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Cinder Ellen up too Late

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Title: Cinder Ellen up too Late  
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Cinder Ellen up too Late

Fred Leslie as the servant in Cinder Ellen up too Late

Cinder Ellen up too Late is a musical burlesque written by Frederick Hobson Leslie (writing under the pseudonym A. C. Torr) and W. T. Vincent, with music arranged by Meyer Lutz from compositions by Lionel Monckton, Sidney Jones, Walter Slaughter, Osmond Carr, Scott Gatti, Jacobi, Robertson, and Leopold Wenzel. Additional lyrics were written by Basil Hood. The show was a burlesque of the well-known pantomime and fairy tale, Cinderella.

The piece was first produced in Melbourne, Australia at the Princess's Theatre on 22 August 1891 and then in Sydney, on 5 October at the Theatre Royal. It then debuted in London at the Gaiety Theatre in London and ran from 24 December 1891 until 9 July 1892, a total of 181 performances. It was revised and revived later in 1892. The production was directed by Walter Raynham, with choreography by Katti Lanner and Willie Warde and costumes by Wilhelm. Nellie Farren created the title role in Australia; in London the part was played by Kate James and then Letty Lind. The piece was re-written during the run; some characters were dropped and new ones were introduced. The cast included Sylvia Grey as Linconzina and Florence Levey as Fettalana (the stepsisters), E. J. Lonnen as Prince Belgravia, Arthur Williams as Sir Ludgate Hill, and Fred Leslie as "a servant". Adelaide Astor had the small role of Templina and later the larger one of Fettalana, and Topsy Sinden danced in the piece.[1] Lottie Collins sang her sensationally popular song, "Ta-ra-ra Boom-de-ay" as an interpolation in the show every evening.[2]

The title was a "playful allusion" to the real first name, Ellen, of the Gaiety's famous star, Nellie Farren.[3] After the company's return from Australia, and before the opening of Cinder Ellen in London, Farren experienced an attack of rheumatic fever which aggravated her spinal disease. She had to withdraw from the London production of Cinder Ellen. Her illness progressively crippled her, and Farren rarely performed after this.[4] Farren's withdrawal left Kate James to open in the title role in London.[3]

Contents

  • Background 1
    • Characters and casts 1.1
  • Notes 2
  • References 3
  • External links 4

Background

This type of burlesque was popular in Britain at the time. Other examples include The Bohemian G-yurl and the Unapproachable Pole (1877), Blue Beard (1882), Ariel (1883, by F. C. Burnand), Galatea, or Pygmalion Reversed (1883), Little Jack Sheppard (1885), Monte Cristo Jr (1886), Miss Esmeralda (1887), Frankenstein, or The Vampire's Victim (1887), Mazeppa, Faust up to Date (1888), Ruy Blas and the Blasé Roué (1888), Carmen up to Data (1891), and Don Juan (1892, with lyrics by Adrian Ross).[5]

  • Cinder-EllenInformation about
  • CinderellaInformation about various versions of
  • Information about the Melbourne production
  • Information about other 1891 productions
  • Information about Burlesque from the PeoplePlay UK website
  • Poster and further information from the PeoplePlay UK website

External links

  • Adams, William Davenport. A dictionary of the drama (1904) Chatto & Windus
  • Hollingshead, John. Good Old Gaiety: An Historiette & Remembrance (1903) London:Gaiety Theatre Co

References

  1. ^ The Era, 4 June 1898, p. 10
  2. ^ Hollingshead, p. 64
  3. ^ a b Hollingshead, p. 63
  4. ^ Some information about Farren
  5. ^ Carmen up to DataProgramme for
  6. ^ CuttingsArthur Lloyd Music Hall site (on Gaiety) accessed 01 Mar 2007
  7. ^ "Theatrical Humour in the Seventies", The Times, 20 February 1914, p. 9
  8. ^ Stewart, Maurice. "The spark that lit the bonfire", in Gilbert and Sullivan News (London) Spring 2003, London: The Gilbert and Sullivan Society.
  9. ^ the wife of George Grossmith, Jr.
  10. ^ possibly a pseudonym for George Edwardes

Notes

  • Cinder-Ellen – Kate James; Letty Lind
  • Linconzina – Sylvia Grey; Katie Seymour
  • Fettalana – Florence Levey; Adelaide Astor[9]
  • Mrs. Kensington Gore – Emily Miller; Miss Holmes
  • Lord Taplow – Maud Hodson; Florence Lloyd
  • Lord Eastbourne – Blanche Massey; Ethel Earle
  • Lord Soho – Hetty Hamer; Louie Pounds
  • Mrs. Bayswater – Miss Kate Welwyn (1892 only)
  • Sir Peterborough Court – Violet Durkin; Maud Boyd
  • Lord Whitefriars – Miss Dunville; Miss Farrington (called Lord Blackfriars in 1892)
  • Sir Waterloo Bridge – Miss Norton; Lily Harold
  • Catherina – Lilian Price
  • Grazina – Maud Wilmot; Alice Gilbert
  • Furnivalzina – Violet Monckton
  • Griffina – Eva Greville; Bob Robina
  • Templina – Adelaide Astor; Miss Maud
  • Victorina – Lily McIntyre; Topsy Sinden
  • Pages (1892 only) – Phoebe Carlo and Lilian Sedgewick
  • Prince Belgravia – E. J. Lonnen; Maggie Duggan
  • Sir Ludgate Hill – Arthur Williams; Charles Danby
  • Lord Leatherhead (1892 only) – Fred Storey
  • Charles Hollywell (1892 only) – Arthur Playfair
  • Peckham – Mr. Harris; Mr. Barry
  • Gnorwood – Mr. Walker; E. D. Wardes[10]
  • Footman – Mr. Hill (both productions)
  • A Servant – Fred Leslie (both productions)
Sylvia Grey as Linconzina

The following list shows the names of the 1891 London cast, followed by the names of the 1892 cast:

Characters and casts

. Edwardian musical comedy In the early 1890s, as Burlesque went out of fashion, Edwardes changed the focus of the theatre from musical burlesque to the new genre of [8], who played comic characters and wrote many of its pieces under his pseudonym, "A. C. Torr".Fred Leslie starred as the theatre's "principal boy" at the Gaiety for over 20 years. She was joined in 1885 by Nellie Farren [7]

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