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Les noces

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Title: Les noces  
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Subject: Igor Stravinsky, Millan Sachania, Renard (Stravinsky), Sergei Diaghilev, Pyotr Kireevsky
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Les noces

Les noces
Choreographer Bronislava Nijinska
Music Igor Stravinsky
Premiere June 13, 1923
Original ballet company Ballets Russes
Genre Neoclassical ballet
Type Classical ballet

Les noces (French; English: The Wedding; Russian: Свадебка, Svadebka) is a ballet and orchestral concert work composed by Igor Stravinsky for percussion, pianists, chorus, and vocal soloists. The composer gave it the descriptive title: "Choreographed Scenes with Music and Voices." Though initially intended to serve as a ballet score, it is often performed without dance. It premiered under the musical direction of Ernest Ansermet at the Ballets Russes with choreography by Bronislava Nijinska on June 13, 1923, in Paris. Several versions of the score have been performed, either substituting orchestra for the percussion and pianos or using pianolas in accordance with a version of the piece that Stravinsky abandoned without completing.


  • Composition 1
  • Performances 2
  • Notable recordings 3
  • Nijinska choreography 4
  • Notes 5
  • References 6
  • External links 7


Stravinsky first conceived of writing the ballet in 1913 and completed it in short score by October 1917. He wrote the libretto himself using Russian wedding lyrics taken primarily from songs collected by Pyotr Kireevsky and published in 1911. During a long gestation period its orchestration changed dramatically. Stravinsky first planned to employ an expanded symphony orchestra similar to that of The Rite of Spring. His thinking went through numerous variations, including at one point the use of synchronised roll-operated instruments, including the pianola, but Stravinsky abandoned that version when only partially completed because the Parisian piano firm of Pleyel et Cie was late in constructing the two-keyboard cimbaloms, later known as luthéals, that he required.[1]

Stravinsky settled on the following forces: soprano, mezzo-soprano, tenor, and bass soloists, mixed chorus, and two groups of percussion instruments: pitched percussion, including four pianos, and unpitched percussion. This orchestration exemplifies Stravinsky's increasing proclivity for stripped down, clear and mechanistic sound groups in the decade after The Rite, although he never again produced such an extreme sonic effect solely with percussion.


The work was premiered on June 13, 1923, at the Théâtre de la Gaîté in Paris,[2] by the Ballets Russes with choreography by Bronislava Nijinska. The instrumental ensemble of four pianos and percussion was conducted by Ernest Ansermet. The work is usually performed in Russian or French; English translations are sometimes used, and Stravinsky used the English one the recordings he conducted for Columbia Records in 1934 and 1959.

At the 1926 London premiere the piano parts were played by composers Vittorio Rieti and Vernon Duke.[3] When Stravinsky conducted a recording using the English libretto in 1959, the four pianists were composers Samuel Barber, Aaron Copland, Lukas Foss, and Roger Sessions.[4]

The premiere of the 1919 version of Les noces, with harmonium, and pianola, took place in 1981 in Paris, conducted by Pierre Boulez.[5]

The Los Angeles Philharmonic commissioned an arrangement by Steven Stucky for symphony orchestra and premiered it under the baton of Esa-Pekka Salonen on May 29, 2008, at Walt Disney Concert Hall. The arrangement retains Stravinsky's percussion parts while replacing the four pianos with a large orchestra.

The version including pianola that Stravinsky left unfinished was completed with permission from Stravinsky's heirs by the Dutch composer Theo Verbey and performed in the Netherlands in 2009.[6]

