World Library  
Flag as Inappropriate
Email this Article

Scipione Maffei

Article Id: WHEBN0004966363
Reproduction Date:

Title: Scipione Maffei  
Author: World Heritage Encyclopedia
Language: English
Subject: Piano, Odoacer, Uncial script, Bartolomeo Cristofori, Fortepiano, Italian literature, Michele Sanmicheli, Ferdinando de' Medici, Grand Prince of Tuscany, Gottfried Silbermann, Nicola Coleti
Collection:
Publisher: World Heritage Encyclopedia
Publication
Date:
 

Scipione Maffei

Francesco Scipione
File:Francesco Scipione, marquis di Maffei.jpg
Engraving by Pietro Anderloni
Born (1675-06-01)1 June 1675
Verona, Republic of Venice, now Italy
Died 11 February 1755(1755-02-11) (aged 79)
Verona, Republic of Venice, now Italy
Occupation Dramatist, Archaeologist, Soldier

Francesco Scipione, marchese di Maffei (Italian: [franˈtʃesko ʃiˈpjoːne, marˈkeːze di mafˈfɛi]; 1675–1755) was an Italian writer and art critic, author of many articles and plays. An antiquarian with a humanist education whose publications on Etruscan antiquities stand as incunabula of Etruscology, he engaged in running skirmishes in print with his rival in the field of antiquities, Antonio Francesco Gori.

Early career

Maffei was of the illustrious family that originated in Bologna; his brother was General Alessandro Maffei, whose memoirs he edited and published. He studied for five years in Parma, at the Jesuit College, and afterwards, from 1698, at Rome, where he became a member of the Accademia degli Arcadi; on his return to Verona he established a local Arcadia.

In 1703, he volunteered to fight for Bavaria in the War of Spanish Succession,[1] and saw action in 1704 at the Battle of Schellenberg, near Donauwörth.[2] His brother, Alessandro, was second in command at the battle.

In 1709, he went to Padua, where he briefly collaborated with Apostolo Zeno and Antonio Valisnieri in editing the ambitious literary periodical the Giornale de' Letterati d'Italia, which had but a short career.[3]

Theatre projects

Subsequently an acquaintance with the actor Riccoboni led him to exert himself for the improvement of dramatic art in Italy and a revitalized Italian theatre. His masterpiece, the tragedy Merope, 1714, brought him popularity in Europe; it is famed for its rapid action and the elimination of the prologue and chorus. Other works for the theatre include Teatro Italiano, a small collection of works for presentation on the stage, in 1723–1725; and Le Ceremonie, an original comedy, in 1728. A complete edition of his works appeared at Venice (28 vols. 8vo in 1790).

His collections and antiquarian publications


In 1710, he spent some time studying the manuscripts in the Royal Library at Turin; while there he arranged the collection of objects of art which the late Carlo Emanuele, Duke of Savoy had brought from Rome. From 1718 he became especially interested in the archaeology of his native town, and his investigations resulted in the valuable Verona illustrata (1731–1732).

Maffei devoted the years 1732-1726 to travel in France, England, the Netherlands and Germany. In 1732 he went to the south of France for purposes of archaeological research and from there he went to Paris, where he remained four years and was received as member of the Académie des Inscriptions et Belles Lettres. On a visit to London in 1736, he was elected a Fellow of the Royal Society[4] and received at Oxford University, where he was honoured with a doctoral degree; he returned through Holland and Germany to Verona. He was a friend of Francesco Algarotti, who wrote him many letters.

On his return to Verona, he built a museum, which he bequeathed, together with his valuable archaeological and artistic collection, to his native city. He bequeathed his collection of manuscripts to the canons of the cathedral of Verona. In later life he became interested in astronomy and physics, and built an observatory to study the stars.

Philosophical Treatises

The Jesuits requested him to write in defence of the orthodox system of grace against the doctrine of the Jansenists, which resulted in his Istoria teologica delle doctrine e delle opinione corse ne cinque primo secoli della chiesa in proposito della divina grazia, del libero arbitrio e della predestinazione, published at Trent, 1742.[5]

He also published a letter and a book arguing against the existence of supernatural magic and witches, that mixes both enlightenment thinking and theologic arguments based on scripture. [6]

Posthumous reputation

The secondary school 'Liceo Maffei' in Verona is named in his honour.

He is also known for having written an influential article about the first fortepiano instruments of Bartolomeo Cristofori, which initiated the second generation of fortepiano-makers in Italy at that time.[7]

The Italian poet and translator Ippolito Pindemonte published an biographical elegy on his friend.[8]

Selected publications

  • Per la nascita del principe di Piemonte genteliaco (Rome, 1699); *Conclusioni di amore (Verona, 1702);
  • La prima radunanza della colonia arcadica Veronese (Cervia, 1705);
  • La scienza cavalleresca (Rome, 1710), a treatise against duelling;
  • De fabula equestris ordinis Constantiniani (Zurich, 1712; Paris, 1714), written to prove that the orders of knighthood all date only from the Crusades and affording valuable information concerning the aristocracy of the early Middle Ages;
  • Dell' antica condizione di Verona (Venice, 1719);
  • Istoria diplomatica (Mantua, 1727), publishing original documents;
  • (Venice, 1730), his collected works for the theater, including La Merope, La Ceremonie, La Fida Ninfa ;
  • Graecorum siglae lapidariae collectae atque explicatae (Verona, 1746);
  • Della formazione dei fulmini (Verona, 1747);
  • Il Raguet (Verona, 1787), a comedy;
  • Supplemento al Tesoro delle Inscrizioni di Muratori (Lucca, 1765); this was published by Donati according to notes collected by Maffei for a complete work on inscriptions

Besides these original works Maffei also collaborated in editions of the works of St. Hilary (Verona, 1730), St. Jerome (1734), and St. Zeno (1739).

Notes

References

  • Falkner, James. Blenheim 1704: Marlborough's Greatest Victory. Pen & Sword. ISBN 1-84415-050-X
  • Template:1911

This article was sourced from Creative Commons Attribution-ShareAlike License; additional terms may apply. World Heritage Encyclopedia content is assembled from numerous content providers, Open Access Publishing, and in compliance with The Fair Access to Science and Technology Research Act (FASTR), Wikimedia Foundation, Inc., Public Library of Science, The Encyclopedia of Life, Open Book Publishers (OBP), PubMed, U.S. National Library of Medicine, National Center for Biotechnology Information, U.S. National Library of Medicine, National Institutes of Health (NIH), U.S. Department of Health & Human Services, and USA.gov, which sources content from all federal, state, local, tribal, and territorial government publication portals (.gov, .mil, .edu). Funding for USA.gov and content contributors is made possible from the U.S. Congress, E-Government Act of 2002.
 
Crowd sourced content that is contributed to World Heritage Encyclopedia is peer reviewed and edited by our editorial staff to ensure quality scholarly research articles.
 
By using this site, you agree to the Terms of Use and Privacy Policy. World Heritage Encyclopedia™ is a registered trademark of the World Public Library Association, a non-profit organization.
 


Copyright © World Library Foundation. All rights reserved. eBooks from Project Gutenberg are sponsored by the World Library Foundation,
a 501c(4) Member's Support Non-Profit Organization, and is NOT affiliated with any governmental agency or department.