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Hollywood Reporter

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Hollywood Reporter

The Hollywood Reporter
File:The Hollywood Reporter logo.svg
Editorial Director Janice Min
Categories Entertainment
Frequency Weekly
Publisher Lynne Segall
First issue September 3, 1930
Company Prometheus Global Media
Country United States
Based in Los Angeles, California
Language English
Website ISSN 0018-3660

The Hollywood Reporter, or THR, is a multiplatform American media brand founded in 1930 and focusing on the Hollywood motion picture industry, television, entertainment and Hollywood's intersection with fashion, finance, law, technology, lifestyle and politics. Headquartered in Los Angeles, THR is part of Guggenheim Digital Media, a group of properties that also includes media entities Billboard, Adweek, Back Stage, Sonicbids, the CLIO Awards and the Film Expo Group. Under current editorial director Janice Min, THR was relaunched in 2010 as a weekly large-format print magazine with a revamped, continuously updated website as well as mobile and tablet editions.

During the last century, The Hollywood Reporter was one of the two major publications focused on Hollywood, the other being Variety. Both publications later expanded to cover what is more broadly called the entertainment industry.

History

The Hollywood Reporter was founded in September 1930 as Hollywood's first daily entertainment trade newspaper by William Wilkerson.[1] When Wilkerson died in 1962, his widow, Tichi Wilkerson Kassel, took over as editor and publisher; in 1988, she sold THR to the trade publisher BPI. THR was bought by the Dutch publishing consortium Verenigde Nederlandse Uitgeverijen in 2006, by the Nielsen Company in 2007 and, in 2009, by Prometheus Global Media, a new company formed by Pluribus Capital Management and Guggenheim Partners. In 2013, Guggenheim acquired Pluribus’s stake and renamed THR’s parent company Guggenheim Digital Media.[2]

Ownership changes

Wilkerson ran The Hollywood Reporter until his death in 1962, when his wife, Tichi Wilkerson, took over as publisher and editor-in-chief. She sold the paper on April 11, 1988 to trade publishers BPI for $26.7 million.[3] Teri Ritzer was the last editor under Wilkerson. She began the paper's modernization by bringing newspaper editors into what was essentially a Hollywood wannabe newsroom.

BPI's publisher, Robert J. Dowling, brought in Alex Ben Block in 1990 and editorial quality of both news and specials was steadily improved. Ritzer and Block dampened much of the rah-rah coverage and cronyism that had infected the paper under Wilkerson. After Ben Block left, former film editor at Variety, Anita Busch, was brought in as editor between 1999 and 2001. Busch was credited with making the paper competitive with Variety. Tony Uphoff assumed the publisher position in November 2005. The Reporter was acquired, along with the rest of the assets of VNU, in spring 2006 by a private equity consortium led by Blackstone and KKR, both with ties to the conservative movement in the United States. Uphoff was replaced in October 2006 by John Kilcullen, who was the publisher of Billboard. Kilcullen was a defendant in Billboard's infamous "dildo" lawsuit, in which he was accused of race discrimination and sexual harassment.[4] VNU settled the suit on the courthouse steps.[5] Kilcullen "exited" Nielsen in February 2008 "to pursue his passion as an entrepreneur."[6] Matthew King, vice president for content and audience, editorial director Howard Burns, and executive editor Peter Pryor left the paper in a wave of layoffs in December 2006; editor Cynthia Littleton, widely respected throughout the industry, reported directly to Kilcullen. The Reporter absorbed another blow when Littleton left her position for an editorial job at Variety in March 2007. Web editor Glenn Abel also left after 16 years with the paper.

In January 2007, VNU was purchased by a private equity consortium and renamed The Nielsen Company, whose properties include Billboard, AdWeek and A.C. Nielsen. Under its new leadership, Nielsen is reported to have made a US$5 million investment in The Reporter.[7]

In December 2009, Prometheus Global Media, a newly formed company formed by Pluribus Capital Management and Guggenheim Partners and chaired by Jimmy Finkelstein, CEO of News Communications, parent of Congressional Journal the Hill, acquired The Hollywood Reporter from Nielsen Business Media. It pledged to invest in the brand and grow the company. Richard Beckman, formerly of Condé Nast, was appointed the new company's CEO.

