World Library  
Flag as Inappropriate
Email this Article

The Gallant Hours

Article Id: WHEBN0015478296
Reproduction Date:

Title: The Gallant Hours  
Author: World Heritage Encyclopedia
Language: English
Subject: James Cagney, Roger Wagner, Selmer Jackson, 1960s war films, Joseph MacDonald
Publisher: World Heritage Encyclopedia

The Gallant Hours

The Gallant Hours
original movie poster
Directed by Robert Montgomery
Produced by James Cagney
Robert Montgomery
Written by Frank D. Gilroy
Beirne Lay, Jr.
Starring James Cagney
Narrated by Robert Montgomery
Art Gilmore
Music by Roger Wagner
Ward Costello
(theme song)
Cinematography Joseph MacDonald
Edited by Fredrick Y. Smith (editorial supervisor)
Distributed by United Artists
Release dates June 22, 1960
Running time 115 minutes
Country United States
Language English
Box office $1,500,000 (U.S./ Canada)[1]

The Gallant Hours is an American docudrama from 1960 about William F. Halsey, Jr., and his efforts in fighting against Admiral Isoroku Yamamoto and the Imperial Japanese Navy in the Guadalcanal campaign of World War II.

This film was directed by Robert Montgomery, who also did uncredited narration, and it stars James Cagney as Admiral Halsey. Featured in the cast are Dennis Weaver, Ward Costello, Vaughn Taylor, Richard Jaeckel, and Les Tremayne. The screenplay was by Frank D. Gilroy and Beirne Lay, Jr., and the unusual a cappella choral score was composed and conducted by Roger Wagner, although the theme song was written by Ward Costello.[2]

The film was produced by Montgomery and Cagney, and it was the only film made by their joint production company. It was released by the United Artists company on June 22, 1960.


The film starts with these words from the score's song performed by the Roger Wagner chorale Group, which sums up the story of the film:

I knew a lad who went to sea and left the shore behind him;
I knew him well; the lad was me and now I cannot find him.
from the opening chorale

The Gallant Hours depicts the crucial five-week period in October–November 1942 after Admiral Halsey (James Cagney) took command of the beleaguered American forces in the South Pacific Area. That period of combat became a turning point in the struggle against the Japanese Empire during the World War II. The story is told in flashback, framed by Halsey's ceremony of going on inactive duty in 1947. (Note that officers of five-star rank never retire. American five-star rank is a lifetime appointment with full pay and benefits.)

Unusual for a war film, The Gallant Hours has no battle scenes. All the fighting takes place off-screen, and there is an emphasis throughout the film on logistics and strategy rather than the tactics and combat. Fundamentally, the film becomes a battle of wills and wits between the dogged Halsey and his brilliant Japanese counterpart, Admiral Yamamoto (James T. Goto, who was also Technical Advisor for the film). For dramatic effect, the mission to kill Yamamoto is made contemporaneous with the Naval Battle of Guadalcanal. In fact, Yamamoto was killed over Bougainville five months later in April 1943.

Also somewhat unorthodox is that scenes depicting Japanese staff officers were performed in Japanese, with only summary translations provided by the narrator. This narration was remarkably evenhanded in its characterization of the enemy for an American feature film of this period.

The film's coda is a quote from Admiral Halsey:

"There are no great men, only great challenges that ordinary men are forced by circumstances to meet."



  • The sons of the film's two principals, James Cagney, Jr., and Robert Montgomery, Jr., both appear in the film, uncredited, as U.S. Marines. For Cagney, this was his only film appearance,[4] whereas Montgomery appeared in four other films and a half-dozen television episodes.[5]


Montgomery, Halsey, and Cagney on set.

Director Robert Montogomery had served under Admiral William F. Halsey, Jr., as a Commander in the U.S. Navy during World War II, and he came up with the idea of making a film about Halsey when he attended the 75th birthday celebration honoring the Admiral in 1957. Montgomery and his good friend James Cagney acquired the rights to Halsey's life story later that year, and they formed a production company, Cagney-Montgomery Productions, to make the film. Montgomery had started directing on 1945's They Were Expendable, substituting for John Ford when Ford was ill, and made his credited directorial debut in 1947 with Lady in the Lake. He had also produced for television before, but The Gallant Hours was the first feature film he both directed and produced. It turned out to be his last involvement of any kind in film and television as a producer, director, or actor. Cagney's foray into production was also his first, and his last.

