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Munich (film)

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Title: Munich (film)  
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Subject: List of awards and nominations received by Steven Spielberg, Washington D.C. Area Film Critics Association Awards 2005, Online Film Critics Society Awards 2005, 78th Academy Awards, Mathieu Amalric
Collection: 2000S Drama Films, 2000S Spy Films, 2005 Films, Amblin Entertainment Films, American Films, American Political Drama Films, American Political Thriller Films, American Spy Films, Drama Films Based on Actual Events, Dreamworks Pictures Films, English-Language Films, Film Scores by John Williams, Films About Jews and Judaism, Films About Terrorism, Films About the Mossad, Films About the Olympic Games, Films Directed by Steven Spielberg, Films Produced by Steven Spielberg, Films Set in 1972, Films Set in Germany, Films Set in Greece, Films Set in London, Films Set in Munich, Films Set in New York City, Films Set in Paris, Films Set in Rome, Films Set in the Netherlands, Films Shot in Budapest, Films Shot in Hungary, Israeli–palestinian Conflict Films, Munich Massacre, Operation Wrath of God, Political Films Based on Actual Events, Screenplays by Eric Roth, Screenplays by Tony Kushner, Shin Bet in Fiction, Spy Films Based on Actual Events, The Kennedy/Marshall Company Films, Universal Pictures Films
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Munich (film)

Theatrical release poster
Directed by Steven Spielberg
Produced by Steven Spielberg
Kathleen Kennedy
Barry Mendel
Colin Wilson
Screenplay by Tony Kushner
Eric Roth
Based on Vengeance: The True Story of an Israeli Counter-Terrorist Team 
by George Jonas
Starring Eric Bana
Daniel Craig
Ciarán Hinds
Mathieu Kassovitz
Hanns Zischler
Geoffrey Rush
Music by John Williams
Cinematography Janusz Kamiński
Edited by Michael Kahn
Distributed by Universal Pictures
(North America)
DreamWorks Pictures
Release dates
  • December 23, 2005 (2005-12-23)
Running time
163 minutes
Country France
United States
Language English
Budget $70 million[1]
Box office $130.4 million[1]

Munich is a 2005 Munich massacre at the 1972 Summer Olympics. The film was produced and directed by Steven Spielberg and written by Tony Kushner and Eric Roth.

Based on the book Vengeance: The True Story of an Israeli Counter-Terrorist Team about Yuval Aviv, who states he was a Mossad agent, Munich follows a squad of assassins as they track down and kill alleged members of the group Black September, which had kidnapped and murdered eleven Israeli athletes.

Shot in Malta,[2] Budapest, Paris and New York, Munich was a critical success but is also one of Spielberg's lowest-grossing films.[3] It garnered positive reviews and five Academy Awards nominations: Best Picture, Best Director (Spielberg), Best Adapted Screenplay (Kushner and Roth), Best Film Editing (Michael Kahn) and Best Original Score (John Williams). Its worldwide box office gross was $130,358,911.[1]


  • Plot 1
  • Cast 2
  • Critical reaction 3
  • Controversies 4
  • Historical authenticity 5
  • Soundtrack 6
  • Awards and nominations 7
  • See also 8
  • References 9
  • Further reading 10
  • External links 11


A scene from the film representing the Mossad team from 1972. From left to right: Avner Kaufman, Robert, Carl, Hans and Steve.

Munich begins with a depiction of the Hanns Zischler). They are given information by a shadowy French informant, Louis (Mathieu Amalric).

In killing all three.

Between hits, the often-reluctant assassins argue about the morality and logistics of their mission, expressing fear about their individual lack of experience, as well as ambivalence about accidentally killing innocent bystanders. Avner makes a brief visit to his wife, who has given birth to their first baby. In Athens, he has a heartfelt conversation with a young man who is a PLO member who is also sharing the same safe-house; the boy is later killed during a hit on target Zaiad Muchasi.

