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Soul jazz

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Title: Soul jazz  
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Subject: Jazz-funk, Larry Young (musician), Soul music, Quiet storm, Groovin' with the Soulful Strings
Collection: Jazz Genres, Soul Music Genres
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Soul jazz

Jimmy Smith on the Hammond organ

Soul jazz is a development of Hammond organ.

Contents

  • Overview 1
  • Performers 2
  • Distinctive albums 3
  • See also 4
  • Quotation 5
  • References 6
  • External links 7

Overview

Soul jazz is often associated with hard bop.[1][2][3] Mark C. Gridley, writing for the All Music Guide to Jazz, explains that soul jazz more specifically refers to music with "an earthy, bluesy melodic concept" and "repetitive, dance-like rhythms.... Note that some listeners make no distinction between 'soul-jazz" and 'funky hard bop,' and many musicians don't consider 'soul-jazz' to be continuous with 'hard bop.'"[1] Roy Carr describes soul jazz as an outgrowth of hard bop, with the terms "funk" and "soul" appearing in a jazz context as early as the mid-1950s to describe "gospel-informed, down-home, call-and-response blues."[3] Carr also notes the acknowledged influence of Ray Charles' small group recordings (which included saxophonists David "Fathead" Newman and Hank Crawford) on Horace Silver, Art Blakey, and Cannonball Adderley.[3]

Soul jazz developed in the late 1950s, reaching public awareness with the release of The Cannonball Adderley Quintet in San Francisco.[4][5] Cannonball Adderley noted: "We were pressured quite heavily by Riverside Records when they discovered there was a word called 'soul'. We became, from an image point of view, soul jazz artists. They kept promoting us that way and I kept deliberately fighting it, to the extent that it became a game."[6] While soul jazz was most popular during the mid-to-late 1960s, many soul jazz performers, and elements of the music, remain popular. The Jazz Crusaders, for example, evolved from soul jazz to soul music, becoming The Crusaders in the process.[3] Carr places David Sanborn and Maceo Parker in a line of alto saxophonists that includes Earl Bostic and Tab Smith, with Adderley, followed by Lou Donaldson, as the strongest links in the chain.[3]

Some well-known soul jazz recordings are Lee Morgan's The Sidewinder (1963), Frank Foster's Samba Blues (1963), Herbie Hancock's "Cantaloupe Island" (1964) (which was popularized further when sampled by US3 on "Cantaloop (Flip Fantasia)"), Horace Silver's "Song for My Father" (1964) (quoted by Steely Dan in their "Rikki Don't Lose That Number"), Ramsey Lewis's "The In Crowd" (a top-five hit in 1965[3]), and Cannonball Adderley's "Mercy, Mercy, Mercy"[3] (1966) (also popularized further when covered as a top 40 pop song by The Buckinghams). Les McCann and Eddie Harris's album Swiss Movement (1969) was a hit record, as was the accompanying single "Compared To What", with both selling millions of units.[3]

Performers

Important soul jazz organists include Don Patterson, Shirley Scott, Hank Marr, Reuben Wilson, Jimmy Smith and Johnny Hammond Smith.

Tenor Blue Mitchell, and drummer Idris Muhammad ( Leo Morris).

Distinctive albums

See also

Quotation

References

  1. ^ a b Gridley, Mark C. (1994),  
  2. ^  
  3. ^ a b c d e f g h  
  4. ^ Sidran, Ben. Jazz Profiles from NPR: Nat Adderley (1931–2000) NPR. Accessed December 13, 2007.
  5. ^ See also Herrmann, Zachary. (April 2, 2007) Concord releases Orrin Keepnews Collection JazzTimes Magazine. Accessed December 13, 2007.
  6. ^ Quoted in Carr, p. 150
  7. ^ Du Noyer, Paul (2003). The Illustrated Encyclopedia of Music (1st ed.). Fulham, London: Flame Tree Publishing. p. 140.  

External links

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