Notable recordings

  • A 1934 recording conducted by Stravinsky using the English libretto has been reissued on CD by EMI as part of their "Composers in Person" series.
  • Robert Craft recorded the early versions of Les noces in the early 1970s on a Columbia LP, with pianos instead of pianolas.
  • The Dmitri Pokrovsky Ensemble issued a recording with much of the piano writing sequenced via MIDI through Macintosh computers.
  • The BBC's recommended recording is that made in 1990 by the Voronezh Chamber Choir, New London Chamber Choir, Ensemble, James Wood (director) HYPERION CDA 66410.[7]
  • Leonard Bernstein conducted the English Bach Festival Orchestra and Chorus on a recording for Deutsche Grammophon in 1977, with Martha Argerich, Krystian Zimerman, Cyprien Katsaris, and Homero Francesch as the pianists.
  • Radio France recorded the work in 2011 on a SACD, with Virginie Pesch, Katalin Varkonyi, Pierre Vaello, and Vincent Menez; Percussions de l'Orchestre National de France & de la SMCQ de Montréal; Chœur de Radio France; René Bosc, conductor; HARMONIA MUNDI - Musicora; ASIN: B00699QPNM.[8] This recording uses the 1923 version by Stravinsky, but replaces the pianos with 2 cimbaloms, a harmonium and a pianola, the instruments specified in the 1918/19 version of the score.

Nijinska choreography

Nijinska's choreographic interpretation of Les noces has been called protofeminist.[9] Les noces deserts the upbeat nature of a typical wedding, and instead brings to life the restrictive nature of a woman's duty to marry. The dark and somber set provides the backdrop to the simple costuming and rigid movements. The individuality of the dancer is stripped away in Nijinska's choreography, therefore displaying actors on a predetermined path, as marriage was regarded as the way to maintain and grow the community. The choreography exudes symbolism as, huddled together, the women repeatedly strike the floor with their pointe shoes with rigid intensity, as if to tell the tale of their struggle and ultimate reverence. The Russian peasant culture and the dutifulness it evokes in its people is represented in Nijinska's piece.


  1. ^ The idea that it is impossible or difficult to synchronise a pianola with other instruments is quite erroneous. There have been hundreds of concerts in which the pianola has accompanied chamber music, or been used as the solo instrument in concertos, beginning in 1900, when Luigi Kunits, concertmaster of the Pittsburgh Symphony Orchestra, was accompanied by the early pianolist, Charles Parkyn. One example is the Rachmaninoff Third Piano Concerto with the Flemish Radio Orchestra in Brussels, with newly arranged rolls, perforated in March 2007.[1]


  1. ^ History of the Pianola - Pianolists.
  2. ^ Walsh, Stephen. "Stravinsky, Igor (Fyodorovich)" in Sadie, Stanley, editor; John Tyrell; executive editor (2001). The New Grove Dictionary of Music and Musicians, 2nd edition. London: Macmillan. ISBN 978-1-56159-239-5. OCLC 419285866 (eBook).
  3. ^ White, Eric Walter (1966). Stravinsky, the Composer and His Works. University of California Press. p. 260. Retrieved June 2, 2015. 
  4. ^ Jowitt, Deborah (2004). Jerome Robbins: His Life, His Theater, His Dance. Simon & Schuster. p. 362. Retrieved June 2, 2015. 
  5. ^ Craft, Robert. "Stravinsky Pre-Centenary." Perspectives of New Music, Vol. 19, No. 1/2 (Autumn, 1980 - Summer, 1981), pp. 464–477 doi:10.2307/832606
  6. ^ "The Village Wedding". Svadebka. Retrieved June 2, 2015. 
  7. ^ Building a Library, May 6, 2000
  8. ^ René Bosc conducts "Les noces" by Igor Stravinsky (1923). Retrieved 28 January 2012.
  9. ^ Dance Kaleidoscope on same-sex marriage. Nuvo, 15 May 2013. Retrieved 10 December 2014.
  • Stravinsky, Igor. Les noces in Full Score. Dover Publications (June 25, 1998) ISBN 0-486-40413-7.
  • Antolini Electrifies Stravinsky's Multimedia Masterpiece. Bowdoin College. Retrieved July 13, 2007.

External links

  • Les nocesDance Pages: . Retrieved September 5, 2005.
  • Clements, Andrew. "Les noces"Stravinsky: . Guardian Unlimited. November 2, 2001. Retrieved September 26, 2015.
  • Brendan McCarthy. and its performance historyLes noces. Retrieved 9 November 2005
  • in versions by different choreographers and ensembles.Les nocesReviews of
  • website.Pianola Institute'sStravinsky and the Pianola, on the

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