The squad moves to London to track down Ali Hassan Salameh, who orchestrated the Munich Massacre, but the assassination attempt is interrupted by several drunken Americans. It is implied that these are agents of the CIA, which, according to Louis, protects and funds Salameh in exchange for his promise not to attack U.S. diplomats. Meanwhile, attempts are made on the assassins themselves. Carl is killed by "Jeanette," an independent Dutch contract killer. In revenge, the team tracks her down and executes her. Hans is found stabbed to death on a park bench, while Robert is killed by an explosion in his workshop. Avner and Steve finally locate Salameh in Spain, but again their assassination attempt is thwarted, this time by Salameh's armed guards. It is implied that the amoral Louis has sold information on the team to the PLO.

A disillusioned Avner flies to Israel, where he is unhappy to be hailed as a hero by two young soldiers, and then to his new home in Brooklyn, where he suffers post-traumatic stress and paranoia. He is thrown out of the Israeli consulate after storming in to demand that Mossad leave his wife and child alone. In the final scene, Ephraim comes to ask Avner to return to Israel and Mossad, but is refused by Avner. A final intertitle notes that 9 of the 11 original targets were eventually assassinated, including Salameh in 1979. The World Trade Center is seen in this last shot before the film ends.


Critical reaction

The film garnered a 78% rating from critics (per Rotten Tomatoes). Roger Ebert praised the film, saying that "With this film [Spielberg] has dramatically opened a wider dialogue, helping to make the inarguable into the debatable."[4][5] and placed it at No. 3 on his top ten list of 2005.[6] James Berardinelli wrote that "Munich is an eye-opener – a motion picture that asks difficult questions, presents well-developed characters, and keeps us white-knuckled throughout." He named it the best film of the year;[7] it was the only film in 2005 which Berardinelli gave four stars,[8] and he also put it on his Top 100 Films of All Time list.[9] Entertainment Weekly film critic Owen Gleiberman mentioned Munich amongst the best movies of the decade.[10] Differently, Rex Reed from New York Observer belongs to the group of critics who didn't like the film: "With no heart, no ideology and not much intellectual debate, Munich is a big disappointment, and something of a bore."[11]

Variety reviewer Todd McCarthy called Munich a "beautifully made" film. However, he criticized the film for failing to include "compelling" characters, and for its use of laborious plotting and a "flabby script." McCarthy says that the film turns into "...a lumpy and overlong morality play on a failed thriller template." To succeed, McCarthy states that Spielberg would have needed to implicate the viewer in the assassin squad leader's growing crisis of conscience and create a more "sustain(ed) intellectual interest" for the viewer.[12]

Chicago Tribune reviewer Allison Benedikt calls Munich a "competent thriller", but laments that as an "intellectual pursuit, it is little more than a pretty prism through which superficial Jewish guilt and generalized Palestinian nationalism" are made to "... look like the product of serious soul-searching." Benedikt states that Spielberg's treatment of the film's "dense and complicated" subject matter can be summed up as "Palestinians want a homeland, Israelis have to protect theirs." She rhetorically asks: "Do we need another handsome, well-assembled, entertaining movie to prove that we all bleed red?"[13]

Another critique was Gabriel Schoenfeld's "Spielberg's 'Munich'" in the February 2006 issue of Commentary, who called it "pernicious". He compared the fictional film to history, asserted that Spielberg and especially Kushner felt that the Palestinian terrorists and the Mossad agents are morally equivalent and concluded: "The movie deserves an Oscar in one category only: most hypocritical film of the year."[14]

Writing in Empire, Ian Nathan wrote "Munich is Steven Spielberg’s most difficult film. It arrives already inflamed by controversy... This is Spielberg operating at his peak — an exceptionally made, provocative and vital film for our times."[15]

In defense of the climactic sex scene, critics Jim Emerson of the Chicago Sun-Times and Matt Zoller Seitz of Salon compared it to Lady Macbeth's suicide in Shakespeare's Macbeth, interpreting the sequence as representing the corruption of Avner's personal life as a result of his being conditioned to kill others in order to avenge Munich.[16]

As of January 2015 the film has a rating of 7.6 out of 10 on the Internet Movie Database, based on 159,000+ votes.


