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Drawings of a karahafu

The karahafu (kara-hafu) (唐破風) is a type of gable with a style peculiar to Japan. The characteristic shape is the undulating curve at the top. This gable is common in traditional architecture, including Japanese castles, Buddhist temples, and Shinto shrines. Roofing materials such as tile and bark may be used as coverings. The face beneath the gable may be flush with the wall below, or it may terminate on a lower roof.


  • History 1
  • Images 2
  • See also 3
  • Notes 4
  • References 5


Although kara (唐) can be translated as meaning "China" or "Tang", this type of roof with undulating bargeboards is an invention of Japanese carpenters in the late Heian period.[1] It was named thus because the word kara could also mean "noble" or "elegant", and was often added to names of objects considered grand or intricate regardless of origin.[2] The karahafu developed during the Heian period and is shown in picture scrolls to decorate gates, corridors, and palanquins. The first known depiction of a karahafu appears on a miniature shrine (zushi) in Shōryoin shrine at Hōryū-ji in Nara.[1]

The karahafu and its building style (karahafu-zukuri) became increasingly popular during the Kamakura and Muromachi period, when Japan witnessed a new wave of influences from the Asian continent. During the Kamakura period, Zen Buddhism spread to Japan and the karahafu was employed in many Zen temples.

Initially, the karahafu was used only in temples and aristocratic gateways, but starting from the beginning of the Azuchi-Momoyama period, it became an important architectural element in the construction of a daimyo's mansions and castles. The daimyo's gateway with a karahafu roof was reserved for the shogun during his onari visits to the retainer, or for the reception of the emperor at shogunate establishments. A structure associated with these social connections naturally imparted special meaning.[3]

Gates with a karahafu roof, the karamon (mon meaning "gate"), became a means to proclaim the prestige of a building and functioned as a symbol of both religious and secular architecture.[4] In the Tokugawa shogunate, the karamon gates were a powerful symbol of authority reflected in architecture.[5]


See also


  1. ^ a b "karahafu 唐破風." JAANUS. Retrieved on May 30, 2009.
  2. ^ "karamon 唐門." JAANUS. Retrieved on June 12, 2009.
  3. ^ Sarvimaki: Structures, Symbols and Meanings (2000), 18/2000, 82-84, 178.
  4. ^ Sarvimaki: Layouts and Layers (2003), Vol 3, No. 2, 80-108.
  5. ^ Coaldrake (1996), 197


  • Coaldrake, William. (1996). Architecture and Authority in Japan. London/New York: Routledge. ISBN 0-415-05754-X.
  • Sarvimaki Marja. (2000). Structures, Symbols and Meanings: Chinese and Korean Influence on Japanese Architecture. Helsinki University of Technology, Department of Architecture. ISBN 0-521-36918-5.
  • Sarvimaki Marja. (2003). Layouts and Layers: Spatial Arrangements in Japan and Korea. Sungkyun Journal of East Asian Studies, Volume 3, No. 2. Retrieved on May 30, 2009.
  • Parent, Mary Neighbour. (2003). Japanese Architecture and Art Net Users System.
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