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From Here to Eternity

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Title: From Here to Eternity  
Author: World Heritage Encyclopedia
Language: English
Subject: 26th Academy Awards, Fred Zinnemann, List of actors who have appeared in multiple Best Picture Academy Award winners, Frank Sinatra, List of American films of 1953
Collection: 1950S Drama Films, 1953 Films, Adultery in Films, American Films, American Romantic Drama Films, American War Films, Best Picture Academy Award Winners, Black-and-White Films, Columbia Pictures Films, Films Based on American Novels, Films Based on Military Novels, Films Directed by Fred Zinnemann, Films Featuring a Best Supporting Actor Academy Award Winning Performance, Films Featuring a Best Supporting Actor Golden Globe Winning Performance, Films Featuring a Best Supporting Actress Academy Award Winning Performance, Films Set in 1941, Films Set in Hawaii, Films Set in the 1940S, Films Shot in Honolulu, Hawaii, Films That Won the Best Sound Mixing Academy Award, Films Whose Cinematographer Won the Best Cinematography Academy Award, Films Whose Director Won the Best Director Academy Award, Films Whose Director Won the Best Director Golden Globe, Films Whose Editor Won the Best Film Editing Academy Award, Films Whose Writer Won the Best Adapted Screenplay Academy Award, Pearl Harbor Films, United States National Film Registry Films, War Romance Films, World War II Films
Publisher: World Heritage Encyclopedia

From Here to Eternity

From Here to Eternity
original movie poster
Directed by Fred Zinnemann
Produced by Buddy Adler
Screenplay by Daniel Taradash
Based on From Here to Eternity
1951 novel 
by James Jones
Starring Burt Lancaster
Montgomery Clift
Deborah Kerr
Donna Reed
Frank Sinatra
Ernest Borgnine
Philip Ober
Jack Warden
Music by George Duning
Cinematography Burnett Guffey
Edited by William A. Lyon
Distributed by Columbia Pictures
Release dates
  • August 5, 1953 (1953-08-05)
Running time 118 minutes
Country United States
Language English
Budget $1,650,000
Box office $30,500,000[1]

From Here to Eternity is a 1953 George Reeves.

The film won eight Academy Awards out of 13 nominations, including for Picture, Best Director (Fred Zinnemann), Adapted Screenplay, Supporting Actor (Frank Sinatra) and Supporting Actress (Donna Reed).[2] The film's title comes originally from a quote from Rudyard Kipling's 1892 poem "Gentlemen-Rankers", about soldiers of the British Empire who had "lost [their] way" and were "damned from here to eternity".


  • Plot 1
  • Cast 2
  • Production 3
  • Reception 4
  • Awards and nominations 5
  • References 6
  • External links 7


In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana "Dynamite" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental boxing team in order to secure a promotion. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes is adamant, but so is Prewitt.

Holmes makes life as miserable as possible for Prewitt, hoping he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt, then gives an unreasonable order which Prewitt refuses to obey. Warden, however, suggests that he try to get Prewitt to change his mind by doubling up on company punishment. Warden's goal is not to punish Prewitt, but to prevent a court-martial for a career soldier. The other non-commissioned officers assist in the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).

Lancaster and Kerr in the beach scene at Halona Cove, Oahu, Hawaii.

Meanwhile, Warden begins an affair with Holmes' neglected wife Karen (Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.

Prewitt and Maggio spend their liberty at the New Congress Club, a Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests that Holmes resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.

Maggio escapes the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.

When the Japanese attack Pearl Harbor, Prewitt attempts to rejoin his company under cover of darkness, but is shot dead by a patrol. Warden notes the irony that the boxing tournament has been canceled because of the attack.

When Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that Lorene's fiancé was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name, but says nothing.


James Jones, the novel's author, makes an uncredited appearance chatting to hostesses and other soldiers in the scene where Ernest Borgnine (Fatso) plays the piano at the New Congress Club.


Hollywood legend has it that Frank Sinatra got the role in the movie because of his alleged Mafia connections, and that this was the basis for a similar subplot in The Godfather.[3] However, this has been dismissed on several occasions by the cast and crew of the film. Director Fred Zinneman commented that "...the legend about a horse's head having been cut off is pure invention, a poetic license on the part of Mario Puzo who wrote The Godfather."[3] More plausible is the notion that Sinatra's then-wife Ava Gardner persuaded studio head Harry Cohn's wife to use her influence with him; this version is related by Kitty Kelley in her Sinatra biography.[3]