Editors and publishers

In April 2007, industry veteran Eric Mika was named to the newly created role of Senior Vice President, Publishing Director of The Reporter. Having previously served as Senior Vice President and Managing Director of Nielsen Business Media's Film and Performing Arts Group and, before that, as Vice President and Managing Director for Variety, Mika assumed responsibility for the general management of sales, marketing and editorial for The Hollywood Reporter, as well as the brand's ancillary products, events, licensing business and partnerships.[8]

In June 2007, Rose Einstein, former Vice President, Advertising Sales for Netflix and 25-year veteran of Reed Business Media, was named to the newly created role of Vice President, Associate Publisher to oversee all sales and business development for The Reporter.[9] Mika left The Hollywood Reporter in early 2010.

In July 2007, The Reporter named Elizabeth Guider as its new editor. An 18-year veteran of Variety, where she served as Executive Editor, Guider assumed responsibility for the editorial vision and strategic direction of The Hollywood Reporter’s daily and weekly editions, digital content offerings and executive conferences.[10] Guider left The Hollywood Reporter in early 2010.

In April 2010, Lori Burgess was named publisher of The Hollywood Reporter. Burgess had been publisher of OK! magazine since October 2008. Michaela Apruzzese was named associate publisher, entertainment, of The Hollywood Reporter in May 2010. Apruzzese served as the director of movie advertising for Los Angeles Times Media Group.

In May 2010, Janice Min was named Editorial Director.

Print

The weekly print edition of The Hollywood Reporter includes profiles, original photography and interviews with entertainment figures; articles about major upcoming releases and product launches; film reviews and film festival previews; coverage of the latest industry deals, TV ratings, box-office figures and analysis of global entertainment business trends and indicators; photos essays and reports from premieres and other red-carpet events; and the latest on Hollywood fashion and lifestyle. The flagship print magazine publishes 46 issues a year, plus numerous stand-alone special reports and glossy daily editions produced onsite during major film festivals in cities including Cannes Film Festival, Toronto Film Festival, Berlin Film Festival and Busan Film Festival. Some of Hollywood’s biggest names have graced the front of the weekly magazine including: Leonardo DiCaprio standing beside Clint Eastwood; Bill Clinton with sports agent Casey Wasserman; Brad Pitt; Angelina Jolie; J.J. Abrams; Tina Fey with Amy Poehler; Jack White; Julianne Moore with stylists Leslie Fremar; Nicole Kidman; Glenn Close; Steven Spielberg; George Clooney; Quentin Tarantino; Ben Affleck; Tom Hanks; Jennifer Lawrence; and Martin Scorsese.

THR’s editors in recent years have included Janice Min (2010–present), Elizabeth Guider (2007–’10), Cynthia Littleton (2005–’07), Howard Burns (2001–’06), Anita Busch (1999–2001) and Alex Ben Block (1990–’99).

Presence on the web

The Reporter published a primitive "satellite" digital edition in the late 1980s. It became the first daily entertainment trade paper to start a web site in 1995.[11] Initially, the site offered free news briefs with complete coverage firewalled as a premium (paid) service. In later years, the web site became mostly free as it became more reliant on ad sales and less on subscribers. The web site had already gone through a redesign by the time competitor Daily Variety took to the web. In 2002, The Reporter’s web site won the Jesse H. Neal Award for business journalism.

Post 2010 re-launch

THR.com, The Hollywood Reporter’s Web site, re-launched in 2010, offers breaking entertainment news, reviews and blogs; original video content (and film and TV clips) and photo galleries; plus in-depth movie, television, music, awards, style, technology and business coverage. As of August 2013, Comscore measured 12 million unique visitors per month to the site.[12]

Editors and reporters today

The Hollywood Reporter has a staff of roughly 150. In addition to hiring Eric Mika, Rose Eintstein and Elizabeth Guider, The Reporter hired the following staff in 2007:

  • Todd Cunningham, former assistant managing editor of the LA Business Journal, as National Editor for The Hollywood Reporter: Premier Edition
  • Steven Zeitchik as Senior Writer, based in New York, where he provide news analysis and features for the Premiere Edition
  • Melissa Grego, former managing editor of TV Week, as Editor of HollywoodReporter.com
  • Jonathan Landreth as the new Asian bureau chief, in addition to 13 new writers across Asia