Some reviewers have criticized Munich for what they call the film's equating the Israeli assassins with "terrorists".[17] Leon Wieseltier wrote in The New Republic, "... Worse, 'Munich' prefers a discussion of counter-terrorism to a discussion of terrorism; or it thinks that they are the same discussion".[18]

Melman and other critics of the book and the film have said that the story's premise—that Israeli agents had second thoughts about their work—is not supported by interviews or public statements. A retired head of Israel's Shin Bet intelligence service, Avi Dichter, formerly the Internal Security Minister, likened Munich to a children's adventure story: "There is no comparison between what you see in the movie and how it works in reality," he said in an interview with Reuters.[19] In a Time magazine cover story about the film on December 4, 2005, Spielberg said that the source of the film had second thoughts about his actions. "There is something about killing people at close range that is excruciating," Spielberg said. "It's bound to try a man's soul." Of the real Avner, Spielberg says, "I don’t think he will ever find peace."[20]

The boycott of the film on December 27, 2005.[21] The ZOA criticized the factual basis of the film, and leveled criticism at one of the screenwriters, Tony Kushner, who the ZOA has described as an "Israel-hater".[22] Criticism was also directed at the Anti-Defamation League's (ADL) National Director, Abraham Foxman for his support of the film.[21]

David Edelstein of Slate argued that "The Israeli government and many conservative and pro-Israeli commentators have lambasted the film for naiveté, for implying that governments should never retaliate. But an expression of uncertainty and disgust is not the same as one of outright denunciation. What Munich does say is that this shortsighted tit-for-tat can produce a kind of insanity, both individual and collective."[23]

Illano Romano, wife of an Israeli weightlifter slain in the Munich massacre, pointed out that Spielberg overlooked the Lillehammer affair,[24][25][26] although Spielberg seems to have been conscious of the omission; the film's opening title frame shows Lillehammer in a montage of city names, with Munich standing out from the rest. The Jewish Journal said that "the revenge squad obsess about making sure only their targets are hit -- and meticulous care is taken to avoid collateral damage. Yet in one shootout an innocent man is also slain ... The intense moral contortions the agents experience as the corpses pile up makes up the substance of the movie."[27]

Christopher Hitchens dismissed the film as "laughable" and criticized Daniel Craig's portrayal of Steve, a character which Hitchens perceived to be "a hopelessly sinister and useless South African Jew."[28]

Historical authenticity

Although Munich is a work of fiction, it describes many actual events and figures from the early 1970s. On the Israeli side, Prime Minister Golda Meir is depicted in the film, and other military and political leaders such as Attorney General Meir Shamgar, Mossad chief Zvi Zamir and Aman chief Aharon Yariv are also depicted. Spielberg tried to make the depiction of the hostage-taking and killing of the Israeli athletes historically authentic.[29] Unlike an earlier film, 21 Hours at Munich, Spielberg's film depicts the shooting of all the Israeli athletes, which according to the autopsies was accurate. In addition, the film uses actual news clips shot during the hostage situation.

The named members of Black September, and their deaths, are also mostly factual. Abdel Wael Zwaiter, a translator at the Libyan Embassy in Rome, was shot 11 times, one bullet for each of the victims of the Munich Massacre, in the lobby of his apartment 41 days after Munich. On December 8 of that year Mahmoud Hamshari, a senior PLO figure, was killed in Paris by a bomb concealed in the table below his telephone. Although the film depicts the bomb being concealed in the telephone itself, other details of the assassination (such as confirmation of the target via telephone call) are accurate. Others killed during this period include Mohammed Boudia, Basil al-Kubasi, Hussein al-Bashir, and Zaiad Muchasi, some of whose deaths are depicted in the film. Ali Hassan Salameh was also a real person, and a prominent member of Black September. In 1979 he was killed in Beirut by a car bomb[30] that also killed four innocent bystanders and injured 18 others.[31]

The commando raid in Beirut, known as Operation Spring of Youth, also occurred. This attack included future Israeli Prime Minister Ehud Barak and Yom Kippur War and Operation Entebbe hero Yonatan Netanyahu, who are both portrayed by name in the film. The methods used to track down and assassinate the Black September members were much more complicated than the methods portrayed in the film; for example, the tracking of the Black September cell members was achieved by a network of Mossad agents, not an informant as depicted in the film.[32]