Under his contract agreement with Cagney-Montgomery Productions, Admiral Halsey would receive 10 percent of the profits from the motion picture. During a visit with his son, William F. Halsey III, in La Jolla, California, Admiral Halsey went to Camp Pendleton where The Gallant Hours was being filmed (pictured). William F. Halsey III later remarked that he was startled at how much James Cagney looked like his father did during World War II.[6]

The voiceover narration technique Montgomery utilized was similar to what he had done in Lady in the Lake, although in that case the narration was in the first person. What is striking about the narrative in The Gallant Hours is the degree of detail provided to introduce both main and minor characters to the audience, even sometimes indicating the manner of their death in the near future. Also unusual is that both American and Japanese characters are treated in a neutral and evenhanded way.

The production team utilized the services of three technical advisors in making the film – Captain Joseph U. Lademan, Captain Idris Monahan, and James T. Goto, who not only was the Japanese advisor but also portrayed Admiral Yamamoto in the film.[7]

For James Cagney, The Gallant Hours was "a labor of love, a tribute to that wonderful man Admiral William F. "Bull" Halsey" for himself and his long-time friend Robert Montgomery. Cagney praised Montgomery because he "steered away from big battle scenes and roaring guns. We concentrated on Halsey himself, trying to convey some of the tension of high command" in the film.[8]

In researching his role as Halsey, Cagney interviewed many men who had served under the Admiral, including two interviews with the admiral himself, but he found the role a difficult one, despite the physical similarities between the two men. Cagney was very concerned that he not impose any of his usual acting mannerisms on the character of Halsey – on the other hand, despite having met his subject several times, he didn't try to imitate Halsey's mannerisms either. As Cagney biographer John McCabe noted: "The film would be utterly boring without Cagney's thoughtful performance. Nowhere in his career had he been called on to do so much by doing so little."[9]

There was one aspect of Halsey's personality neither the script nor Cagney touched on in any way: his reputation as a "sea dog", with "a girl in every port". Halsey's nickname "Bull" was supposedly conferred on him by his fellow officers not for his toughness in combat, but for his off-duty exploits ashore.[10]

The Gallant Hours was Cagney's last starring role in a dramatic film. Thereafter he starred in a comedy, One, Two, Three, in 1961, and appeared briefly in Ragtime in 1981.

The Gallant Hours was filmed in black & white at Metro-Goldwyn-Mayer Studios in the spring of 1959,[11] with some exterior scenes shot in San Diego.[12] The film employed a new construction technique to make the interior battleship shots easier to light: the sets were hung from overhead grids to enable them to swing in and out as needed.[13] Working titles for the film were "Bull Halsey" and "The Admiral Halsey Story".

It had its world premiere in Washington, D.C. on 13 May 1960, sponsored by the Navy League, and was released generally on 22 June 1960 in New York City.[14][15]


Although not a major box-office success, The Gallant Hours was well received by film critics, with Bosley Crowther writing in his review for the New York Times:

Beirne Lay Jr. and Frank D. Gilroy have written a screen play so fully packed with biographical and historical data on Admiral Halsey and his opposite number in the Japanese fleet—and likewise so loaded with characters whose names ring heroic bells—that anyone at all interested in the haunting record of the early days of the war in the South Pacific must see this film.
Even though Mr. Montgomery has bravely put it upon the screen in a calm, unhurried fashion that belies the usual slambang of war, and may very well irritate the patron who is looking for more explosive things, it comes out in his adroit direction as drama of intense restraint and power.
But more than a documentation, more than a drama of what went on within the cabin of Admiral Halsey in one of the most perilous phases of the war, this film is a brilliant tribute to the gallantry of the admiral himself, thanks in large measure to the performance of James Cagney in the role.

Crowther also singled out Dennis Weaver, Ward Costello, and James T. Goto for their performances.[16] Biographer John McCabe also praised Cagney's portrayal:

There are few actors who can make nonvocal thought meaningful and interesting. Cagney does so by the great actor's technique of actually thinking the necessary thoughts and letting them register naturally and unaffectedly on his features, opening himself up to these thoughts and these alone. Toward the end of The Gallant Hours, when he is increasingly alone in his command center, his acting becomes almost pure thought.[17]

TV Guide gave The Gallant Hours a three-star rating, noting: "James Cagney was the perfect choice to play Admiral Halsey." It also praised Robert Montgomery's direction that "focuses on the human side of the war, taking the time to show the inner workings of a great leader. The going is a little slow for what was thought to be a "war" movie, but it is this leisurely pace that makes the film all the more believable."[18]

