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Conrad Veidt

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Title: Conrad Veidt  
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Subject: The Man Who Laughs (1928 film), 1924 in film, The Student of Prague (1926 film), The Last Performance, Casablanca (film)
Collection: 1893 Births, 1943 Deaths, 20Th-Century American Male Actors, 20Th-Century British Male Actors, 20Th-Century German Male Actors, British Expatriates in the United States, British Male Film Actors, Burials at Ferncliff Cemetery, Deaths from Myocardial Infarction, German Anti-Fascists, German Emigrants to the United Kingdom, German Expatriates in the United States, German Male Film Actors, German Male Silent Film Actors, German Military Personnel of World War I, Golders Green Crematorium, Lgbt Rights Activists from Germany, Male Actors from Berlin, Naturalised Citizens of the United Kingdom, People from the Province of Brandenburg, People Who Emigrated to Escape Nazism
Publisher: World Heritage Encyclopedia

Conrad Veidt

Conrad Veidt
Veidt in The Spy in Black (1939)
Born Hans Walter Konrad Weidt
(1893-01-22)22 January 1893
Berlin, Germany
Died 3 April 1943(1943-04-03) (aged 50)
Hollywood, California, U.S.
Occupation Actor
Years active 1917–1943
Spouse(s) Gussy Holl (1918–1922)
Felicitas Radke (1923–1932; 1 child)
Ilona Prager (1933–1943; his death)

Hans Walter Conrad Veidt (22 January 1893 – 3 April 1943) was a German actor best remembered for his roles in films such as The Cabinet of Dr. Caligari (1920), The Man Who Laughs (1928), The Thief of Bagdad (1940) and Casablanca (1942). After a successful career in German silent film, where he was one of the best paid stars of Ufa, he left Germany in 1933 with his new Jewish wife after the Nazis came to power. They settled in the United Kingdom, where he participated in a number of films before emigrating to the United States around 1941.


  • Early life 1
  • Career 2
  • Emigration 3
    • Later career in the US 3.1
  • Personal life 4
  • Selected filmography 5
  • References 6
  • External links 7

Early life

Veidt was born in a bourgeois district of Berlin, Germany, the son of Amalie Marie (née Gohtz) and Phillip Heinrich Veidt.[1] (Some biographies wrongly state that he was born in Potsdam, probably on the basis of an early claim on his part.) His family was Protestant.[1]

In 1914, Veidt met actress Lucie Mannheim, with whom he began a relationship. Later in the year Veidt was drafted into the German Army during World War I. In 1915, Veidt was sent to the Eastern Front as a non-commissioned officer and took part in the Battle of Warsaw. He contracted jaundice and pneumonia, and had to be evacuated to a hospital on the Baltic Sea. While recuperating, he received a letter from Mannheim telling him that she had found work at a theatre in Libau. Intrigued, Veidt applied for the theatre as well. As his condition had not improved, the army allowed him to join the theater so that he could entertain the troops. While performing at the theatre, he ended his relationship with Mannheim. In late 1916, he was reexamined by the Army and deemed unfit for service; he was given a full discharge in January 1917. Veidt returned to Berlin to pursue his acting career.[2][3][4]


From 1916 until his death, Veidt appeared in well over 100 films. One of his earliest performances was as the murderous somnambulist Cesare in director Robert Wiene's The Cabinet of Dr. Caligari (1920), a classic of German Expressionist cinema, with Werner Krauss and Lil Dagover. Of his role as a disfigured circus performer in The Man Who Laughs (1928) the Los Angeles Times critic wrote: "Conrad Veidt starred in this semi-silent film based on Victor Hugo's novel in which the son of a lord is punished for his father's disrespect to the king by having his face carved into a permanent grin." Veidt also starred in other silent horror films such as The Hands of Orlac (1924), another film directed by Robert Wiene, The Student of Prague (1926), and Waxworks (1924) where he played Ivan the Terrible.

Veidt also appeared in Magnus Hirschfeld's pioneering gay rights film Anders als die Andern (Different from the Others, 1919).[5] In 1929 he was in Das Land ohne Frauen (The Country Without Women, 1929), Germany's first talking picture.

He moved to Hollywood in the late 1920s and made a few films, but the advent of talking pictures and his difficulty with speaking English led him to return to Germany.[6] During this period he lent his expertise to tutor aspiring performers, one of whom was the later American character actress Lisa Golm


Veidt fervently opposed the Nazi regime and donated, even while making American films, a major portion of his personal fortune to England to assist in the war effort. Soon after it took power, Joseph Goebbels started to "purge" the film industry of liberals and Jews. In 1933, a week after Veidt's marriage to Illona Prager, a Jewish woman, the couple emigrated to the United Kingdom before any action could be taken against either of them. There he perfected his English and became a British citizen in 1938. He continued making films in Britain, including three with director Michael Powell: The Spy in Black (1939), Contraband (1940) and The Thief of Bagdad (1940).

Later career in the US

In the early 1940s, he and Ilona moved to Hollywood, California. Before leaving the United Kingdom, Veidt gave his life savings to the British government to help finance the war effort.[5] Realizing that Hollywood would most likely typecast him in Nazi roles, he had his contract mandate that they must always be villains.[5]

He starred in a few films, such as Nazi Agent (1942), in which he had a dual role as a Nazi and as the man's twin brother. His best-known Hollywood role may have been the part of Major Heinrich Strasser in Casablanca (1942).

In 1943, he died suddenly of a massive heart attack while playing golf at the Riviera Country Club in Los Angeles.[5][7] In 1998, his ashes were interred at the Golders Green Crematorium in London.[8]

Personal life

Conrad Veidt married three times: he first married Augusta Holl, a cabaret entertainer known as "Gussy", on June 18, 1918. They divorced the following autumn. Gussy later married German actor Emil Jannings.

Veidt's second wife Felicitas Radke was from an aristocratic German family; they married in 1923. Their daughter, Vera Viola Maria, called Viola, was born August 10, 1925.

He last married Ilona Prager, a Hungarian Jew called Lily, in 1933; they were together until his death.[9]

He loaned his considerable fortune to the British Government, and donated large amounts of his film salaries to help with the British war effort.[6]

Selected filmography


  1. ^ a b Allen, Jarry. Conrad Veidt: from Caligari to Casablanca. boxwood. p. 5.  
  2. ^ "Conrad Veidt: The Cinema's Master". The Conrad Veidt Society. 
  3. ^ "Conrad Veidt". A History of Horror. 
  4. ^ "Conrad Veidt: Cinema’s Dark Prince, 1893-1943". Monster Zine. October–December 2000. Archived from the original on February 7, 2005. 
  5. ^ a b c d "Meet Conrad Veidt, Badass". Badass Digest. July 9, 2013. 
  6. ^ a b Turner Classic Movies Conrad Veidt
  7. ^ "Conrad Veidt Obituary," Los Angeles Times, 1943
  8. ^ Conrad Veidt on
  9. ^ Lily Veidt on

External links

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