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Brian Robertson

Brian Robertson
Robertson performing in 2011
Background information
Also known as "Robbo"
Born (1956-02-12) 12 February 1956
Clarkston, Scotland
Genres Hard rock, blues rock, heavy metal, rock and roll
Occupation(s) Musician, songwriter
Instruments Guitar, vocals, bass guitar, keyboards, cello, drums, piano
Years active 1974–present
Associated acts Thin Lizzy, Motörhead, Wild Horses, The Bitter Twins
Website Official website
Notable instruments
Gibson Les Paul Deluxe
Gibson Les Paul Custom
Fender Telecaster

Brian David "Robbo" Robertson (born 12 February 1956) is a Scottish rock guitarist,[1] best known as a member of Thin Lizzy and Motörhead.


  • Early life 1
  • Career 2
  • Influences 3
  • Equipment 4
    • Guitars 4.1
    • Guitar Rig & Signal Flow 4.2
  • Discography 5
    • Solo 5.1
    • With Thin Lizzy 5.2
    • With Wild Horses 5.3
    • With Motörhead 5.4
    • Other albums 5.5
      • Interviews on DVDs 5.5.1
      • Interviews on VHS video 5.5.2
  • References 6
  • External links 7

Early life

Robertson was born in Clarkston, Renfrewshire (now part of East Renfrewshire), where he was educated, attending Eastwood High School and became a musician.[2] He studied cello and classical piano for eight years before switching to the guitar and drums. He played in gigs around his local area with bands like Dream Police, who later evolved into the Average White Band.


In June 1974, Thin Lizzy were auditioning for two new guitarists and a try-out for Robertson was arranged. Aged 18, Robertson was taken on along with Scott Gorham on the other lead guitar. The two lead guitarists provided a critical part of Thin Lizzy's signature sound, referred to by critics as their "twin guitar attack". During his time in the band, Robertson was a contributing member to five studio albums released by Thin Lizzy: Nightlife (1974), Fighting (1975), Jailbreak (1976), Johnny the Fox (1976), Bad Reputation (1977) and a live album Live and Dangerous (1978).

Although frontman, bassist/lead vocalist Phil Lynott was the primary songwriter for Thin Lizzy's material, Robertson contributed a substantial share of songwriting for the band, sometimes collaborating with Lynott and the band. Nightlife and Bad Reputation were the only records that did not feature his songwriting and he performed only on selected tracks from the latter album.

In Thin Lizzy, the unique twin harmony lead guitar sound instigated by Robertson and Gorham, contributed much to the distinctive sound of the band and influenced subsequent bands such as, Iron Maiden, Metallica, The Darkness and Velvet Revolver. Robertson's pioneering, unconventional use of the wah-wah pedal as an extension of the instrument during soloing rather than as a purely rhythmic effect provided a boost to the band as well.

Robertson's young age, however, proved a hindrance to the band, as he struggled to deal with Lizzy's newfound fame after the release of the hit single "The Boys Are Back in Town" and the accompanying Jailbreak LP. He began drinking heavily towards the end of 1976.[3] In late November of that year, Robertson went to the the Speakeasy Club in London with his friend and fellow Scotsman, singer Frankie Miller. A fight ensued, in which Robertson attempted to protect Miller from getting hit in the face with a glass bottle by putting his hand out. The bottle ended up going into Robertson's hand, injuring him badly and costing the band a crucial American tour.[4] Lynott was furious, and replaced Robertson with Gary Moore, whom he had replaced in 1974, for a tour supporting Queen.

While Robertson recuperated from his injury, Lizzy flew to Toronto in May 1977 to record the Bad Reputation album with American producer Tony Visconti, with Gorham ostensibly taking all of the guitar parts. However, at Gorham's insistence, Lynott allowed Robertson to rejoin the band that June as a guest in Toronto. Gorham had left the songs "Opium Trail" and "Killer Without a Cause" without solos so that Robertson could contribute; the two also played lead together on one song, "That Woman's Gonna Break Your Heart."[5] Robertson was fully reinstated for the remainder of 1977 and into 1978, during which the majority of the tapes for the band's well-known live double LP Live and Dangerous were recorded. In July of 1978 Robertson finally left the band for good, due to his drink habits once again spiraling out of control, as well as irreconcilable differences with Lynott, and was again replaced by Gary Moore.