However, staffing levels began to drop again in 2008. In April, Nielsen Business Media eliminated between 40 and 50 editorial staff positions at The Hollywood Reporter and its sister publications: Adweek, Brandweek, Editor & Publisher and Mediaweek.[13] In December, another 12 editorial positions were cut at the trade paper.[14] In addition, 2008 saw substantial turnover in the online department: THR.com Editor Melissa Grego left her position in July to become executive editor of Broadcasting & Cable,[15] and Managing Editor Scott McKim left to become a new media manager at Knox College. With the entertainment industry as a whole shrinking, "Hollywood studios have cut more than $20 million from the Motion Picture Association of America budget this year. The resulting staff and program reductions are expected to permanently shrink the scope and size of the six-studio trade and advocacy group."[16] Staffing at THR in 2008 saw even further cutbacks with "names from today's tragic bloodletting of The Hollywood Reporter's staff" adding up quickly in the hard economic times at the end of 2008.[17] "The trade has not only been thin, but only publishing digital version 19 days this holiday season. Film writers Leslie Simmons, Carolyn Giardina, Gregg Goldstein, plus lead TV critic Barry Garron and TV reporter Kimberly Nordyke, also special issues editor Randee Dawn Cohen out of New York and managing editor Harley Lond and international department editor Hy Hollinger, plus Dan Evans, Lesley Goldberg, Michelle Belaski, James Gonzalez were among those chopped from the masthead."[17]

When Janice Min and Lori Burgess came on board in 2010, the editorial and sales staff increased nearly 50%, respectively. Min hired various recognized journalists in the entertainment industry, most notably Variety film critic Todd McCarthy after his firing from Variety in March 2010.

2010 relaunch

The 2010 relaunch of The Hollywood Reporter under then-CEO Richard Beckman was closely chronicled by the national and entertainment media, notably the New York Times. After purchasing THR from Guggenheim Partners and Pluribus Capital in 2010, Beckman recruited Min, the former editor-in-chief of Us Weekly, to “eviscerate” the existing daily trade paper and reinvent it as a glossy, large-format weekly magazine.[18]

The Reporter relaunched with a weekly print edition and a revamped Web site that enabled it to break news. Eight months after its initial report, the Times took note of the many scoops the Reporter had generated, adding that the new glossy format seemed to be succeeding with its “rarefied demographic.” “They managed to change the subject by going weekly… The large photos, lush paper stock and great design are a kind of narcotic here.”[19]

By February 2013, the Times returned to THR, filing a report on a party for Academy Award nominees the magazine had hosted at the Los Angeles restaurant Spago. Noting the crowd of top celebrities in attendance, the Times alluded to the fact that many Hollywood insiders were now referring to THR as “the new Vanity Fair.” Ad sales since Min’s hiring were up more than 50 percent, while traffic to the magazine’s Web site had grown by 800 percent.[20]

Controversies

Deadline.com lawsuit

In 2011, Deadline.com, a property of Penske Media Corporation, sued The Hollywood Reporter for more than $5 million, alleging copyright infringement. In 2013, THR’s parent company settled the suit. According to the Wall Street Journal, "The lawsuit [was] widely viewed in Hollywood as a proxy for the bitter war for readers and advertising dollars....The two sides agreed on a statement reading in part: 'Prometheus admits that The Hollywood Reporter copied source code from Penske Media Corporation’s Web site www.tvline.com; Prometheus and The Hollywood Reporte rhave apologized to Penske Media.'"[21]

The Hollywood blacklist

During the 1940s and '50s, THR founder William R. Wilkerson believed that the Screen Writers Guild was one of Hollywood’s prime Communist strongholds, and he used his "TradeView" column in the magazine to uncover and condemn the “Communist takeover”of the guild.[22] On July 29, 1946, Wilkerson published a column headlined “A Vote for Joe Stalin.” It contained the first industry names on what later became the infamous Hollywood Blacklist and used by the House Committee on Un-American Activities (HUAC) for its 1947 hearings.[23] Wilkerson's campaign against purported Communists was widely believed to have sparked the Hollywood blacklist.[24]

Apology

Wilkerson's son, W.R. Wilkerson III, apologized for the publication's role in the blacklist in a 65th anniversary THR article, saying that his father was motivated by revenge for his own thwarted ambition to own a studio.[24][25]

Current status and legacy

The Hollywood Reporter has published out of the same offices on Sunset Boulevard for more than a half century. Today, the offices are located in L.A.'s Mid-Wilshire district.