Historical accuracy and inaccuracies

Admiral W.F.Halsey

The producers went to great lengths to interview staff members who had worked with Admiral Halsey during World War II, including two interviews with the admiral himself by James Cagney, during the preproduction research for The Gallant Hours.[19] Cagney's dignified portrayal may have softened Halsey's often salty, pugnacious personality. For example, when he received his orders to assume command of the South Pacific forces, Admiral Halsey's response was: "Jesus Christ and General Jackson! This is the hottest potato they ever handed me!"[20]

The action of the film takes place over a five-week period, between 8 October 1942 and 1 December 1942.[21] However, the death of Admiral Yamamoto occurred on 18 April 1943, some five months after the film's time period. The Gallant Hours also shows U.S. Marine aviators flying F6F Hellcat fighter planes, which were not in service during the Guadalcanal campaign, which had wingtip fuel tanks, a postwar modification.[22]


The oil portrait of Cagney that hangs in New York City's Players Club, of which he was a member, depicts him as Halsey in this film.

See also

Home video

The Gallant Hours was released on VHS in 1992, but not on laserdisc. A DVD version is available.



  1. ^ "Rental Potentials of 1960", Variety, 4 January 1961 p 47. Please note figures are rentals as opposed to total gross.
  2. ^ TCM: Music
  3. ^ Robert McG. Thomas Jr., Frederic Gehring, 95, Priest Called Padre of Guadalcanal New York Times (3 May 1998)
  4. ^ IMDB: James Cagney Jr.
  5. ^ IMDB: Robert Montgomery Jr.
  6. ^  
  7. ^ Earl of Hollywood, The Gallant HoursProduction and cast list -
  8. ^ Cagney by Cagney by James Cagney (1976), p. 152–153.
  9. ^ Cagney by John McCabe (1997), p. 316–319.
  10. ^ Evan Thomas, Sea of Thunder; Four Commanders and the Last Great Naval Campaign 1941-1945, (2006), page 432; ISBN 0-7432-5221-7
  11. ^ TCM: Overview
  12. ^ IMDB: Filming locations
  13. ^ TCM: Notes
  14. ^ TCM Notes: The Gallant Hours
  15. ^ IMDB: Release Dates
  16. ^  
  17. ^ Cagney by James McCabe, p. 319.
  18. ^ "The Gallant Hours: Review".  
  19. ^ John McCabe, Cagney (1997), p. 316–319.
  20. ^ Evan Thomas, Sea of Thunder; Four Commanders and the Last Great Naval Campaign 1941–1945, (2006), page 68; ISBN 0-7432-5221-7
  21. ^ : Review"The Gallant Hours".  
  22. ^ "The Gallant Hours"Goofs for .  


  • James Cagney. Cagney on Cagney (New York: Doubleday Company, Inc., 1976) ISBN 0-385-04587-5
  • Homer Dickens. The Complete Films of James Cagney (Secaucus, New Jersey: Citadel Press, 1972) 2nd rev. edition (1989) ISBN 0-8065-1152-4
  • John McCabe. Cagney (New York: Alfred A.Knopf, Inc., 1997) ISBN 0-679-4607-9
  • Lawrence H. Suid. Sailing the Silver Screen: Hollywood and the U.S. Navy (Annapolis, Maryland: Naval Institute Press, 1996) ISBN 1-55750-787-2
  • , 1959-1960The Gallant HoursBox: 20, Fold: 7 - - Department of Defense Film Collection, Georgetown University

External links

This article was sourced from Creative Commons Attribution-ShareAlike License; additional terms may apply. World Heritage Encyclopedia content is assembled from numerous content providers, Open Access Publishing, and in compliance with The Fair Access to Science and Technology Research Act (FASTR), Wikimedia Foundation, Inc., Public Library of Science, The Encyclopedia of Life, Open Book Publishers (OBP), PubMed, U.S. National Library of Medicine, National Center for Biotechnology Information, U.S. National Library of Medicine, National Institutes of Health (NIH), U.S. Department of Health & Human Services, and, which sources content from all federal, state, local, tribal, and territorial government publication portals (.gov, .mil, .edu). Funding for and content contributors is made possible from the U.S. Congress, E-Government Act of 2002.
Crowd sourced content that is contributed to World Heritage Encyclopedia is peer reviewed and edited by our editorial staff to ensure quality scholarly research articles.
By using this site, you agree to the Terms of Use and Privacy Policy. World Heritage Encyclopedia™ is a registered trademark of the World Public Library Association, a non-profit organization.

Copyright © World Library Foundation. All rights reserved. eBooks from Project Gutenberg are sponsored by the World Library Foundation,
a 501c(4) Member's Support Non-Profit Organization, and is NOT affiliated with any governmental agency or department.