Robertson formed Wild Horses along with Rainbow bassist Jimmy Bain in 1977, while recovering from his injury. After his final exit from Thin Lizzy in 1978, he returned to the band. Achieving only partial success in the UK, the band split up after releasing two albums, Wild Horses (1980) and Stand Your Ground (1981). In 1980 Robertson was featured on the Eric Burdon album Darkness Darkness. Robertson appeared for one performance of Thin Lizzy's final tour in 1983, alongside other former guitarists. He was featured on the recording of the tour, Life, appearing on the songs "Emerald" and "The Rocker." In 1986 he recorded a cover of "Still in Love with You" as a tribute to Phil Lynott, appearing alongside Bobby Tench.[6]

Robertson joined Motörhead in late 1982, replacing "Fast" Eddie Clarke. He recorded the band's King Biscuit Flower Hour sessions, remaining to record the 1983 album Another Perfect Day. His last appearance with Motörhead was at the Metropol in Berlin, on 11 November 1983.[7] His resistance to playing "classic" Motörhead songs, coupled with a playing style which did not fit well with Motörhead's aggressive style of music, resulted in his decision to move on. He then joined Gary Barden's band Statetrooper until they disbanded.

In 1992 Robertson made a guest appearance with the band Skyclad at the Dynamo Open Air Festival, in Eindhoven, Netherlands. In 2004 he also made a guest appearance with the band Ash at the Oxegen music festival in Ireland, playing guitar on their version of Thin Lizzy's "The Boys Are Back in Town". He was reunited with Lizzy band mates in August 2005 for a tribute show in memory of Phil Lynott, in a line fronted by Gary Moore. Robertson and Moore appeared with Brian Downey, Scott Gorham, Eric Bell and Jethro Tull bassist Jonathan Noyce.

During February 2008 Robertson returned to the studio to work on new material.[8] He also made a guest appearances on The Bitter Twins debut album Global Panic!, which was released in 2009.

His first solo album Diamonds and Dirt, featuring Ian Haugland of the band Europe, Nalle Pahlsson from Treat, Leif Sundin from MSG and Liny Wood, was recorded in Stockholm at Polar Studios over a two-year period. It was produced by Robertson, Soren Lindberg and Chris Laney. The album features thirteen songs, written by Robertson and others including Phil Lynott, Frankie Miller and Jim White. It was released in Europe through Steamhammer Records in March 2011.

Robertson lives in Essex, England when he is not on tour or recording in Scandinavia, where he spends a lot of his working time.


Like many British rock guitarists, Robertson was significantly influenced by earlier blues guitarists. Robertson's influences include Freddie King, Jeff Beck, Eric Clapton and Peter Green. ZZ Top's Billy Gibbons is also mentioned as a later influence.[9]



Robertson playing at an annual tribute concert for Lynott; the 25th annual "Vibe for Philo"

Robertson is often associated with the Black 1960[10] Les Paul Custom, with white/parchment (rather than black) coloured pick guard, featured in photographs on the Live and Dangerous album and subsequent video. However, in an interview Robertson explained that his main guitar remains his original Thin Lizzy Sunburst 1973 Les Paul Deluxe, albeit re-fretted (due to wear) and with 1959 vintage Gibson Seth Lover PAF humbucker pickups fitted roughly by his guitar technician. The pickups are without the normal German-silver pick-up covers.

Robertson acquired his Deluxe in 1974, just after joining Thin Lizzy. He used the guitar on all of the Lizzy studio albums. In the fall of 1977, when he had the pickups on the Deluxe changed, he began using the Custom (images from the Tower Theater in Upper Darby, Pennsylvania, from October of that year are among the earliest-known images of Robertson using the guitar[11]). This became his main guitar from then to 1981/82, when he switched back to the Deluxe (he can be seen with it in some footage with Motorhead). It has been his main guitar ever since.[12] Robertson can also be seen playing a white Fender Stratocaster with black pick-guard and a black Gibson SG in mimed footage with Lizzy.