The Hollywood Reporter sponsors and hosts a number of major industry events and awards ceremonies. It hosted 13 such events in 2012, including the Women in Entertainment Breakfast;[26] the Key Art Awards (for achievement in entertainment advertising and communications); Power Lawyers Breakfast; Next Gen (honoring the industry’s 50 fastest-rising stars and executives age 35 and under); Nominees Night; and the 25 Most Powerful Stylists Luncheon.

Awards season

Entertainment-industry awards receive ample coverage from The Hollywood Reporter, both in print and online. The magazine handicaps all the races, profiles the contenders and analyzes the business impact of nominations and wins. THR awards analyst Scott Feinberg analyses and predicts the Emmy and Oscar races (his weekly Feinberg Forecast is published from late August up to the Academy Awards broadcast). THR also offers special print editions, such as its annual Oscar and Emmy issues, during respective awards seasons. THR.com features The Race, an awards-coverage blog, which encompasses Race to the Oscars, an app dedicated to Academy Awards coverage for iPhone and Android platforms.

Competition with Variety

In March 2007, The Hollywood Reporter surpassed Variety to achieve the largest total distribution of any entertainment daily.[27]

Daily Variety and The Hollywood Reporter both are located on Wilshire Boulevard along the well-trafficked "Miracle Mile". Staffers often migrate between the papers. Variety was long established as an entertainment trade paper in vaudeville circles, Tin Pan Alley and in the Theater District of New York City, but it was The Hollywood Reporter that began covering the developing film business in Hollywood in 1930. Variety did not start its Hollywood edition until 1933.

The Hollywood Reporter maintains a business association with the home entertainment trade publication Home Media Magazine, which is owned by Questex Media Group. The alliance includes an exchange of stories when the need arises, and gives The Reporter access into the home entertainment trade, which Variety enjoys with its sister publication, the Reed-owned Video Business.

Awards

5th Annual L.A. Press Club National Journalism Awards 2012

  • Janice Min, National Entertainment Journalism Luminary Award for Career Achievement
  • Entertainment Publication of the Year
  • Entertainment Website of the Year
  • Kim Masters, Entertainment Journalist of the Year
  • Daniel Miller & Matthew Belloni, Personality Profile (Print)
  • Daniel Miller, News
  • Gary Baum, Feature Under 1,000 Words
  • Eriq Gardner, Online Commentary Analysis / Trend
  • Jennifer Laski Shanti Marlar, Jenny Sargent, Carrie Smith and Joe Pugliese, Non-Portrait Photography [10]

55th annual L.A. Press Club Southern California Journalism (June 2013)[28]

  • Website of the Year
  • Hollywood, Esquire, Best Blog
  • Stephen Galloway, Entertainment Journalist of the Year
  • Stephen Galloway, Personality Profile
  • Staff, THR.com, Online
  • Merle Ginsberg, Best Feature Commentary Under 1,000 Words
  • Gregg Kilday, Entertainment Reviews/Criticism/Column
  • Jennifer Laski and team, Best Documentary Short, Television
  • Emmy Drama Actor Roundtable, Best Feature Documentary (over 25 minutes)
  • Carrie Smith, Jenny Sargent, Jennifer Laski, Shanti Marlar and Art Streiber, Portrait

54th annual L.A. Press Club Southern California Journalism (June 2012)[29]

  • Kim Masters, Journalist of the Year
  • Alex Ben Block, Entertainment Journalist of the Year
  • Shirley Halperin, Personality Profile
  • Todd McCarthy, Criticism
  • Kim Masters and Daniel Miller, Best Entertainment Feature

See also

Notes

External links

  • Official website

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