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Lotte Lenya

Lotte Lenya
photographed by Carl Van Vechten, 1962
Born Karoline Wilhelmine Charlotte Blamauer
(1898-10-18)18 October 1898
Vienna, Austria-Hungary
Died 27 November 1981(1981-11-27) (aged 83)
New York City, New York, U.S.
Occupation Actress
Years active 1922–1981
Spouse(s) Kurt Weill (1926–33, 1937–50; his death)
George Davis (1951–57; his death)
Russell Detwiler (1962–69; his death)

Lotte Lenya (18 October 1898 – 27 November 1981) was an Austrian singer, diseuse,[1] and actress, long based in the United States.[2] In the German-speaking and classical music world she is best remembered for her performances of the songs of her husband, Kurt Weill. In English-language cinema, she was nominated for an Academy Award for her role as a jaded aristocrat in The Roman Spring of Mrs. Stone (1961). She also played the murderous and sadistic Rosa Klebb in the James Bond movie From Russia with Love (1963).

Contents

  • The early years 1
  • Career 2
  • Late career 3
  • Personal life 4
  • Death 5
  • Legacy 6
  • Selected filmography 7
  • See also 8
  • Notes 9
  • References 10
  • External links 11

The early years

Lenya was born Karoline Wilhelmine Charlotte Blamauer to Catholic working class parents in Vienna.[3] She went to Zürich to study in 1914, taking her first job at the Schauspielhaus, using the stage name Lotte Lenja. She moved to Berlin to seek work in 1921.

Career

In 1922 Lenya was seen by her future husband, German composer Kurt Weill, during an audition for his first stage score Zaubernacht but because of his position behind the piano, she did not see him. She was cast but owing to her loyalty to her voice coach she declined the role. She accepted the part of Jenny in the first performance of The Threepenny Opera (Die Dreigroschenoper) in 1928, and the part became her breakthrough role. During the last years of the Weimar Republic, she was busy in film and theatre, and especially in Brecht-Weill plays. She made several recordings of Weill's songs.[4] [Note 1]

With the rise of National Socialism in Germany, left-leaning artists were not appreciated and although not Jewish, she left the country, having become estranged from Weill. (They would later divorce and remarry.) In March 1933, she moved to Paris where she sang the leading part in Brecht-Weill's "sung ballet", The Seven Deadly Sins.

Lenya and Weill settled in New York City on 10 September 1935.[6] During the summer of 1936, Weill, Lenya, Paul Green and Cheryl Crawford rented a house at 277 Trumbull Avenue in Nichols, Connecticut, about two miles from Pine Brook Country Club, the summer rehearsal headquarters of the Group Theatre.[7][8] Here, Green and Weill wrote the screenplay and music for the controversial Broadway play Johnny Johnson, which was titled after the most frequently occurring name on the American casualty list of World War I. During this period Lenya had a love affair with playwright Paul Green.[9][10]

During World War II, Lenya did a number of stage performances, recordings and radio performances, including for the

  • Register of papers of Kurt Weill and Lotte Lenya at Yale University Music Library
  • Lotte Lenya at Find a Grave
  • Lotte Lenya at the Internet Off-Broadway Database
  • FemBio: Lotte Lenya
  • Threepenny Opera Off-Broadway

External links

  1. ^ Biography of Kurt Weill, Pickford Prod., Inc (unpublished biography 20 April 1945) Yale Music Library
  2. ^ Obituary Variety, December 2, 1981.
  3. ^ Profile of Lenya/Weill, nytimes.com, 6 January 2013; accessed 10 June 2014.
  4. ^ "Lotte Lenya discography". Kurt Weill Foundation. Retrieved 23 April 2013. 
  5. ^ "Lotte Lenya: A Detailed Chronology 1950-1959". Kurt Weill Foundation. Retrieved 23 April 2013. 
  6. ^ Jackson, Kenneth T. (1995). The Encyclopedia of New York City. The New York Historical Society; Yale University Press. p. 1252.  
  7. ^ "Pinewood Lake website retrieved 10 September 2010". Pinewoodlake.org. Retrieved 31 August 2012. 
  8. ^ Images of America, Trumbull Historical Society, 1997, p. 123
  9. ^ Speak Low (when you speak of love): The Letters of Kurt Weill and Lotte Lenya
  10. ^ A Southern Life: Letters of Paul Green, 1916-1982, p. 258
  11. ^ a b c d "Lotte Lenya biography". Kurt Weill Foundation. Retrieved 23 April 2013. 
  12. ^ a b c d "Lotte Lenya: A Detailed Chronology 1960-1969". Kurt Weill Foundation. Retrieved 23 April 2013. 
  13. ^ a b c "Lotte Lenya: A Detailed Chronology 1970-1981". Kurt Weill Foundation. Retrieved 23 April 2013. 
  14. ^ "Kurt Weill Foundation for Music". Kurt Weill Foundation. Retrieved 23 April 2013. 
  15. ^ a b Lotte Lenya at the Internet Movie Database
  16. ^ a b Lotte Lenya at the Internet Broadway Database
  17. ^ "Theater Hall of Fame Enshrines 51 Artists". New York Times. Retrieved 6 June 2014. 
  18. ^ "Michael Kunze: Leyna". Retrieved 16 April 2014. 