Although associated with Marshall amplifiers (100 watt non-Master Volume Superlead heads and 25W Celestion Greenback speakers), Robertson has been known to use Mesa Boogie (100W Dual Rectifier head) and Soundman amplifiers. The Jailbreak album was recorded using a Carlsbro combo. Robertson's original wah-pedal is a UK made Colorsound although he sometimes used a Cry Baby wah wah in the 1990s and a borrowed Vox Wah in the "Still in Love with Blues" video (which he cut the rubber feet off, to the dismay of host Stuart Bull).[13]

Robertson's use of the WEM Copycat tape echo unit was later replaced by a modern rack mounted digital delay unit. He used a Black Les Paul custom and mentions he experimented with "Boss Analog Chorus Delay, an MXR Pitch Transposer, Yamaha analogue delays, and MXR 32 band Graphic EQ" during his Motörhead days.[9]

Record producer Tony Visconti mentioned that for "Killer Without A Cause," featured on the Bad Reputation album:

... Robertson plays guitar through the strange talk box, the simple gizmo that Peter Frampton made famous on his successful live album."[14]

On his VHS video "Still in Love with the Blues" Robertson is pictured with a vintage red Les Paul guitar, unusually equipped with soap-bar pick-ups and a trapeze bridge, although it does not feature on the video itself. Robertson's Facebook page[15] features more information on this instrument: purchased by Thin Lizzy's manager in 1973, the guitar has an unusually lightweight body as it was built by Les Paul himself for his then wife, guitarist Mary Ford.

Guitar Rig & Signal Flow

A detailed gear diagram of Robertson's 1974 Thin Lizzy guitar rig is documented.[16]



With Thin Lizzy

With Wild Horses

With Motörhead

Other albums

Interviews on DVDs

Interviews on VHS video

  • Still in Love with the Blues a JamTrax guitar tuition video/masterclass featuring Robertson with Stuart Bull. The title is a play on Robertson's signature Thin Lizzy track, "Still in Love with You". The video is also available on YouTube.


  1. ^ Byrne, Alan Thin Lizzy, Soldiers of Fortune, Firefly Publishing, November 2005 pp. 51 & 56 ISBN 0-946719-81-0
  2. ^ "Pete Frame's Rocking Around Britain, p.235". Omnibus. Retrieved 28 February 2014. 
  3. ^ Doherty, Harry (6 November 1976). "Lizzy's Cocky Rebel". Melody Maker. (subscription required (help)). 
  4. ^ "Thin Lizzy | Band Biog". Retrieved 2015-10-25. 
  5. ^ Gorham, Scott; Doherty, Harry (2012). Thin Lizzy: The Boys Are Back In Town. New York: Omnibus Press. p. 94.  
  6. ^ "Stiff Records Official Website". Retrieved 2008-12-24. 
  7. ^ Burridge, Alan and Stevenson, Mick The Illustrated Collector's Guide to Motörhead Collector's Guide Publishing, 1994 pp. 17 & 40–43, ISBN 0-9695736-2-6
  8. ^ "Former Thin Lizzy Guitarist Brian Robertson Back in the Studio". komodorock article. Retrieved 2008-02-13. 
  9. ^ a b "Brian Robertson". Dinosaur Rock Guitar article. Retrieved 2007-04-03. 
  10. ^ The official Brian Robertson website – Gear
  11. ^ "Thin Lizzy, Concert, Tower Theatre, Upper Darby, Philadelphia, Pennsylvania, US, 20th October 1977, Ticket, Photos, Story, Thin Lizzy Guide made by Peter Nielsen". Retrieved 2015-10-25. 
  12. ^ "Yodel & Brian "Robbo" Robertson". Retrieved 2015-10-25. 
  13. ^ "The guitar and bass rig database record for Brian Robertson in Thin Lizzy in 1974.". Guitar Geek article. Retrieved 2007-04-03. 
  14. ^ "Thin Lizzy Bad Reputation".  
  15. ^ "Brian Robertson". 
  16. ^ Cooper, Adam (2003). Brian Robertson's 1974 Thin Lizzy Guitar Rig. GuitarGeek.Com

External links

  • Brian Robertson's Thin Lizzy era rig
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