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DTS-HD Master Audio

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Title: DTS-HD Master Audio  
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Subject: Dolby TrueHD, High Fidelity Pure Audio, Comparison of high definition optical disc formats, Blu-ray, Wonders of the Solar System
Collection: Lossless Audio Codecs
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DTS-HD Master Audio

DTS-HD Master Audio logo

DTS-HD Master Audio is a combined lossless/lossy audio codec created by Digital Theater System, commonly used for surround-sound movie soundtracks on Blu-ray Disc.


  • History 1
  • Features 2
    • Combined lossless/lossy compression 2.1
  • AV transport 3
  • See also 4
  • References 5


It is an extension of Digital Theater System's previous DTS Coherent Acoustics codec. Prior to 2004, it had been known as DTS++.[1] Though DTS-HD Master Audio is an optional audio format for Blu-ray Disc format, by 2010, it had steadily become the standard for Blu-ray lossless audio format.[2]


One goal of the DTS-HD Master Audio format was to allow a bit-to-bit representation of the original movie's studio master soundtrack. To accomplish this, DTS-HD Master Audio supports variable bit rates up to 24.5 Mbit/s on a Blu-ray Disc and up to 18.0 Mbit/s for HD DVD. The format supports a maximum of 192 kHz sampling frequency and 24-bit depth samples from 2 to 5.1 channels, and 96 kHz/24bit resolution up to 7.1 channels.[3] DTS-HD is capable of virtually any number of discrete channels but is limited by storage media.[4]

Combined lossless/lossy compression

When played back on devices which do not support the Master Audio or High Resolution extension, it degrades to a "core" track which is lossy.[5]

According to the DTS-HD White Paper,[6] DTS-HD Master Audio contains 2 data streams: the original DTS core stream and the additional "residual" stream which contains the "difference" between the original signal and the lossy compression DTS core stream. The audio signal is split into two paths at the input to the encoder. One path goes to the core encoder for backwards compatibility and is then decoded. The other path compares the original audio to the decoded core signal and generates residuals, which are data over and above what the core contains that is needed to restore the original audio as bit-for-bit identical to the original. The residual data is then encoded by a lossless encoder and packed together with the core. The decoding process is simply the reverse.

AV transport

DTS-HD Master Audio may be transported to AV receivers in 5.1, 6.1 or 7.1 channels, at lossless quality, in one of three ways depending on player and/or receiver support:[6]

  • Over 6, 7 or 8 RCA connectors as analog audio, using the player's internal decoder and digital-to-analog converter (DAC).
  • Over HDMI 1.1 (or higher) connections as 6-, 7- or 8-channel linear PCM, using the player's decoder and the AV receiver's DAC.
  • Over HDMI 1.3 (or higher) connections as the original DTS-HD Master Audio bitstream, with decoding and DAC both done by the AV receiver.

See also


  1. ^ Thomson, Kristin (2004-11-01). "DTD Unveils DTS-HD Brand For High Definition Media Formats". Retrieved 2009-05-06. 
  2. ^ "DTS-HD Master Audio Becoming the Blu-ray Standard". January 15, 2010. Retrieved November 15, 2010. 
  3. ^ "DTS-HD Master Audio Specifications (DTS-HD Master Audio™ - DTS)". January 10, 2012. 
  4. ^ Morrison, Geoffrey (September 23, 2009). "Dolby Pro Logic IIz vs. Audyssey DSX vs. DTS". Home Entertainment. Retrieved November 15, 2010. 
  5. ^ This feature is also offered by unrelated codecs OptimFROG DualStream, WavPack Hybrid and MPEG-4 SLS.
  6. ^ a b "DTS-HD Audio: Consumer White Paper for Blu-ray Disc and HD DVD Applications". November 2006. Retrieved 2009-05-06. 
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