References

  1. ^ Recorded "Six Songs by Kurt Weill" (1943) for Bost Records (BA 8) in New York. In 1944, she recorded two of Weill's songs for the U.S. Office of War Information for use in radio broadcasts to Germany: ‘Wie lange noch’ with lyrics by Walter Mehring and ‘Und was bekam des Soldaten Weib’. Records ‘‘The Threepenny Opera’ (1954 New York Cast) (Blitzstein Adaptation)’ MGM Records (E3121) released in July 1954. Records ‘Lotte Lenya sings Kurt Weill’ (1955) in Hamburg for Philips (B 07 039); released in the U.S. by Columbia (ML 5056) in November 1955 as ‘Lotte Lenya Sings Berlin Theater Songs of Kurt Weill’. In 1956 records ‘Die sieben Todsünden’(The Seven Deadly Sins) for Philips (B 07 186) in Hamburg, conducted by Wilhelm Brückner-Rüggeberg; Columbia releases the recording in the U.S. (KL 5175) in March 1957. In 1956, she recorded "Aufstieg und Fall der Stadt Mahagonny" ("Rise and Fall of the City of Mahagonny") for Philips (L 09 418-20) and Columbia (K3L 243) in Hamburg, conducted by Wilhelm Brückner-Rüggeberg. In 1957 records ‘September Song and Other American Theatre Songs of Kurt Weill’ for Columbia (KL 5229), conducted by Maurice Levine; it is released in February 1958. In 1958 records ‘Die Dreigroschenoper’ (The Threepenny Opera) for Philips (L 09 421-22) and Columbia (O2L 257), conducted by Wilhelm Brückner-Rüggeberg. In 1960 records ‘Happy End’ for Philips (B 47 080 L) in Hamburg, conducted by Wilhelm Brückner-Rüggeberg. The Columbia (OL 5630) issue released in the U.S. in 1964.[5]

Notes

See also

Selected filmography

She is mentioned in the Fascinating Aïda song "Lieder", which originally described her as German but was corrected for later performances.

In 2007, the musical LoveMusik, based on Lenya's relationship with Weill, opened on Broadway. Lenya was portrayed by Donna Murphy.[16]

The Michael Kunze play, Lenya, is about Brecht’s favorite singer, Lotte Lenya.[18]

In 1956, Louis Armstrong recorded the song "Mack the Knife", both as a solo number and as a duet with Lenya. Armstrong added Lenya's name into the lyrics, in place of one of the characters in the play.

Legacy

Lenya died in Manhattan of [13]

Death

[12] Lenya's second husband (1951–57) was American editor

Lenya and Weill did not meet properly until 1924 through a mutual acquaintance, the writer New City, Rockland County, New York, roughly 50 km north of New York City. Their second marriage lasted until Weill's death in 1950.[12]

Personal life

In 1966, Lenya originated the role of Fräulein Schneider in the original Broadway cast of the musical Cabaret.[12][16] Kander and Ebb's score was considered by some to be inspired by Weill's music. In 1979, two years before her death, Lotte Lenya was inducted into the American Theater Hall of Fame.[17]

Her role as Vivien Leigh's earthy friend Contessa Magda Terribili-Gonzales in the screen version of Tennessee Williams' The Roman Spring of Mrs. Stone (1961) brought Lenya an Academy Award nomination as Best Supporting Actress.[15] In 1963, she was cast as the SPECTRE agent Rosa Klebb in the James Bond movie From Russia with Love starring Sean Connery and Robert Shaw.[15]

She founded the [13] She was present in the studio when Louis Armstrong recorded Brecht-Weill's "Mack the Knife". Armstrong improvised the line "Look out for Miss Lotte Lenya!" and added her name to the list of Mack's female conquests in the song.

[13]

In 1956 she won a Tony Award for her role as Jenny in Marc Blitzstein's English version of The Threepenny Opera, the only time an Off-Broadway performance has been so honored. Lenya went on to record a number of songs from her time in Berlin, as well as songs from the American stage. Her voice had deepened with age. When she was to sing the soprano part in Rise and Fall of the City of Mahagonny and The Seven Deadly Sins, the part needed transposition to substantially lower keys.[11]

Late career

[11]

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