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Paulette Randall

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Paulette Randall

Paulette Randall MBE (born 1961 in London, England) is a British theatre director of Jamaican descent.[1] She was chair of the board of Clean Break Theatre Company in 2006–07, and is former artistic director of the Talawa Theatre Company. She was the associate director for the opening ceremony of the London 2012 Olympics.[1][2]


  • Biography 1
  • Projects 2
  • References 3
  • External links 4


Paulette Randall was born in south London to Jamaican parents.[3] She attended Saint Judes Primary and Dick Shepherd Secondary School in Brixton.[4] When she was 11 she started helping out in a shop on Saturdays and she has said: "It was working in Brixton market that was my real first understanding of theatre, just the characters you met and stories you heard."[5] She subsequently went to drama school at the age of 18, training to be an actress at the Rose Bruford College of Speech and Drama.[6] After graduating in 1982, she and two fellow students – Bernardine Evaristo and Patricia Hilaire – set up their own company, called Theatre of Black Women,[7] in response to the lack of roles for black actors at the time.[8]

She was Associate Director of the 2012 Summer Olympics opening ceremony, working alongside Danny Boyle.[5] According to London's Evening Standard: "Knowing her theatrical pedigree – Randall, 49, has directed August Wilson's plays, which celebrate the African American experience and is a former artistic director of black theatre company, Talawa; her TV credits include Desmond's (C4) and The Real McCoy (BBC2) – makes you wonder whether she can claim credit for the multicultural flavour of the show."[9]


Royal Court Theatre
  • Directed Blest be the Tie by Doña Daley (2004). "Daley's concerns emerge naturally through her characters rather than hammering an agenda, and director Paulette Randall (whose Talawa company here co-produces with the Royal Court) gets her cast – Marion Bailey, Lorna Gayle and Ellen Thomas – to turn in performances which all engage in different ways."[10]
  • Directed What's in the Cat by Linda Brogan (2005) "What's in the Cat is painfully slow for its first 45 minutes but once the knives are drawn, picks up to become a fascinating kitchen sink drama about the life of a highly volatile, mixed-race family in Manchester in the 1970s."[11]
Other theatres
  • Directed Urban Afro Saxons (2003). "Talawa's latest production is subtitled 'What Makes You British?' and is a timely contribution to the controversial debate spawned not only by Blunkett's proposed citizenship tests but the burning questions raised by racism in the police force."[12]
  • Directed Blues for Mister Charlie, by James Baldwin, 2004. "Blues For Mr Charlie may last for around three hours but the tension never drops. It would make a tremendous contribution to any debate on racism and its most terrifying facet is that it is set merely a generation ago."[13]
  • Directed Gem of the Ocean (2003, Los Angeles; 2004, New York; 2006, London) "...the scene is brilliantly staged, complete with chanting and gospel singing, as it re-enacts a slave-ship journey back to the African ancestral home."[14]
  • Produced Desmond's (1989).
  • Produced Porkpie (1995).
  • Produced the second series of The Crouches (2004–05). "The first series of this sitcom wasn't seen by many and was critically mauled by the press, the BBC gave it a second chance and used new writers for series 2."[15]


  1. ^ a b "Paulette Randall sets the Jamaican Olympic stage", Jamaica Observer, 2 September 2012.
  2. ^ "Congratulations to Paulette Randall for a wonderful opening Olympic ceremony", Rose Bruford College of Theatre & Performance, 2 August 2012.
  3. ^ Matt Wolf, "‘Hedley’ ahead", Variety, 29 September 2002.
  4. ^ Pride of Black British Women"Paulette Randall", in ; 1995, p. 53. EBSCOhost Connection.
  5. ^ a b Nosheen Iqbal, "Paulette Randall interview: 'You never know what's around the corner, do you?'" The Guardian, 9 July 2013.
  6. ^ Jennifer Rock interviews Radio GolfPaulette Randall, director of stage play , at the Tricycle Theatre, Theatre News, 5 August 2009.
  7. ^ "Theatre of Black Women", Unfinished Histories: Recording the History of Alternative Theatre.
  8. ^ Vic Motune, "Let The Games Begin!", The Voice, 27 July 2012.
  9. ^ Liz Hoggard, "Team DB: the people who helped create Danny Boyle's extraordinary vision – Paulette Randall", Evening Standard, 30 July 2012.
  10. ^ reviewBlest be the Tie from Financial Times, 2004.
  11. ^ Philip Fisher, reviewWhat's in the Cat, British Theatre Guide.
  12. ^ Jackie Fletcher, reviewUrban Afro Saxons, British Theatre Guide.
  13. ^ Philip Fisher, reviewBlues for Mister Charlie, British Theatre Guide.
  14. ^ Neil Dowden, reviewGem of the Ocean, CurtainUp.
  15. ^ "The Crouches", The British Comedy Guide.

External links

  • Emma John, "'Sweat is fine – You don't have to have blood'", The Guardian, Monday, 2 January 2006.
  • It's Boom Time for Black Theatre, but Will it Last?, The Daily Telegraph, 4 April 2004
  • "Paulette Randall", IMDB
  • An interview with Angel House director, Paulette Randall, YouTube.
  • "Interview with Paulette Randall (Coco Gal)", YouTube.
  • Six videos at V & A (Victoria and Albert Museum) website.
  • "Paulette Randall hopes for a stage set for change", Metro, 29 September 2008.
  • "Knowing who you are: Paulette Randall at TEDxBrixton", You Tube video.
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