Atlantic Productions, producers of BAFTA-nominated documentary Munich: Mossad's Revenge, listed several discrepancies between Spielberg's film and the information it obtained from interviews with Mossad agents involved in the operation. It noted that the film suggests one group carried out almost all the assassinations, whereas in reality it was a much larger team. Mossad did not work with a mysterious French underworld figure as portrayed in the book and the film. The assassination campaign did not end because agents lost their nerve but because of the Lillehammer affair in which an innocent Moroccan waiter was killed. This is not mentioned in the film. The targets were not all directly involved in Munich, which Spielberg only acknowledges in the last five minutes.[33]

As mentioned above, the film notably ignored the Lillehammer affair, where Israeli assassins killed a Moroccan waiter, Ahmed Bouchiki, mistaking him for Ali Hassan Salameh. As Bristol University History professor Stephen Howe says: "one major puzzle has gone almost unremarked. If... the key (and in itself laudable) impetus for the film's making was the moral questioning prompted by Israeli 'counter-terrorist' actions, why focus on these particular episodes? The film doesn't even include the most glaring and notorious failure, which was also perhaps the most indefensible act... This was the killing in Norway of a hapless and harmless Moroccan waiter, mistaken for alleged Black September boss Ali Hassan Salameh."[34] The agents who were responsible for the killing were tried and convicted in Norway of murder.[35][36] Israel compensated the victim's family but never took responsibility for the assassination.[37][38]


Awards and nominations

Award Category Subject Result
(2005 AFI Awards)
Best Actor Eric Bana Nominated
Academy Awards Best Director Steven Spielberg Nominated
Best Picture Nominated
Kathleen Kennedy Nominated
Barry Mendel Nominated
Colin Wilson Nominated
Best Adapted Screenplay Tony Kushner Nominated
Eric Roth Nominated
Best Original Score John Williams Nominated
Best Film Editing Michael Kahn Nominated
ACE Eddie Best Edited Feature Film – Dramatic Nominated
Central Ohio Film Critics Association Award Best Ensemble Cast Won
Critics' Choice Movie Award Best Director Steven Spielberg Nominated
Directors Guild of America Award Outstanding Directing – Feature Film Nominated
Empire Awards Best Thriller Nominated
Kathleen Kennedy Nominated
Barry Mendel Nominated
Colin Wilson Nominated
Golden Globe Award Best Director Steven Spielberg Nominated
Best Screenplay Tony Kushner Nominated
Eric Roth Nominated
Golden Reel Awards Sound Editing in Feature Film Nominated
Golden Trailer Awards Trailer of the Year Nominated
Grammy Award Best Score Soundtrack Album for Motion Picture,
Television or Other Visual Media
John Williams Nominated
Kansas City Film Critics Circle Award Best Director Steven Spielberg Won
Best Film Won
Kathleen Kennedy Won
Barry Mendel Won
Colin Wilson Won
Best Adapted Screenplay Tony Kushner Won
Eric Roth Won
Online Film Critics Society Awards Best Director Steven Spielberg Nominated
Best Picture Nominated
Kathleen Kennedy Nominated
Barry Mendel Nominated
Colin Wilson Nominated
Best Adapted Screenplay Tony Kushner Nominated
Eric Roth Nominated
Best Original Score John Williams Nominated
Best Editing Michael Kahn Nominated
Washington D.C. Area Film Critics Association Awards Best Director Steven Spielberg Won
Best Film Won
Kathleen Kennedy Won
Barry Mendel Won
Colin Wilson Won
Best Adapted Screenplay Tony Kushner Nominated
Eric Roth Nominated
Best Supporting Actor Geoffrey Rush Nominated
World Soundtrack Academy Award Best Original Soundtrack John Williams Nominated