External links

  • Buford, Kate. Burt Lancaster: An American Life. New York: Knopf, 2000. ISBN 0-679-44603-6.
  • Dolan Edward F. Jr. Hollywood Goes to War. London: Bison Books, 1985. ISBN 0-86124-229-7.
  • Evans, Alun. Brassey's Guide to War Films. Dulles, Virginia: Potomac Books, 2000. ISBN 1-57488-263-5.
  • Sinatra, Nancy. Frank Sinatra: An American Legend. Chappaqua, New York: Readers Digest Association, 1995. ISBN 0-7621-0134-2.
  1. ^ a b "Box Office Information for 'From Here to Eternity'." The Numbers. Retrieved: April 12, 2012.
  2. ^ "The 26th Academy Awards (1954) Nominees and Winners". Retrieved 2011-08-20. .
  3. ^ a b c d Sinatra 1995, p. 106
  4. ^ "From Here to Eternity (1953)." Retrieved: May 31, 2011.
  5. ^ Buford 2000
  6. ^   Track 2.
  7. ^ a b Brogdon, William. "Review:'From Here to Eternity'." Variety, July 29, 1953. Retrieved: January 14, 2010.
  8. ^ "From Here to Eternity." Festival de Cannes. Retrieved: January 25, 2009.


William Holden, who won the Best Actor Oscar for Stalag 17, felt that Lancaster or Clift should have won. Sinatra would later comment that he thought his performance of heroin addict Frankie Machine in The Man With the Golden Arm was more deserving of an Oscar than his role as Maggio.

Award Category Nominee(s) Result
Academy Award Best Picture Buddy Adler Won
Best Director Fred Zinnemann Won
Best Actor Montgomery Clift Nominated
Best Actor Burt Lancaster Nominated
Best Actress Deborah Kerr Nominated
Best Writing, Screenplay Daniel Taradash Won
Best Supporting Actor Frank Sinatra Won
Best Supporting Actress Donna Reed Won
Best Cinematography (Black-and-White) Burnett Guffey Won
Best Costume Design (Black-and-White) Jean Louis Nominated
Best Film Editing William A. Lyon Won
Best Score of a Dramatic or Comedy Picture Morris Stoloff Nominated
Best Sound (Recording) John P. Livadary Won
Golden Globe Award Best Supporting Actor Frank Sinatra Won
Best Director Fred Zinneman Won
New York Film Critics Circle Awards Best Film Won
Best Actor Burt Lancaster Won
Best Director Fred Zinneman Won
Cannes Film Festival Special Award of Merit Won
Grand Prize of the Festival Nominated[8]
BAFTA Award Best Film from Any Source Nominated
Directors Guild of America Outstanding Directorial Achievement Fred Zinneman Won
Writers Guild of America Best Written American Drama Won
Photoplay Award Gold Medal Won

Awards and nominations

With a gross of $30.5 million equating to earnings of $12.2 million, From Here to Eternity was not only one of the top grossing films of 1953, but one of the ten highest-grossing films of the decade. Adjusted for inflation, its box office gross would be equivalent to in excess of US$240 million in recent times.[1]

The cast agreed, Burt Lancaster commenting in the book Sinatra: An American Legend that "His fervour (Sinatra), his bitterness had something to do with the character of Maggio, but also with what he had gone through the last number of years. A sense of defeat and the whole world crashing in on him... They all came out in that performance."[3]

The New York Post applauded Frank Sinatra, remarking that "He proves he is an actor by playing the luckless Maggio with a kind of doomed gaiety that is both real and immensely touching." Newsweek also stated that "Frank Sinatra, a crooner long since turned actor, knew what he was doing when he plugged for the role of Maggio."

Of the actors, Variety went on to say, "Burt Lancaster, whose presence adds measurably to the marquee weight of the strong cast names, wallops the character of Top Sergeant Milton Warden, the professional soldier who wet-nurses a weak, pompous commanding officer and the GIs under him. It is a performance to which he gives depth of character as well as the muscles which had gained marquee importance for his name. Montgomery Clift, with a reputation for sensitive, three-dimensional performances, adds another to his growing list as the independent GI who refuses to join the company boxing team, taking instead the "treatment" dished out at the C.O.'s instructions. Frank Sinatra scores a decided hit as Angelo Maggio, a violent, likeable Italo-American GI. While some may be amazed at this expression of the Sinatra talent versatility, it will come as no surprise to those who remember the few times he has had a chance to be something other than a crooner in films.[7]

Opening to rave reviews, From Here to Eternity proved to be an instant hit with critics and the public alike, the Southern California Motion Picture Council extolling: "A motion picture so great in its starkly realistic and appealing drama that mere words cannot justly describe it." Variety agreed: "The James Jones bestseller, 'From Here to Eternity,' has become an outstanding motion picture in this smash screen adaptation. It is an important film from any angle, presenting socko entertainment for big business. The cast names are exceptionally good, the exploitation and word-of-mouth values are topnotch, and the prospects in all playdates are very bright whether special key bookings or general run." [7]


Two songs are noteworthy: "Re-Enlistment Blues" and "From Here to Eternity",[6] by Robert Wells and Fred Karger.

The on-screen chemistry between Lancaster and Kerr may have spilled off-screen; it was alleged that the stars became romantically involved during filming.[5]


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