatbox" and "Beat box" redirect here. For other uses, see Beatbox (disambiguation).

File:Beatboxset1 pepouni.ogg

Beatboxing (also beatbox, beat box or b-box) is a form of vocal percussion primarily involving the art of producing drum beats, rhythm, and musical sounds using one's mouth, lips, tongue, and voice. It may also involve singing, vocal imitation of turntablism, and the simulation of horns, strings, and other musical instruments. Beatboxing today is connected with hip-hop culture, being one of "the elements", although it is not limited to hip-hop music.[1][2] The term "beatboxing" is sometimes used to refer to vocal percussion in general (see vocal percussion for details).



Many different cultures have imitated percussion sounds vocally throughout history. Two early examples are bol, which originated in India several thousand years ago, and the Chinese Kouji, a type of vocal performing art. These had little or no relation with rap, however, and have no direct connection to modern Eastern hip hop.

Other vocal imitative styles may have had some influence on the development of hip-hop, although this idea is difficult to prove. Significant examples include scat singing, which is vocal improvisation in jazz, and puirt a beul, a form of traditional Scottish music. Jazz, which developed from the blues and other African-American and European musical traditions and originated around the beginning of the 20th century, has also influenced hip hop and has been cited as a precursor of hip hop.[3]

Additional influences may perhaps include forms of African traditional music, in which performers utilize their bodies (e.g., by clapping or stomping) as percussion instruments and produce sounds with their mouths by breathing loudly in and out, a technique used in beatboxing today.

Many well-known performers used vocal percussion occasionally, though this was not directly connected to the cultural tradition that came to be known as "beatboxing". Paul McCartney's "That Would Be Something" (1969) includes vocal percussion. Michael Jackson was known to record himself beat-boxing on a dictation tape recorder as a demo and scratch recording to compose several of his songs, including "Billie Jean", "The Girl Is Mine", and others.[4] Gert Fröbe, a German actor most widely known for playing Auric Goldfinger in the James Bond film Goldfinger, "beatboxes" as Colonel Manfred von Holstein (simultaneously vocalizing horned and percussive instruments) in Those Magnificent Men in their Flying Machines, a 1965 British comedy film.

Origins in hip hop

The term "beatboxing" is derived from the mimicry of the first generation of drum machines, then known as beatboxes. "Human beatboxing" in hip-hop originated in 1980s. Its early pioneers include Doug E. Fresh, the self-proclaimed first "human beatbox",[5] Swifty, the first to implement the inhale sound technique, Buffy, who helped perfect many beatboxing techniques and Wise, who contributed significantly to beat boxing' proliferation. Wise inspired an entire new fan base of human beatboxers with his human turntable technique.

Modern beatboxing

Beatboxing's current popularity is due in part to artists such as Rahzel of the Roots and Kenny Muhammad who have promoted the art form across the globe.[6]

Sometimes, artists will use their hand or another part of their body to extend the spectrum of sound effects and rhythm. Some have developed a technique that involves using their hands to produce very realistic scratching effects, which they use in beatboxing. Another artist from Belgium cupped his hands to make bird and ocean sound effects in his beatboxing, and so forth.


As with other musical disciplines, some form of musical notation or transcription may sometimes be useful in order to describe beatbox patterns or performances. Sometimes this takes the form of ad hoc phonetic approximations, but is occasionally more formal.

IPA) transcription, which had been used sparingly before then.

In 2010 the UK beatboxer Shlomo worked with composer Anna Meredith on a "concerto for beatboxer and orchestra", and developed a simple phonetic notation in order to create a score for the beatboxer.[9]

In a research study published in 2013 and based on real-time MRI imaging of a beatboxer, the authors propose a notation system which combines the International Phonetic Alphabet with musical staff notation, in part motivated by their observation that many beatboxing sounds can be adequately represented by the IPA.[10]

World records

According to the

Selected beatbox discography

This list is a selected discography of commercial releases which are mostly/entirely beatbox-based or are otherwise notable/influential records in the history of beatboxing and its popularisation.



  • Make The Music 2000 (1999)



  • Felix Zenger - "Won't Say a Thing" (2010)
  • Beardyman - I Done A Album (2011)

See also


External links

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