See also


  1. ^ a b c "Munich (2005)".  
  2. ^ Debono, Fiona Galea (22 December 2005). "Munich highlights Malta's versatility".  
  3. ^ "Steven Spielberg". 
  4. ^ Ebert, Roger (25 December 2005). "A telephone call with Spielberg". Chicago Sun-Times. Retrieved 29 August 2015. 
  5. ^ Ebert, Roger (22 December 2005). "Reviews: Munich". Chicago Sun-Times. Retrieved 29 August 2015. 
  6. ^ Ebert, Roger (18 December 2005). "Ebert's Best 10 Movies of 2005". Chicago Sun-Times. Retrieved 29 August 2015. 
  7. ^ Berardinelli, James. "Munich (United States, 2005)". Reelviews. Retrieved 29 August 2015. 
  8. ^ "4 Stars in 2005". Reelviews. Retrieved 29 August 2015. 
  9. ^ "James Berardinelli's All-Time Top 100". Reelviews. Retrieved 29 August 2015. 
  10. ^ Gleiberman, Owen (25 December 2009). "Owen Gleiberman's 10 Best Movies of the Decade".  
  11. ^ Rex Reed (December 26, 2005). "Pierce My Heart! 007 is The Matador". The New York Observer. 
  12. ^ Todd McCarthy (December 9, 2005). "Munich Review". Variety. 
  13. ^ Allison Benedikt (August 31, 2007). "Movie review: Munich". Chicago Tribune. 
  14. ^ Cohen, Ben (September 11, 2001). "Spielberg’s "Munich" Commentary Magazine". Commentary Magazine. Retrieved July 8, 2012. 
  15. ^ "Empire's Munich Movie Review". Empire online. December 5, 2006. Retrieved July 8, 2012. 
  16. ^ "The year's most audacious sex scene". Chicago Sun-Times. 
  17. ^ Ain, Stewart (December 16, 2005). Munich' Refuels Debate Over Moral Equivalency"'". The Jewish Week. Retrieved January 6, 2007. 
  18. ^ Wieseltier, Leon (December 19, 2005). "Hits". The New Republic 233 (4,744): 38. 
  19. ^ Urquhart, Conal (December 19, 2005). "Sharon's aide helps Spielberg promote controversial film". The Guardian (London). Retrieved May 13, 2010. 
  20. ^ Richard Schickel (December 4, 2005). "Spielberg Takes on Terror". TIME. 
  21. ^ a b "ZOA: Don't See Spielberg's 'Munich' Unless You Like Humanizing Terrorists & Dehumanizing Israelis" (Press release). Zionist Organization of America. December 27, 2005. 
  22. ^ "Playwright Tony Kushner Supports Boycotting And Divesting From Israel – Yet Brandeis U. Is Honoring Him" (Press release). Zionist Organization of America. May 5, 2006. 
  23. ^ David Edelstein (December 22, 2005). "Death of a Hit Man". Slate. 
  24. ^ "Sharon aide promotes Munich film". BBC. December 9, 2005. 
  25. ^ Spielberg's Munich, Ethics and Israel, (Journal of) Israel Studies - 11 (2), Summer 2006, pp. 168-171 [2]
  26. ^ The Morality of Revenge, Der Speigel, Erich Follath and Gerhard Spörl, January 23, 2006
  27. ^ Munich — A Risky Move for Spielberg Igor Davis, Jewish Journal, December 1, 2005
  28. ^ "Magazine - Bottoms Up". The Atlantic. April 1, 2006. Retrieved July 8, 2012. 
  29. ^ Note: Israeli actor Gur Weinberg, one month old in September 1972 was used to portray his father Moshe, the wrestling coach and first hostage killed.
  30. ^ Harari Evidence Copi
  31. ^ "MIDDLE EAST: Death of a Terrorist". 5 February 1979. 
  32. ^ Klein, Aaron J. (December 22, 2005). Striking Back' Look at Munich Killings, Aftermath"'". NPR. Retrieved July 8, 2012. 
  33. ^ MacAskill, Ewen (January 26, 2006). "Munich: Mossad breaks cover". The Guardian (London). Retrieved May 13, 2010. 
  34. ^ "Munich: Spielberg's Failure".  
  35. ^ "An Eye For An Eye".  
  36. ^ Calahan, Alexander B (March 1, 1995). "Countering Terrorism: The Israeli Response to the 1972 Munich Olympic Massacre and the Development Of Independent Covert Action Teams". Retrieved November 19, 2012. 
  37. ^ World News Briefs;Israelis to Compensate Family of Slain Waiter - New York Times (January 28, 1996)
  38. ^ Mellgren, Doug (March 2, 2000). "Norway solves riddle of Mossad killing".  

Further reading

External links

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